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Racial Justice
Essays on racial flashpoints, white denial, violence, and the manipulation of fear in America today.
"Drawing on events from the killing of Trayvon Martin to the Black Lives Matter protests last summer, Wise calls to account his fellow white citizens and exhorts them to combat racist power structures."--The New York Times
"What Tim Wise has brilliantly done is to challenge white folks' truth to see that they have a responsibility to do more than sit back and watch, but to recognize their own role in co-creating a fair, inclusive, truly democratic society."--Michelle Alexander, author of The New Jim Crow
"Tim Wise's new book gives us the tools we need to reach people whose understanding of our country is white instead of right. And without pissing them off!"--James W. Loewen, author, Lies My Teacher Told Me
"Tim Wise's latest is more urgent than ever. "--Heather Ann Thompson, Pulitzer Prize-winning author of Blood in the Water: The Attica Prison Uprising of 1971 and its Legacy
"A white social justice advocate clearly shows how racism is America's core crisis. A trenchant assessment of our nation's ills."--*Kirkus Reviews, Starred Review
" [Dispatches from the Race War] is a bracing call to action in a moment of social unrest."--Publishers Weekly
"Dispatches from the Race War exhorts white Americans to join the struggle for a fairer society."--Chapter 16
In this collection of essays, renowned social-justice advocate Tim Wise confronts racism in contemporary America. Seen through the lens of major flashpoints during the Obama and Trump years, Dispatches from the Race War faces the consequences of white supremacy in all its forms. This includes a discussion of the bigoted undertones of the Tea Party's backlash, the killing of Trayvon Martin, current day anti-immigrant hysteria, the rise of openly avowed white nationalism, the violent policing of African Americans, and more.
Wise devotes a substantial portion of the book to explore the racial ramifications of COVID-19, and the widespread protests which followed the police murder of George Floyd.
Concise, accessible chapters, most written in first-person, offer an excellent source for those engaged in the anti-racism struggle. Tim Wise's proactive approach asks white allies to contend with--and take responsibility for--their own role in perpetuating racism against Blacks and people of color.
Dispatches from the Race War reminds us that the story of our country is the history of racial conflict, and that our future may depend on how--or if--we can resolve it. "To accept racism is quintessentially American," writes Wise, "to rebel against it is human. Be human."
Packed with activities, games, illustrations, comics, and eye-opening conversation, Do the Work! challenges readers to think critically and act effectively. Try the "Separate but Not Equal" crossword puzzle. Play "Bootstrapping, the Game" to understand the myth of meritocracy. Test your knowledge of racist laws by playing "Jim Crow or Jim Faux?" Have hard conversations with your people (scripts and talking points included). Be open to new ideas and diversify your "feed" with a scavenger hunt. Team up with an accountability partner and find hundreds of ideas, resources, and opportunities to DO THE WORK! Ready to get started?
Frantz Fanon's seminal work on anticolonialism and the fifth year of the Algerian Revolution.
Psychiatrist, humanist, revolutionary, Frantz Fanon was one of the great political analysts of our time, the author of such seminal works of modern revolutionary theory as The Wretched of the Earth and Black Skin, White Masks. He has had a profound impact on civil rights, anticolonialism, and black consciousness movements around the world.
A Dying Colonialism is Fanon's incisive and illuminating account of how, during the Algerian Revolution, the people of Algeria changed centuries-old cultural patterns and embraced certain ancient cultural practices long derided by their colonialist oppressors as "primitive," in order to destroy those oppressors. Fanon uses the fifth year of the Algerian Revolution as a point of departure for an explication of the inevitable dynamics of colonial oppression. This is a strong, lucid, and militant book; to read it is to understand why Fanon says that for the colonized, "having a gun is the only chance you still have of giving a meaning to your death."
NOW A NEW YORK TIMES BESTSELLER - An Emma Watson "Our Shared Shelf" Selection for November/December 2018 - NAMED A BEST BOOK OF 2018/ MENTIONED BY: The New York Public Library - Mashable - The Atlantic - Bustle - The Root - Politico Magazine ("What the 2020 Candidates Are Reading This Summer") - NPR - Fast Company ("10 Best Books for Battling Your Sexist Workplace") - The Guardian ("Top 10 Books About Angry Women")
One of Kirkus Review's Best Books About Being Black in America On Detroit Free Press' Holiday Book Gift List
"Dyson's work clearly comes from a deep well of love--for his country, for his people and for the intellectual and cultural figures he admires." --New York Times
--Speaker Nancy Pelosi "To read Entertaining Race is to encounter the life-long vocation of a teacher who preaches, a preacher who teaches and an activist who cannot rest until all are set free."
