American Poetry Now is a comprehensive collection of the best work from the renowned Pitt Poetry Series. Since its inception in 1967, the series has been a vehicle for America's finest contemporary poets. The series list includes Poet Laureate Billy Collins, Toi Derricotte, Denise Duhamel, Lynn Emanuel, Bob Hicok, Poet Laureate and Pulitzer Prize winner Ted Kooser, Larry Levis, Sharon Olds, Alicia Suskin Ostriker, Virgil Suárez, Afaa Michael Weaver, David Wojahn, Dean Young, and many others.
Throughout its forty-year history, the Pitt Poetry Series has provided a voice for the diversity that is American poetry, representing poets from many backgrounds without allegiance to any one school or style. American Poetry Now is a true representation of contemporary American poetry.
Ed Ochester, series editor for nearly thirty years, has assembled a quintessential selection-along with biographies and photos, an enlightening introduction, and a suggested list for further reading, all in a highly accessible format. American Poetry Now is a sweeping anthology that will delight poetry fans, students, teachers, and general readers alike.
Mary Oliver's most acclaimed volume of poetry, American Primitive contains fifty visionary poems about nature, the humanity in love, and the wilderness of America, both within our bodies and outside.
American Primitive enchants me with the purity of its lyric voice, the loving freshness of its perceptions, and the singular glow of a spiritual life brightening the pages. -- Stanley Kunitz
These poems are natural growths out of a loam of perception and feeling, and instinctive skill with language makes them seem effortless. Reading them is a sensual delight. -- May Swenson
"When we're overcome / by everything we think we love--then by morning / we're adults." Just as the oil of American spikenard may provide relief from childhood, so does Sarah Vap provide the kind of holy and extravagant love and honor that can relieve the growing pains of "everyone's little girl."
A brilliant new collection by Elizabeth Alexander, whose poems bristle with the irresistible quality of a world seen fresh (Rita Dove, The Washington Post)
Too many people have seen too muchand lived to tell, or not tell, or tell
with their silent, patterned bodies,
their glass eyes, gone legs, flower-printed flesh . . .
-from Notes From In her fourth remarkable collection, Elizabeth Alexander voices the outcries, dreams, and histories of an African American tradition that goes back to the slave rebellion on the Amistad and to the artists' canvases of nineteenth-century America. In persona poems, historical narratives, jazz riffs, sonnets, elegies, and a sequence of ars poetica, American Sublime is Alexander's most vivid and varied collection and affirms her place as one of America's most lively and gifted writers. Alexander is an unusual thing, a sensualist of history, a romanticist of race. She weaves biography, history, experience, pop culture and dream. Her poems make the public and private dance together. --Chicago Tribune
In this stunning collection, Joy Harjo finds blessings in the abundance of her homeland and confronts the site where the Mvskoke people, including her own ancestors, were forcibly displaced. From her memory of her mother's death, to her beginnings in the Native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to create a space for renewed beginnings.
In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to create a space for renewed beginnings. Her poems sing of beauty and survival, illuminating a spirituality that connects her to her ancestors and thrums with the quiet anger of living in the ruins of injustice. A descendent of storytellers and "one of our finest--and most complicated--poets" (Los Angeles Review of Books), Joy Harjo continues her legacy with this latest powerful collection.
She is a shimmering, tattooed, and acerbic angel, flown from Paradise to save him from the suburbs of hell. He, an accountant worn down by the day-to-day struggles of the nine to five, is dreaming of a white Christmas, a little garden and someone to love. She attempts, with scornful wit, to shock him out of his commuter's habits and into an experience of ecstasy.
Man Booker Prize shortlisted Deborah Levy whips up a storm of romance and slapstick, of heavenly and earthly delights, in this passionate work of dramatic poetry.
ever since i arrived
on your blue planet
most of it ocean
i hear the breath of an octopus
bigger than a car
eggs in her arms
calling for you
Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company. Her most recent novel, Swimming Home (2011 And Other Stories UK publication and 2012 Bloomsbury US publication), was shortlisted for the 2012 Man Booker Prize, 2012 Specsavers National Book Awards (UK Author of the Year), and 2013 Jewish Quarterly Wingate Prize, while her most recent collection of short stories, Black Vodka: ten stories, was shortlisted for the Frank O'Connor International Short Story Award and its title story Black Vodka shortlisted for the 2012 BBC International Short Story Award. An Amorous Discourse in the Suburbs of Hell was first published in 1990 in the United Kingdom and appears now in a new edition, its first US edition.
From My Body is a System of Enlightenment from ANALOG:
I lope down the mountainside,
but my wings won't open.
Grey stone buildings freckle
the slope.
My feet are covered in scar tissue,
the toes are fused, where have I run?
Angels put their hands on my shoulders
and hold me in place.
The hatchet laid against the sapling
fuses into the trunk over time.