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Racial Justice
Despite the extensive coverage in the U.S. media of the southern border and Donald Trump's proposed wall, most English speakers have had little access to the multitude of perspectives from Mexico on the ongoing crisis. Celebrated novelist Carmen Boullosa (author of Texas and Before) and Alberto Quintero redress this imbalance with this collection of essays--translated into English for the first time--drawing on writing by journalists, novelists, and documentary-makers who are Mexican or based in Mexico. Contributors include the award-winning author Valeria Luiselli, whose Tell Me How It Ends is the go-to book on the child migrant crisis, and the novelist Yuri Herrera, author of the highly acclaimed Signs Preceding the End of the World.
Let's Talk About Your Wall uses Trump's wall as a starting point to discuss important questions, including the history of U.S.-Mexican relations, and questions of sovereignty, citizenship, and borders. An essential resource for anyone seeking to form a well-grounded opinion on one of the central issues of our day, Let's Talk About Your Wall provides a fierce and compelling counterpoint to the racist bigotry and irrational fear that consumes the debate over immigration, and a powerful symbol of opposition to exclusion and hate.
A beautiful commemorative edition of Dr. Martin Luther King's essay "Letter from Birmingham Jail," part of Dr. King's archives published exclusively by HarperCollins.
With an afterword by Reginald Dwayne Betts
On April 16, 1923, Dr. Martin Luther King Jr., responded to an open letter written and published by eight white clergyman admonishing the civil rights demonstrations happening in Birmingham, Alabama. Dr. King drafted his seminal response on scraps of paper smuggled into jail. King criticizes his detractors for caring more about order than justice, defends nonviolent protests, and argues for the moral responsibility to obey just laws while disobeying unjust ones.
"Letter from Birmingham Jail" proclaims a message - confronting any injustice is an acceptable and righteous reason for civil disobedience.
This beautifully designed edition presents Dr. King's speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality.
In Letters to My White Male Friends, Dax-Devlon Ross speaks directly to the millions of middle-aged white men who are suddenly awakening to race and racism.
White men are finally realizing that simply not being racist isn't enough to end racism. These men want deeper insight not only into how racism has harmed Black people, but, for the first time, into how it has harmed them. They are beginning to see that racism warps us all. Letters to My White Male Friends promises to help men who have said they are committed to change and to develop the capacity to see, feel and sustain that commitment so they can help secure racial justice for us all. Ross helps readers understand what it meant to be America's first generation raised after the civil rights era. He explains how we were all educated with colorblind narratives and symbols that typically, albeit implicitly, privileged whiteness and denigrated Blackness. He provides the context and color of his own experiences in white schools so that white men can revisit moments in their lives where racism was in the room even when they didn't see it enter. Ross shows how learning to see the harm that racism did to him, and forgiving himself, gave him the empathy to see the harm it does to white people as well. Ultimately, Ross offers white men direction so that they can take just action in their workplace, community, family, and, most importantly, in themselves, especially in the future when race is no longer in the spotlight.AN INSTANT NATIONAL BESTSELLER and NAACP IMAGE AWARD NOMINEE
From the New York Times bestselling author of Tears We Cannot Stop, a passionate call to America to finally reckon with race and start the journey to redemption.
"Powerfully illuminating, heart-wrenching, and enlightening." -Ibram X. Kendi, bestselling author of How to Be an Antiracist
"Crushingly powerful, Long Time Coming is an unfiltered Marlboro of black pain." -Isabel Wilkerson, bestselling author of Caste
An important and timely anthology of black British writing, edited and curated by the authors of the highly acclaimed, ground-breaking Slay In Your Lane. Slay in Your Lane Presents: Loud Black Girls features essays from the diverse voices of twenty established and emerging black British writers.
'I so enjoyed stepping inside the minds of these younger women who have so much to say, so much to express, so much to challenge' Bernardine Evaristo, Booker Prize winning authour of Girl, Woman, Other
Being a loud black girl isn't about the volume of your voice; and using your voice doesn't always mean speaking the loudest or dominating the room. Most of the time it's simply existing as your authentic self in a world that is constantly trying to tell you to minimise who you are.
Now that we've learnt how to Slay in our Lanes, what's next?
Yomi Adegoke and Elizabeth Uviebinené, authors of the acclaimed Slay in Your Lane: The Black Girl Bible, invite the next generation of black women in Britain - authors, journalists, actors, activists and artists - to explore what it means to them to exist in these turbulent times.
