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Poetry

View with a Grain of Sand: Selected Poems(1st ed.)

View with a Grain of Sand: Selected Poems(1st ed.)

$14.00
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In these 100 poems Wislawa Szymborska portrays a world of astonishing diversity and richness, in which nature is wise and prodigal and fate unpredictable, if not mischievous. With acute irony tempered by a generous curiosity, she documents life's improbability as well as its transient beauty. The ruins of Troy; sunlight gleaming on a pewter jug; birds returning in the spring; the Abominable Snowman lurking in the Himalayas; a body-building contest; a symphony; a macabre laboratory experiment with a decapitated dog; a postcard from a sister who has "much to tell"; the discovery of a new star; the irrationality of love; the infinity of [pi].

Vigilance

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Poetry. A new collection from San Francisco poet Benjamin Hollander. Born in Israel, Hollander emigrated to New York in 1958, and to San Francisco twenty years later. His poetry reflects his shifting landscape, and this volume includes a discussion with John Sakkis and the poet's correspondence with Joshua Schuster. Poet, essayist, scholar and teacher, Hollander's VIGILANCE is a collection of moving resonance.
Village Life

Village Life

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A Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:




All the roads in the village unite at the fountain.


Avenue of Liberty, Avenue of the Acacia Trees-


The fountain rises at the center of the plaza;


on sunny days, rainbows in the piss of the cherub.


-from "tributaries"


Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed.


Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines-expansive, fluent, and full-manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

Village Life: Poems

Village Life: Poems

$23.00
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WINNER OF THE NOBEL PRIZE IN LITERATURE

A dreamlike collection from the Nobel Prize-winning poet

A Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:

All the roads in the village unite at the fountain.

Avenue of Liberty, Avenue of the Acacia Trees--

The fountain rises at the center of the plaza;

on sunny days, rainbows in the piss of the cherub.

--from tributaries

Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed.

Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as the type of describing, supervising intelligence found in novels rather than poetry, as Langdon Hammer has written of her long lines--expansive, fluent, and full--manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

Village on Horseback , Prose and Verse 2003-2008

Village on Horseback , Prose and Verse 2003-2008

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From the author of A Cure for Suicide and Census comes a philosophical recasting of myth and legend, folklore and popular culture: a fabulist's compendium of poetry and prose.

Jesse Ball--long-listed for the National Book Award, a finalist for the New York Public Library's Young Lions Fiction Award, and named one of Granta's best young American novelists--is one of the most interesting, lyrical, fanciful, and "disturbingly original" (Chicago Tribune) writers working today. And The Village on Horseback is one of his most dazzling and varied works. These experimental pieces--including the Paris Review's Plimpton Prize-winning novella "The Early Deaths of Lubeck, Brennan, Harp & Carr"--ask the reader not to imagine the world for what it is, but for what it could be: a blank tableau on which a spirited imagination can conjure tales out of, seemingly, nothing.

The Village on Horseback is an unmissable treat, a book of voyages to be taken on journeys far and wide.

Vinegar Hill

Vinegar Hill

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From the New York Times best-selling author of Brooklyn, Colm Tóibín's first collection of poetry explores sexuality, religion, and belonging through a modern lens

Fans of Colm Tóibín's novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects--politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality. The poems reflect a life well-traveled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin, and crossing the bridges of Venice to visiting the White House, readers will travel through familiar locations and new destinations through Tóibín's unique lens.

Within this rich collection of poems written over the course of several decades, shot through with keen observation, emotion, and humor, Tóibín offers us lines and verses to provoke, ponder, and cherish.

Vinegar Hill

Vinegar Hill

$22.95
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From the New York Times best-selling author of Brooklyn, Colm Tóibín's first collection of poetry explores sexuality, religion, and belonging through a modern lens

Fans of Colm Tóibín's novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects--politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality. The poems reflect a life well-traveled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin, and crossing the bridges of Venice to visiting the White House, readers will travel through familiar locations and new destinations through Tóibín's unique lens.

