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Poetry
This major bilingual anthology, with English translations by Richard Zenith and Alexis Levitin, introduces the work of 28 Portuguese poets (beginning with Fernando Pessoa and his 'heteronyms'), and reveals a richly varied body of verse that is at once a place of departure and exploration as well as, in the words of Alexandre O'Neill's 'Portugal', "an ongoing discussion with myself"
Grammy nominated singer/songwriter Jhené Aiko Efuru Chilombo has developed and refined a method of emoting through writing. 2Fish is a collection of intimate poems (and a few short stories) written by Chilombo from adolescence to adulthood, in no particular order. The book details Chilombo's thoughts in their most raw and honest form taken directly from a collection of notebooks she has kept since age 12.
The winner of the 2014 Pulitzer Prize in Poetry, now in paperback
First I had three
apocalyptic visions, each more terrible than the last. The graves open, and the sea rises to kill us all.
Then the doorbell rang, and I went downstairs and signed for two packages--
--from "This Morning"
In an array of poetic forms from the rhyming lyric to the philosophical meditation to the prose essay, 3 Sections confronts perplexing divisions of contemporary life--a wayward history, an indeterminate future, and a perpetual longing to out-think time. This is a vital book by one of America's best poets.
In his first poetry collection, Robert Eric Shoemaker delves deeply into the darkest haven, a rift filled with addictions of harmful and placid varieties many are familiar with. Over the course of a month the writer's attempts to remain sober and clean of all contaminants demonstrate an on-going internal battle, studded with triumphs and failures, moments of insight and moments of pain. Shoemaker's language brims with the electrical quality of one on the edge, living as best one can under societal and artistic pressures, as well as personal demons. Shoemaker's story and poetic voice are empathetic to the plight of multitudes. Sparkling with hope dipped in chaos, "30 Days Dry" proclaims with gusto the possibility of a future free of abuse. --Amazon Categories--NonfictionHealth & FitnessMental HealthHealingComing of AgeMemoirDiaries & JournalsArts & PhotographyThought Collection Publishing's 30 Days... series challenges artists to write consecutively for 30 days on a specific area of study, reflection, or expertise. In return they would personally experience something amazing. The manuscripts in the 30 Days... series are all personal journeys that expand life perspectives. Thought Collection Publishing is an indie publisher supporting social change through our narrative nonfiction publications. Ten percent of sales from "30 Days Dry" goes to support the Howard Brown Health Center's Recovering With Pride substance use group. Join the publisher's contact list to stay informed about projects and other books in this series: eepurl.com/CuL35. Also visit www.thoughtcollection.org/30-days or www.reshoemaker.com for more information. All ebooks from Thought Collection Publishing are $2.99 because we believe in equal access to art and literature.
30 Poems in 30 Days: Poetry Prompts Inspired by Trio House Press Poets is a book to inspire the poetry and prose in our lives. Readers and writers will enjoy work from poets published by Trio House Press, while also engaging in prompts inspired by various literary devices these poets uniquely employ. 30 Poems in 30 Days aligns directly with Trio House Press's mission to encourage the artistic writing of poetry and prose.
An explosive, devastating debut book of poetry from the acclaimed author of The Boat In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature--in a virtuosic array of forms and registers--before shattering the form itself. In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity--and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma. But it also means the violence of that assumption. Of being always assumed to be outside one's home, country, culture, or language. And the complex violence--for the diasporic writer who wants to address any of this--of language itself. Making use of multiple tones, moods, masks, and camouflages, Le's poetic debut moves with unpredictable and destabilizing energy between the personal and the political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.
4-Headed Woman is a journey into and through womanhood--from preadolescence through menopause--and an exploration of women's relations with one another. The poems employ female domestic imagery, manifest in the titles in the book's first section, which name different types of breads found throughout the world--from coconut to pita. Yet many of these poems are sparse and abstract in their trajectory. The poems in the second section focus specifically on menses, weaving together biological, folk, and cultural aspects in a humorous tone. The third section, "Graffiti Poem," comprises poems centered around college restrooms, which Adisa sees as a site of communication--through graffiti among other means--for students on a wide variety of social-sexual issues. In 4-Headed Woman, Adisa bravely explores and uncovers taboos about womanhood in a controlled and at times lyrical style laced with humor.