From assessing the cultural impact of Marvel's Black Panther, to celebrating activism in local communities. From asking how we can secure the bag while staying true to our principles, or how we can teach our daughters to own their voices, to reclaiming our culinary heritage, the essays in Loud Black Girls offer funny touching and ultimately insightful perspectives on the question of 'What's Next?'
Foreword by Bernardine Evaristo
In this engaging follow up to How to Make a Slave and Other Essays, the recipient of PEN New England Award for nonfiction and finalist for the National Book Award sharply examines and explains Black life and culture with equal parts candor and humor.
In Magically Black and Other Essays Jerald Walker elegantly blends personal revelation and cultural critique to create a bracing and often humorous examination of Black American life. He thoughtfully addresses the inherent complexities of topics as eclectic as incarceration, home renovations, gentrification, the crip walk, pimping, and the rise of the MAGA movement, approaching them through various Black perspectives, including husband, father, teacher, and writer. The collection's overarching theme is captured in the titular essay, which examines the culture of heroic action African Americans created in response to their enslavement and oppression, giving proof to Albert Murray's observation that the "fire in the forging process . . . for all its violence, does not destroy the metal that becomes the sword."
A collection of The New Yorker's groundbreaking writing on race in America--including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more--with a foreword by Jelani Cobb
This anthology from the pages of theNew Yorker provides a bold and complex portrait of Black life in America, told through stories of private triumphs and national tragedies, political vision and artistic inspiration. It reaches back across a century, with Rebecca West's classic account of a 1947 lynching trial and James Baldwin's "Letter from a Region in My Mind" (which later formed the basis of The Fire Next Time), and yet it also explores our current moment, from the classroom to the prison cell and the upheavals of what Jelani Cobb calls "the American Spring." Bringing together reporting, profiles, memoir, and criticism from writers such as Chimamanda Ngozi Adichie, Elizabeth Alexander, Hilton Als, Vinson Cunningham, Henry Louis Gates, Jr., Malcolm Gladwell, Jamaica Kincaid, Kelefa Sanneh, Doreen St. Félix, and others, the collection offers startling insights about this country's relationship with race. The Matter of Black Lives reveals the weight of a singular history, and challenges us to envision the future anew.
A collection of The New Yorker's groundbreaking writing on race in America--including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more--with a foreword by Jelani Cobb
This anthology from the pages of theNew Yorker provides a bold and complex portrait of Black life in America, told through stories of private triumphs and national tragedies, political vision and artistic inspiration. It reaches back across a century, with Rebecca West's classic account of a 1947 lynching trial and James Baldwin's "Letter from a Region in My Mind" (which later formed the basis of The Fire Next Time), and yet it also explores our current moment, from the classroom to the prison cell and the upheavals of what Jelani Cobb calls "the American Spring." Bringing together reporting, profiles, memoir, and criticism from writers such as Chimamanda Ngozi Adichie, Elizabeth Alexander, Hilton Als, Vinson Cunningham, Henry Louis Gates, Jr., Malcolm Gladwell, Jamaica Kincaid, Kelefa Sanneh, Doreen St. Félix, and others, the collection offers startling insights about this country's relationship with race. The Matter of Black Lives reveals the weight of a singular history, and challenges us to envision the future anew.
The New York Times and USA Today bestseller! This eye-opening book challenges you to do the essential work of unpacking your biases, and helps white people take action and dismantle the privilege within themselves so that you can stop (often unconsciously) inflicting damage on people of color, and in turn, help other white people do better, too.
"Layla Saad is one of the most important and valuable teachers we have right now on the subject of white supremacy and racial injustice."--New York Times bestselling author Elizabeth Gilbert
Based on the viral Instagram challenge that captivated participants worldwide, Me and White Supremacy takes readers on a 28-day journey, complete with journal prompts, to do the necessary and vital work that can ultimately lead to improving race relations.
Updated and expanded from the original workbook (downloaded by nearly 100,000 people), this critical text helps you take the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources, giving you the language to understand racism, and to dismantle your own biases, whether you are using the book on your own, with a book club, or looking to start family activism in your own home.
This book will walk you step-by-step through the work of examining:
Awareness leads to action, and action leads to change. For readers of White Fragility, White Rage, So You Want To Talk About Race, The New Jim Crow, How to Be an Anti-Racist and more who are ready to closely examine their own beliefs and biases and do the work it will take to create social change.