Within this rich collection of poems written over the course of several decades, shot through with keen observation, emotion, and humor, Tóibín offers us lines and verses to provoke, ponder, and cherish.

Vintage Book of African American Poetry

Vintage Book of African American Poetry

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In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets.

From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself.

Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.

Vintage Book of Contemporary American Poetry

Vintage Book of Contemporary American Poetry

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Dazzling in its range, exhilarating in its immediacy and grace, a collection that gathers together, from every region of the country and from the past forty years, the poems that continue to shape our imaginations.

From Robert Lowell and Elizabeth Bishop, John Ashbery and Adrienne Rich, to Robert Haas and Louise Glück, this anthology takes the full measure of our poetry's daring energies and its tender understandings.

Other poets include:
Sylvia Plath
James Merrill
Amy clampitt
Jorie Graham
W. S. Merwin
Charles Simic
Allen Ginsberg
Frank O'Hara
Anne Sexton
Robert Creeley
Sharon Olds
Mary Oliver
Robert Pinsky
Mark Strand
Denise Levertov
Richard Wilbur
May Swenson
Michael Palmer
Mark Doty
Yusef Komunyakaa

Vintage Book of Contemporary World Poetry

Vintage Book of Contemporary World Poetry

$16.00
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This groundbreaking volume may well be the poetry anthology for the global village. As selected by J.D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W.S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are:

Bangladesh--Taslima Nasrin
Chile--Pablo Neruda
China--Bei Dao, Shu Ting
El Salvador--Claribel Alegria
France--Yves Bonnefoy
Greece--Odysseus Elytis, Yannis Ritsos
India--A.K. Ramanujan
Israel--Yehuda Amichai
Japan--Shuntaro Tanikawa
Mexico--Octavio Paz
Nicaragua--Ernesto Cardenal
Nigeria--Wole Soyinka
Norway--Tomas Transtromer
Palestine--Mahmoud Darwish
Poland--Zbigniew Herbert, Czeslaw Milosz
Russia--Joseph Brodsky, Yevgeny Yevtushenko
Senegal--Leopold Sedar Senghor
South Africa--Breyten Breytenbach
St. Lucia, West Indies--Derek Walcott
Violet Bent Backwards Over the Grass

Violet Bent Backwards Over the Grass

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The New York Times bestselling debut book of poetry from Lana Del Rey, Violet Bent Backwards Over the Grass.

"Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I'm proud of them, especially because the spirit in which they were written was very authentic." --Lana Del Rey

Lana's breathtaking first book solidifies her further as "the essential writer of her times" (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana's typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.

Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.

Viper Rum

Viper Rum

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In her third collection of poetry, Viper Rum, Mary Karr delves into autobiographical subject matter; various beloveds are birthed and buried in these touching lyrics, some of which, as the title suggests, deal with drink:

I cast back to those last years
I drank, alone nights at the kitchen sink,
bathrobed, my head hatching snakes,
while my baby slept in his upstairs cage
and my marriage choked to death

Precise and surprising, Karr's poems "take on the bedevilments of fate and grief with a diabolical edge of their own" (Poetry).

Also included is Karr's controversial and prize-winning essay "Against Decoration," in which she took aim against the verbal ornaments that too often pass for poetry these days-the "new formalism" that elevates form to an end itself.

Virgin

Virgin

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Selected by Ross Gay as winner of the inaugural Jake Adam York Prize, Analicia Sotelo's debut collection of poems is a vivid portrait of the artist as a young woman.

In Virgin, Sotelo walks the line between autobiography and mythmaking, offering up identities like dishes at a feast. These poems devour and complicate tropes of femininity--of naiveté, of careless abandon--before sharply exploring the intelligence and fortitude of women, how "far & wide, / how dark & deep / this frigid female mind can go." A schoolgirl hopelessly in love. A daughter abandoned by her father. A seeming innocent in a cherry-red cardigan, lurking at the margins of a Texas barbeque. A contemporary Ariadne with her monstrous Theseus. A writer with a penchant for metaphor and a character who thwarts her own best efforts. "A Mexican American fascinator."