--Senator Reverend Raphael Warnock For more than thirty years, Michael Eric Dyson has played a prominent role in the nation as a public intellectual, university professor, cultural critic, social activist and ordained Baptist minister. He has presented a rich and resourceful set of ideas about American history and culture. Now for the first time he brings together the various components of his multihued identity and eclectic pursuits. Entertaining Race is a testament to Dyson's consistent celebration of the outsized impact of African American culture and politics on this country. Black people were forced to entertain white people in slavery, have been forced to entertain the idea of race from the start, and must find entertaining ways to make race an object of national conversation. Dyson's career embodies these and other ways of performing Blackness, and in these pages, ranging from 1991 to the present, he entertains race with his pen, voice and body, and occasionally, alongside luminaries like Cornel West, David Blight, Ibram X. Kendi, Master P, MC Lyte, Ta-Nehisi Coates, Alicia Garza, John McWhorter, and Jordan Peterson. Most of this work will be new to readers, a fresh light for many of his long-time fans and an inspiring introduction for newcomers. Entertaining Race offers a compelling vision from the mind and heart of one of America's most important and enduring voices.
In this major work of daring criticism and analysis, scholar and political commentator Marc Lamont Hill and Israel-Palestine expert Mitchell Plitnick spotlight how one-sided pro-Israel policies reflect the truth-bending grip of authoritarianism on both Israel and the United States. Except for Palestine argues that progressives and liberals who oppose regressive policies on immigration, racial justice, gender equality, LGBTQ rights, and other issues must extend these core principles to the oppression of Palestinians. In doing so, the authors take seriously the political concerns and well-being of both Israelis and Palestinians, demonstrating the extent to which U.S. policy has made peace harder to attain. They also unravel the conflation of advocacy for Palestinian rights with anti-Semitism and hatred of Israel.
Hill and Plitnick provide a timely and essential intervention by examining multiple dimensions of the Israeli-Palestinian conversation, including Israel's growing disdain for democracy, the effects of occupation on Palestine, the siege of Gaza, diminishing American funding for Palestinian relief, and the campaign to stigmatize any critique of Israeli occupation. Except for Palestine is a searing polemic and a cri de coeur for elected officials, activists, and everyday citizens alike to align their beliefs and politics with their values.
Honorable Mention, 2026 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association
Finalist, 2026 PROSE Award in Media and Cultural Studies, given by the Association of American PublishersThe convergence of the politics of representation and Black fan cultures Boldly going where few fandom scholars have gone before, Fandom for Us, by Us breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the "four C's" class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study.
FINALIST FOR THE PORCHLIGHT BUSINESS BOOK AWARD - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL From the New York Times bestselling author of The Other Wes Moore and governor of Maryland, a kaleidoscopic account of five days in the life of a city on the edge, told through eight characters on the front lines of the uprising that overtook Baltimore and riveted the world When Freddie Gray was arrested for possessing an "illegal knife" in April 2015, he was, by eyewitness accounts that video evidence later confirmed, treated "roughly" as police loaded him into a vehicle. By the end of his trip in the police van, Gray was in a coma from which he would never recover. In the wake of a long history of police abuse in Baltimore, this killing felt like the final straw--it led to a week of protests, then five days described alternately as a riot or an uprising that set the entire city on edge and caught the nation's attention. Wes Moore is a Rhodes Scholar, bestselling author, decorated combat veteran, former White House fellow, and CEO of Robin Hood, one of the largest anti-poverty nonprofits in the nation. While attending Gray's funeral, he saw every stratum of the city come together: grieving mothers, members of the city's wealthy elite, activists, and the long-suffering citizens of Baltimore--all looking to comfort one another, but also looking for answers. He knew that when they left the church, these factions would spread out to their own corners, but that the answers they were all looking for could be found only in the city as a whole. Moore--along with journalist Erica Green--tells the story of the Baltimore uprising both through his own observations and through the eyes of other Baltimoreans: Partee, a conflicted black captain of the Baltimore Police Department; Jenny, a young white public defender who's drawn into the violent center of the uprising herself; Tawanda, a young black woman who'd spent a lonely year protesting the killing of her own brother by police; and John Angelos, scion of the city's most powerful family and executive vice president of the Baltimore Orioles, who had to make choices of conscience he'd never before confronted. Each shifting point of view contributes to an engrossing, cacophonous account of one of the most consequential moments in our recent history, which is also an essential cri de coeur about the deeper causes of the violence and the small seeds of hope planted in its aftermath.