"Layla Saad moves her readers from their heads into their hearts, and ultimately, into their practice. We won't end white supremacy through an intellectual understanding alone; we must put that understanding into action."--Robin DiAngelo, author of New York Times bestseller White Fragility
Combat Racism, Change the World, and Become a Good Ancestor with Me and White Supremacy
Author Layla F. Saad wrote Me and White Supremacy to encourage people who hold white privilege to examine their (often unconscious) racist thoughts and behaviors through a unique, 28-day reflection process complete with journaling prompts. This guided journal, which includes the book's original weekly prompts and lots of space for note-taking and free-writing, is the perfect place to begin your antiracism journey. You will unpack:
Awareness leads to action, and action leads to change. Create the change the world needs by creating change within yourself.
The New York Times and USA Today bestseller! This eye-opening book challenges you to do the essential work of unpacking your biases, and helps white people take action and dismantle the privilege within themselves so that you can stop (often unconsciously) inflicting damage on people of color, and in turn, help other white people do better, too.
"Layla Saad is one of the most important and valuable teachers we have right now on the subject of white supremacy and racial injustice."--New York Times bestselling author Elizabeth Gilbert
Based on the viral Instagram challenge that captivated participants worldwide, Me and White Supremacy takes readers on a 28-day journey, complete with journal prompts, to do the necessary and vital work that can ultimately lead to improving race relations.
Updated and expanded from the original workbook (downloaded by nearly 100,000 people), this critical text helps you take the work deeper by adding more historical and cultural contexts, sharing moving stories and anecdotes, and including expanded definitions, examples, and further resources, giving you the language to understand racism, and to dismantle your own biases, whether you are using the book on your own, with a book club, or looking to start family activism in your own home.
This book will walk you step-by-step through the work of examining:
Awareness leads to action, and action leads to change. For readers of White Fragility, White Rage, So You Want To Talk About Race, The New Jim Crow, How to Be an Anti-Racist and more who are ready to closely examine their own beliefs and biases and do the work it will take to create social change.
"Layla Saad moves her readers from their heads into their hearts, and ultimately, into their practice. We won't end white supremacy through an intellectual understanding alone; we must put that understanding into action."--Robin DiAngelo, author of New York Times bestseller White Fragility
Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture.
Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.
In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place--from the shadows of racetracks where jockey culture and the ubiquity of "equestrian chic" was born, to the reclamation--or, in Lil Nas X's word, yeehawification--of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?
Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of "horse people"--the swaggering masculinity, snooty elitism, and assumed whiteness--to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.
A NATIONAL BESTSELLER
"My Grandmother's Hands will change the direction of the movement for racial justice."-- Robin DiAngelo, New York Times bestselling author of White Fragility
In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology.
The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans--our police.
My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide.
Deciphers the history of "Black capitalist" rhetoric-- and how it serves to enrich a minuscule few at the expense of the many
In his 1970 book The Myth of Black Capitalism, Earl Ofari Hutchinson laid out a rigorous challenge to the presumption that capitalism, in any shape or form, has the potential to rectify the stark injustices endured by Black people in America. Ofari engaged in a diligent historical review of the participation of African Americans in commercial activity in this capitalist country, demonstrating conclusively that the creation of a class of Black capitalists failed to ameliorate the extreme inequity faced by African Americans. Even "Buy Black" campaigns which aimed to "keep resources in the community," he showed, reinforced a Black bourgeoisie which often enough exploited the Black underclass to increase their own wealth. Whether Black capitalists dared to go up against, or merely tried to find their place amongst, giant monopoly corporations, Ofari argued they would make little substantive progress in the lives of Black people. And whether calls for "Black capitalism" came from within the Black Power movement for Black economic autonomy, or were appropriated by the old-line Black elite, in the end the promotion of the myth of "Black capitalism" was a project of the Black elite which solely served the interests of the capitalist managerial class. It was Richard Nixon who first introduced the notion of "Black capitalism" into mainstream American discourse, coopting the term at a time when African Americans comprised only 3% of the nation's employers. That number dwindled thereafter, and yet the term only gained cachet following the election of Barack Obama and the increased visibility of the Black elite. Thankfully, just as the rhetoric of 'Black capitalism" is being resuscitated, it is being confronted once more. In this second edition of Earl Ofari's pathbreaking book, a Monthly Review Press classic, the author adds a new Introduction, which shows both the enduring strength of the ideology of Black capitalism and its continued inability to change the nature of what has always been a racialized system of production and distribution. Ofari reveals "Black capitalism" for what it really is: a diversion from the struggle for liberation that works at cross purposes with the fight against exploitation, and a fantasy which enriches a minuscule few at the expense of the many. The Myth of Black Capitalism argues definitively that only a direct assault on the oppression of Black people and the capitalist system itself can bring this exploitation to an end.