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Special Editions
Dolen Perkins-Valdez's enchanting and unforgettable novel, based on little-known fact, combines the narrative allure of Cane River by Lalita Tademy and the moral complexities of Edward P. Jones's The Known World as it tells the story of four black enslaved women in the years preceding the Civil War--now available in a limited Olive edition.
wench \'wench\ n. from Middle English "wenchel,"1 a: a girl, maid, young woman; a female child.
Situated in Ohio, a free territory before the Civil War, Tawawa House is an idyllic retreat for Southern white men who vacation there every summer with their enslaved black mistresses. It's their open secret. Lizzie, Reenie, and Sweet are regulars at the resort, building strong friendships over the years. But when Mawu, as fearless as she is assured, comes along and starts talking of running away, things change. To run is to leave everything behind, and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances--all while they bear witness to the end of an era.
An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery.
"Readers entranced by The Help will be equally riveted by Wench. A deeply moving, beautifully written novel told from the heart."--USA Today
Fairy tales for our times from the Pulitzer Prize-winning author of The Hours
A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away--the mythic figures of our childhoods and the source of so much of our wonder--are transformed by Michael Cunningham into stories of sublime revelation.
Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans.
Reimagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.
Fifty of the world's greatest writers share their views in collaboration with the artist Matteo Pericoli, expanding our own views on place, creativity, and the meaning of home All of us, at some point in our daily lives, have found ourselves looking out the window. We pause in our work, tune out of a conversation, and turn toward the outside. Our eyes simply gaze, without seeing, at a landscape whose familiarity becomes the customary ground for distraction: the usual rooftops, the familiar trees, a distant crane. The way of life for most of us in the twenty-first century means that we spend most of our time indoors, in an urban environment, and our awareness of the outside world comes via, and thanks to, a framed glass hole in the wall. In Windows on the World: Fifty Writers, Fifty Views, architect and artist Matteo Pericoli brilliantly explores this concept alongside fifty of our most beloved writers from across the globe. By pairing drawings of window views with texts that reveal--either physically or metaphorically--what the drawings cannot, Windows on the World offers a perceptual journey through the world as seen through the windows of prominent writers: Orhan Pamuk in Istanbul, Daniel Kehlmann in Berlin, Chimamanda Ngozi Adichie in Lagos, John Jeremiah Sullivan in Wilmington, North Carolina, Nadine Gordimer in Johannesburg, Xi Chuan in Beijing. Taken together, the views--geography and perspective, location and voice--resonate with and play off each other. Working from a series of meticulous photographs and other notes from authors' homes and offices, Pericoli creates a pen-and-ink illustration of each window and the view it frames. Many readers know Pericoli's work from his acclaimed series for The New York Times and later for The Paris Review Daily, which have a devoted following. Now, Windows on the World collects from Pericoli's body of work and features fifteen never-before-seen windows in one gorgeously designed volume, as well as a preface from the Paris Review's editor Lorin Stein. As we delve into what each writer's view may or may not share with the others', as we look at the map and explore unfamiliar views of cities from around the world, a new kind of map begins to take shape. Windows on the World is a profound and eye-opening look inside the worlds of writers, reminding us that the things we see every day are woven into our selves and our imaginations, making us keener and more inquisitive observers of our own worlds.
The Wizard of Oz was been published in every major language and has been enjoyed by children the world over. Now the internationally acclaimed Viennese illustrator Lisbeth Zwerger brings her exceptional artistry and singular vision to a new and redesigned edition of The Wizard of Oz.