LONGLISTED FOR THE PORCHLIGHT BUSINESS BOOK AWARD - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL From the New York Times bestselling author of The Other Wes Moore, a kaleidoscopic account of five days in the life of a city on the edge, told through eight characters on the front lines of the uprising that overtook Baltimore and riveted the world When Freddie Gray was arrested for possessing an "illegal knife" in April 2015, he was, by eyewitness accounts that video evidence later confirmed, treated "roughly" as police loaded him into a vehicle. By the end of his trip in the police van, Gray was in a coma from which he would never recover. In the wake of a long history of police abuse in Baltimore, this killing felt like the final straw--it led to a week of protests, then five days described alternately as a riot or an uprising that set the entire city on edge and caught the nation's attention. Wes Moore is a Rhodes Scholar, bestselling author, decorated combat veteran, former White House fellow, and CEO of Robin Hood, one of the largest anti-poverty nonprofits in the nation. While attending Gray's funeral, he saw every stratum of the city come together: grieving mothers, members of the city's wealthy elite, activists, and the long-suffering citizens of Baltimore--all looking to comfort one another, but also looking for answers. He knew that when they left the church, these factions would spread out to their own corners, but that the answers they were all looking for could be found only in the city as a whole. Moore--along with journalist Erica Green--tells the story of the Baltimore uprising both through his own observations and through the eyes of other Baltimoreans: Partee, a conflicted black captain of the Baltimore Police Department; Jenny, a young white public defender who's drawn into the violent center of the uprising herself; Tawanda, a young black woman who'd spent a lonely year protesting the killing of her own brother by police; and John Angelos, scion of the city's most powerful family and executive vice president of the Baltimore Orioles, who had to make choices of conscience he'd never before confronted. Each shifting point of view contributes to an engrossing, cacophonous account of one of the most consequential moments in our recent history, which is also an essential cri de coeur about the deeper causes of the violence and the small seeds of hope planted in its aftermath.
In these times of reckoning--at last--with America's original sin of slavery and racist policies, with police misconduct, and with mass-incarceration, many in our country ask, "What can we do?"
In this powerful and insightful book, Andrea D. Lyon explicates what is wrong with the criminal justice system through clients' stories and historical perspective, and makes the compelling case for the need for reform at the center of the system; not just its edges. Lyon, suggests that we should create an office of the Defender General of the United States and give it the same level of importance as the Attorney General and the Solicitor General. Such an office would not be held by someone who represents law enforcement, or corporate America, but rather by someone who represents and advocates for accused individuals, collectively before the powers that be. A Defender General would raise his or her voice against injustices like those involving the unnecessary killings of George Floyd and Breonna Taylor, or the Texas Supreme Court's refusal to let an innocent man, cleared by DNA, out of prison. The United States needs a Defender General.
"For Colored Girls Who Have Considered Politics. It's a wonderful, necessary book."
- Hillary Clinton
The four most powerful African American women in politics share the story of their friendship and how it has changed politics in America.
Reflecting on the importance of black feminism, intersectionality, and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyzes today's struggles against state terror, from Ferguson to Palestine. Facing a world of outrageous injustice, Davis challenges us to imagine and build the movement for human liberation. And in doing so, she reminds us that "Freedom is a constant struggle." Angela Y. Davis is a political activist, scholar, author, and speaker. She is an outspoken advocate for the oppressed and exploited, writing on Black liberation, prison abolition, the intersections of race, gender, and class, and international solidarity with Palestine. She is the author of several books, including Women, Race, and Class and Are Prisons Obsolete? She is the subject of the acclaimed documentary Free Angela and All Political Prisoners and is Distinguished Professor Emerita at the University of California, Santa Cruz. One of America's most provocative public intellectuals, Dr. Cornel West has been a champion for racial justice since childhood. His writing, speaking, and teaching weave together the traditions of the black Baptist Church, progressive politics, and jazz. The New York Times has praised his "ferocious moral vision." His many books include Race Matters, Democracy Matters, and his autobiography, Brother West: Living and Loving Out Loud. Frank Barat is a human rights activist and author. He was the coordinator of the Russell Tribunal on Palestine and is now the president of the Palestine Legal Action Network. His books include Gaza in Crisis and Corporate Complicity in Israel's Occupation.
In this stirring and insightful analysis, activist and scholar Keeanga-Yamahtta Taylor surveys the historical and contemporary ravages of racism and persistence of structural inequality such as mass incarceration and Black unemployment. In this context, she argues that this new struggle against police violence holds the potential to reignite a broader push for Black liberation.


