At every step, Sotelo's poems seduce with history, folklore, and sensory detail--grilled meat, golden habañeros, and burnt sugar--before delivering clear-eyed and eviscerating insights into power, deceit, relationships, and ourselves. Here is what it means to love someone without truly understanding them. Here is what it means to be cruel. And here is what it means to become an artist, of words and of the self.

Blistering and gorgeous, Virgin is an audacious act of imaginative self-mythology from one of our most promising young poets.

Visible Man: Poems

Visible Man: Poems

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To write what is human, not escapist, is Henri Cole's endeavor. In The Visible Man he pursues his aim by folding autobiography and memory into the thirty severe and fiercely truthful lyrics--poems presenting a constant tension between classical repose and the friction of life--that make up this exuberant book. This work, wrote Harold Bloom, persuades me that Cole will be a central poet of his generation. The tradition of Wallace Stevens and Hart Crane is beautifully extended in The Visible Man, particularly in the magnificent sequence 'Apollo.' Keats and Hart Crane are presences here, and Henri Cole invokes them with true aesthetic dignity, which is the mark of nearly every poem in The Visible Man.

Visiting Emily

Visiting Emily

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This unique anthology gathers work by eighty poets inspired by Emily Dickinson. Beginning with Hart Crane's 1927 poem "To Emily Dickinson" and moving forward through the century to such luminary figures as Archibald MacLeish, John Berryman, Yvor Winters, Adrienne Rich, Richard Eberhart, Richard Wilbur, Maxine Kumin, Amy Clampitt, William Stafford, and Galway Kinnell, Visiting Emily offers both a celebration of and an homage to one of the world's great poets.

If there was ever any doubt about Dickinson's influence on modern and contemporary poets, this remarkable collection surely puts it to rest. Gathered here are poems reflecting a wide range of voices, styles, and forms--poems written in traditional and experimental forms; poems whose tones are meditative, reflective, reverent and irreverent, satirical, whimsical, improvisational, and serious. Many of the poets draw from Dickinson's biography, while others imagine events from her life. Some poets borrow lines from Dickinson's poems or letters as triggers for their inspiration. Though most of the poems connect directly to Dickinson's life or work, for others the connection is more oblique.

Visiting Frost

Visiting Frost

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In Visiting Frost, Sheila Coghill and Thom Tammaro capture the conversations between contemporary poets and a legend whose voice endures.
Visiting Hours at the Color Line

Visiting Hours at the Color Line

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"I am incapable of succinctly praising this poet's immense talent." --TERRANCE HAYES

Often the most recognized, even brutal, events in American history are segregated by a politicized, racially divided "Color Line." But how do we privately experience the most troubling features of American civilization? Where is the Color Line in the mind, in the body, between bodies, between human beings?

Selected for the National Poetry Series by Dan Beachy-Quick, Ed Pavlic's Visiting Hours at the Color Line attempts to complicate this black and white, straight-line feature of our collective imagination, and to map its nonlinear, deeply colored timbres and hues. From daring prose poems to powerful free verse, Pavlic's lines are musically infused, bearing tones of soul, R & B, and jazz. They link the influence of James Baldwin with a postmodern consciousness descended from Samuel Beckett, tracking the experiences of American characters through situations both mundane and momentous. The resulting poems are intense, ambitious, and psychological, making Visiting Hours at the Color Line a poetic tour de force.

Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens

Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens

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The poetry of Wallace Stevens has inspired generations of poets of every school. Here, for the first time, is assembled an astonishing variety of poems, by a full range of poets, inspired by Stevens's life and work. In its own way, each poem exhibits the torque and feel of his poetry, yet each also is deeply personal and conveys how meaningful Stevens was and remains for poets and poetry.

Whether whimsical or serious, solemn or light, the poems in Dennis Barone and James Finnegan's Visiting Wallace are sure to inspire delight and thought. Alan Filreis's brilliant foreword asks us to consider whether there is another modern poet who means as much to contemporary verse as Stevens: "seventy-six poems giving us seventy-six distinct Stevenses to follow and succeed."