This collection, which won the 2015 Costa Poetry Award, is an exhibition of the Dundee-born poet's stunningly accomplished adoption of the sonnet's ancient structure
This collection from Don Paterson, his first since the Forward Prize-winning Rain in 2009, is a series of forty luminous sonnets. Some take a traditional form, while others experiment with the reader's conception of the sonnet, but they all share the lyrical intelligence and musical gift that has made Paterson one of our most celebrated poets.
Addressed to friends and enemies, the living and the dead, children, musicians, poets, and dogs, these poems are as ambitious in their scope and tonal range as in the breadth of their concerns. Here, voices call home from the blackout and the airlock, the storm cave and the séance, the coal shed, the war, the highway, the forest, and the sea. These are voices frustrated by distance and darkness, which ring with the "sound that fades up from the hiss, / like a glass some random downdraught had set ringing, / now full of its only note, its lonely call."
In 40 Sonnets, Paterson returns to some of his central themes--contradiction and strangeness, tension and transformation, the dream world, and the divided self--in some of the most powerful and formally assured poems of his career.
This collection, which won the 2015 Costa Poetry Award, is an exhibition of the Dundee-born poet's stunningly accomplished adoption of the sonnet's ancient structure
This collection from Don Paterson, his first since the Forward Prize-winning Rain in 2009, is a series of forty luminous sonnets. Some take a traditional form, while others experiment with the reader's conception of the sonnet, but they all share the lyrical intelligence and musical gift that has made Paterson one of our most celebrated poets.
Addressed to friends and enemies, the living and the dead, children, musicians, poets, and dogs, these poems are as ambitious in their scope and tonal range as in the breadth of their concerns. Here, voices call home from the blackout and the airlock, the storm cave and the séance, the coal shed, the war, the highway, the forest, and the sea. These are voices frustrated by distance and darkness, which ring with the "sound that fades up from the hiss, / like a glass some random downdraught had set ringing, / now full of its only note, its lonely call."
In 40 Sonnets, Paterson returns to some of his central themes--contradiction and strangeness, tension and transformation, the dream world, and the divided self--in some of the most powerful and formally assured poems of his career.
"The overarching metaphors of film and movie-going appear gracefully" (Lauren Kane, Paris Review) in the poems of 4:30 Movie--by turns intimate and wild, provocative and tender. Award-winning poet Donna Masini explores personal loss, global violence, the preoccupations of our daily lives, and the consolations of art as she brings her wit, grief, fury, and propulsive energy to bear on our attempts to bargain with endings of every kind.
Playwright Sarah Ruhl's first book of poetry, 44 Poems for You, offers poems that form a subtle, personal meditation on family, motherhood, and loss. With a finely tuned ear for language, Ruhl's poetry sings with a humbling honesty about what it means to share our lives with others and with those who form our hollows: a miscarriage, a close friend lost to cancer, and the sublimity of nature. She delves into womanhood through the physical reality of the everyday, and shows us life through her hands--making terrariums or jam with her husband, holding a child, grasping the counter as she bleeds. Succinct and contemplative, generous and wise, Sarah Ruhl--one of the greatest contemporary playwrights working today--addresses these poems to you.
"Their verse . . . is strikingly different. Michael's poems are interior, fragmentary, and austere, often stripped down to single-word lines; they seethe with incipient violence. Matthew's are effusive, ecstatic, and all-embracing, spilling over with pop-cultural references and exuberant carnality." --The New Yorker
Identical twins Michael and Matthew Dickman once invented their own language. Now they have invented an exhilarating book of poem-plays about the fifty states. Pointed, comic, and surreal, these one-page vignettes feature unusual staging and an eclectic cast of characters--landforms, lobsters, and historical figures including Duke Ellington, Sacajawea, Judy Garland, and Kenneth Koch, the avant-garde spirit informing this book introduced by playwright John Guare.
"Lucky in Kansas"
Judy Garland: This is always the worst part
Tin Man: The coming back
Judy Garland: Yes, it fucking sucks, it's depressing as shit
The Lion: Well, we're lucky to still be employed at this farm
Straw Man: I wouldn't call it lucky
The Lion: We were lucky to get back
Straw Man: That's not really lucky either I don't think you know what lucky means
Judy Garland: It's funny what you miss
Tin Man: The running
Judy Garland: The flying
Tin Man: The flying monkeys
Judy Garland: The beautiful flying monkeys above the endless emeralds the unbelievably green world
Michael Dickman and Matthew Dickman are identical twins who were born and raised in Portland, Oregon. Michael received the 2010 James Laughlin Award for his second collection Flies (Copper Canyon Press, 2011). Matthew won the prestigious APR/Honickman Award for his debut volume, All-American Poem.
