Poetry

Ninety miles separate Cuba and Key West, Florida. Crossing that distance, thousands of Cubans have lost their lives. For Cuban American poet Virgil Su\u00e1rez, that expanse of ocean represents the state of exile, which he has imaginatively bridged in over two decades of compelling poetry.
\u0022Whatever isn't voiced in time drowns, \u0022 Su\u00e1rez writes in \u0022River Fable, \u0022 and the urgency to articulate the complex yearnings of the displaced marks all the poems collected here. 90 Miles contains the best work from Su\u00e1rez's six previous collections: You Come Singing, Garabato, In the Republic of Longing, Palm Crows, Banyan, and Guide to the Blue Tongue, as well as important new poems.
At once meditative, confessional, and political, Su\u00e1rez's work displays the refracted nature of a life of exile spent in Cuba, Spain, and the United States. Connected through memory and desire, Caribbean palms wave over American junk mail. Cuban mangos rot on Miami hospital trays. William Shakespeare visits Havana. And the ones who left Cuba plant trees of reconciliation with the ones who stayed.
Courageously prolific, Virgil Su\u00e1rez is one of the most important Latino writers of his generation.

Now in paperback, a major career retrospective by the California Poet Laureate, Dana Gioia

So much of what we live goes on inside--
The diaries of grief, the tongue-tied aches
Of unacknowledged love are no less real
For having passed unsaid. What we conceal
Is always more than what we dare confide.
Think of the letters that we write our dead.

--from "Unsaid"

Dana Gioia has long been celebrated as a poet of sharp intelligence and brooding emotion with an ingenious command of his craft. 99 Poems: New & Selected gathers for the first time work from across his career, including many remarkable new poems. Gioia has not arranged this selection chronologically but instead has organized it by theme in seven sections: Mystery, Place, Remembrance, Imagination, Stories, Songs, and Love. The result is a book that reveals and renews the pleasures, consolations, and sense of wonder that poetry bestows.

Eeva Kilpi is one of Finland's best-loved writers, and a Nobel Prize nominee. Her work has been published in sixteen languages, but this is her first full-length poetry collection in English.

Kilpi's poems, which encompass everything from bawdy humour to compassionate irony, and from haunting expressions of love and loss to an obvious passion for the natural world, have a shamanistic, shape-shifting quality about them. They explore different ways of being: they serve both as companions on the life-journey and as a representation of the journey itself.

Donald Adamson's translations, produced in collaboration with the author, are a memorable introduction for new readers to the wisdom of this mature, sure-footed poet with her wholly individual voice.

Meditative, comic, emotionally wrenching, steeped in both the natural world and the life of the mind, the poetry of A. R. Ammons is at once cosmic in scope and intimate in its moment-to-moment transformations. With his mastery of description and cadence, his roiling wit and fearless gaze, Ammons was a philosopher of the everyday who found surprise everywhere he looked. "He is often witty, sometimes bawdy," writes editor David Lehman, "on a perpetual quest to find forms capacious enough for an imagination intent on finding a place for everything."

A compound, in editor David Lehman's words, of "wisdom, pathos, humor, mortal longing, and intimations of immortality," the work of A. R. Ammons is like nothing else in modern American poetry. Ammons's tireless formal invention and restless curiosity about every aspect of nature and of the mind are embodied in poetry that is effortlessly accessible and generous in its impulses. Whether spreading out in the long forms of Tape for the Turn of the Year or Garbage, or honing his perceptions down to the extreme brevity of his shorter lyrics, he holds tight to his vision of the way "all day / life itself is bending, / weaving, changing, / adapting, failing, / succeeding."

This new selection covering the whole range of Ammons's career offers a superb introduction to the pleasures and surprises of his work. His uncanny ability to balance wide-ranging abstract speculation with meticulous observation of natural phenomena, in poetry that encompasses moods of tragic pathos, low comedy, and seemingly casual profundity marks him as one of the preeminent figures in our recent literature.

About the American Poets Project
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

An exhalation of love, loss, and heartbreak, Abandoned Breaths is a poetic work of catharsis. From the acclaimed author of I Find You in the Darkness, Alfa's writing is at once deeply personal and universal--resulting in an emotive force that stays with you. This new edition of Abandoned Breaths includes an updated introduction and a brand-new chapter of modern poetry. Find respite, resilience, and rejuvenation from the moving poetry of Abandoned Breaths.

There are words
that need to be said.
Buried beneath pride and fear.
Rejection has suffocated
their tenacity to bloom.
So, they stay dormant
and fester.
Dwelling in the darkest
and dusty corners of a crying soul.
Unseen, yet felt.
Not alive, but not dead.
Abandoned breaths.
Words that need to be said.
-Alfa

Moods for strong women who are weary from heartache.

DAVID DUCHOVNY'S DEBUT BOOK OF POETRY covers a range of intimate themes, in particular his relationship with his father, who looms large throughout the work. Here, Duchovny's typically clever wordplay distills to an emotionally impactful portrayal of what the author holds most dear. His approach to poetry is beautifully encapsulated in his introduction:

Poetry is not useful. And that is exactly why we need it. It reminds us of two important things: our ultimate lack of agency (unpopular to say, I know) and our inability to say anything plain, our inability to capture what it means to be human with the imperfect tool of words; we come face-to-face with our shadow selves, for in the end we will all die and be forgotten, and come away with nothing, nothing in the way of utility anyway, no talking points, no bullet points, no propaganda, no resolutions, no policy, no knowledge. If anything, maybe we remember a few lines . . . something like a pop song from the collective unconscious, something like wisdom . . . You see, I wanted to say it plain, but out comes that torrent of modifiers and adjustments, denials, double negatives, shading, stabs at wit, backpedaling, playing at capturing the lightning. Maybe this time. Maybe that's what a poem is--that glorious feeling of Maybe this time I'll get it right. If that's the case, it seems a worthy enterprise to me.

With About Time--perhaps his most personal work to date--Duchovny (author, actor, singer-songwriter, filmmaker, podcaster) continues his journey as one of our most prolific creators.

Front cover photo (c) Stefan Sappert