"These are poems with teeth and tenderness and so much knowledge. You'd overlook their sharp, glinting beauty at your peril."
--Kathryn Nuernberger, author of The Witch of Eye and RUE
--Kathryn Nuernberger, author of The Witch of Eye and RUE
This is a book of tragicomic gurlesque word-witchery inspired by the Kate Bush cosmos. Campily glamorous, darkly funny, obsessively ekphrastic, boozily baroque, psychedelically girly & musically ecstatic, 50 Things Kate Bush Taught Me About the Multiverse dazzles as Karyna McGlynn's third collection.
A wild, masterful Pulitzer Prize-winning cycle of poems that half a century later still shocks and astounds
John Berryman was hardly unknown when he published 77 Dream Songs, but the volume was, nevertheless, a shock and a revelation. A "spooky" collection in the words of Robert Lowell-"a maddening work of genius."
As Henri Cole notes in his elegant, perceptive introduction, Berryman had discovered "a looser style that mixed high and low dictions with a strange syntax." Berryman had also discovered his most enduring alter ego, a paranoid, passionate, depressed, drunk, irrepressible antihero named Henry or, sometimes, Mr. Bones: "We touch at certain points," Berryman claimed, of Henry, "But I am an actual human being."
Henry may not be real, but he comes alive on the page. And while the most famous of the Dream Songs begins, "Life, friends, is boring," these poems never are. Henry lusts: seeing a woman "Filling her compact & delicious body / with chicken páprika" he can barely restrain himself: "only the fact of her husband & four other people / kept me from springing on her." Henry despairs: "All the world like a woolen lover / once did seem on Henry's side. / Then came a departure." Henry, afraid of his own violent urges, consoles himself: "Nobody is ever missing."
77 Dream Songs won the Pulitzer Prize in 1965, but Berryman's formal and emotional innovations-he cracks the language open, creates a new idiom in which to express eternal feelings-remain as alive and immediate today as ever.
Coolidge's embrace of the sonnet form - a continuation of the project begun in On the Nameways and Alien Tatters - is a gemlike amalgam of narrative urge, wacky name-dropping, and pure visuality. Coolidge's legendary proliferation - as many as 10 sonnets in a single day - marries the stunning variety of his intellect, on the mountaintop of formal inquiry.
Ninety miles separate Cuba and Key West, Florida. Crossing that distance, thousands of Cubans have lost their lives. For Cuban American poet Virgil Su\u00e1rez, that expanse of ocean represents the state of exile, which he has imaginatively bridged in over two decades of compelling poetry. \u0022Whatever isn't voiced in time drowns, \u0022 Su\u00e1rez writes in \u0022River Fable, \u0022 and the urgency to articulate the complex yearnings of the displaced marks all the poems collected here. 90 Miles contains the best work from Su\u00e1rez's six previous collections: You Come Singing, Garabato, In the Republic of Longing, Palm Crows, Banyan, and Guide to the Blue Tongue, as well as important new poems. At once meditative, confessional, and political, Su\u00e1rez's work displays the refracted nature of a life of exile spent in Cuba, Spain, and the United States. Connected through memory and desire, Caribbean palms wave over American junk mail. Cuban mangos rot on Miami hospital trays. William Shakespeare visits Havana. And the ones who left Cuba plant trees of reconciliation with the ones who stayed. Courageously prolific, Virgil Su\u00e1rez is one of the most important Latino writers of his generation.
With Nathaniel Mackey's fifth collection of poems, Nod House, we witness a confluence of music and meaning unprecedented in American poetry. Mackey's art continues to push the envelope of what is possible to map and remap through words in sounds and sounds in words. Picking up with Nub's disintegration at the end of his previous collection -- the National Book Award-winning Splay Anthem -- we follow a traveler and a tribe of travelers ensconced in myth and history as Mackey continues to weave his precisely measured music with two ongoing serial poems, Song of the Andoumboulou and Mu. The collec- tion is divided into two sections, both titled "Quag," and it is this double-Quag ("Nub's new colony Quag" or Qraq or Ouab'da or Quaph . . .) that the tribe is exiled in, worlds within alternate worlds where names and places are ever-shifting, and dreamlessness reigns. From the pyramids to the projects, Ivory Coast to Lone Coast, Lagos to Stick City, amidst chorusing horns and star-spar lightning, Nod House ("Nub's / new / address") unfolds as gorgeous eulogy, copla-cuts of deep song, the long elegiac march of "day after day of the dead."