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Poetry

Whereas

Whereas

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Incisively capturing the oddities of our logic and the whimsies of our reason, the poems in Whereas show there is always another side to a story. With graceful rhythm and equal parts humor and seriousness, Pulitzer Prize winner Stephen Dunn examines the difficulties of telling the truth, and the fictions with which we choose to live. Finding beauty in the ordinary, this collection considers the superstition and sophistry embedded in everyday life, allowing room for more rethinking, reflection, revision, prayer, and magic in the world.

Whereas : Poems

Whereas : Poems

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Finalist for the National Book Award for Poetry

WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don't worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father's language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.

--from "WHEREAS Statements"

WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. "I am," she writes, "a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation--and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live." This strident, plaintive book introduces a major new voice in contemporary literature.

Wherewithal

Wherewithal

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I, one
Henryk Stanislaw Wyrzykowski,
Head Clerk of Closed Files,
a department of one,
work...
in a forgotten well of ghostly sighs

This astonishing novel in verse tells the story of Henryk Wyrzykowski, a drifting, haunted young man hiding from the Vietnam War in the basement of a San Francisco welfare building and translating his mother's diaries. The diaries concern the Jedwabne massacre, an event that took place in German-occupied Poland in 1941. Wildly inventive, dark, beautiful, and unrelenting, The Wherewithal is a meditation on the nature of evil and the destruction of war.

Wherewithal

Wherewithal

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I, one
Henryk Stanislaw Wyrzykowski,
Head Clerk of Closed Files,
a department of one,
work...
in a forgotten well of ghostly sighs

This astonishing novel in verse tells the story of Henryk Wyrzykowski, a drifting, haunted young man hiding from the Vietnam War in the basement of a San Francisco welfare building and translating his mother's diaries. The diaries concern the Jedwabne massacre, an event that took place in German-occupied Poland in 1941. Wildly inventive, dark, beautiful, and unrelenting, The Wherewithal is a meditation on the nature of evil and the destruction of war.

Whirlwind

Whirlwind

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Whirlwind is one woman's frank, witty, mordant, sexy look at the breakup of a marriage and its emotional aftermath. With her characteristic linguistic play and mixture of poetic registers and styles, Sharon Dolin takes her readers on an off-the-tracks emotional ride through the whirlwind that goes by the name of divorce. Hang on tight. Here poems are never merely confessional, but use formal aplomb to ride the white-heat rage, hurt, denial, reflection, regret, wistfulness, desire, and sexual passion as they go hurtling through the many stages of grief after the death of a relationship and the rebirth of a more vital self. Dolin tackles difficult subjects unflinchingly in her poems: such as betrayal and the shame of the one being betrayed, being a parent within a volatile breakup, as well as some startling poems on the reawakening of sexuality and an attention to the natural world and politics. In her poem that won a Pushcart Prize, she dons the mask of the Furies to confront her ex-husband and his lover. A journalist of her own heart, Sharon Dolin has written a brazen collection that seethes with the pressure of a story to tell: cathartic and thrilling in equal measure.
Whiskey Words and a Shovel

Whiskey Words and a Shovel

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Whiskey, Words, and a Shovel is author R.H. Sin's first book of poetry.
White Apples and the Taste of Stone: Poems 1946-2006

White Apples and the Taste of Stone: Poems 1946-2006

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Throughout his writing life Donald Hall has garnered numerous accolades and honors, culminating in 2006 with his appointment as poet laureate of the United States. White Apples and the Taste of Stone collects more than two hundred poems from across sixty years of Hall's celebrated career, and includes poems recently published in The New Yorker, the American Poetry Review, and the New York Times. It is Hall's first selected volume in fifteen years, and the first to include poems from his seminal bestseller Without. Those who have come to love Donald Hall's poetry will welcome this vital and important addition to his body of work. For the uninitiated it is a spectacular introduction to this critically acclaimed and admired poet.

White Apples and the Taste of Stone: Selected Poems 1946-2006

White Apples and the Taste of Stone: Selected Poems 1946-2006

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White Apples and the Taste of Stone is the definitive lifetime work of an American master -- with a bound-in audio CD of selections read by the author.

One of the most significant poets of his generation, Donald Hall has garnered numerous accolades and honors, including the Frost Medal from the Poetry Society of America, the National Book Critics Circle Award, the Los Angeles Times Book Prize, and the Ruth Lilly Poetry Prize. White Apples and the Taste of Stone collects more than two hundred poems from across sixty years of Hall's celebrated career, with new poems recently published in The New Yorker, the American Poetry Review, and the New York Times. Greatly anticipated, this is Hall's first selected volume in fifteen years, and also the first to include poems from his seminal bestseller, Without.

The bound-in audio CD was specially recorded by Hall for this publication -- more than an hour of favorite poems from throughout the book. Hall's distinctive, sonorous voice and inimitable humor provide a perfect companion for fans of his work and for classroom use.

White Egrets

White Egrets

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A DAZZLING NEW COLLECTION FROM ONE OF THE MOST IMPORTANT POETS OF THE TWENTIETH CENTURY
In "White Egrets," Derek Walcott treats the characteristic subjects of his career--the Caribbean's complex colonial legacy, his love of the Western literary tradition, the wisdom that comes through the passing of time, the always strange joys of new love, and the sometimes terrifying beauty of the natural world--with an intensity and drive that recall his greatest work. Through the mesmerizing repetition of theme and imagery, Walcott creates an almost surflike cadence, broadening the possibilities of rhyme and meter, poetic form and language.

"White Egrets "is a moving new collection from one of the most important poets of the twentieth century--a celebration of the life and language of the West Indies. It is also a triumphant paean to beauty, love, art, and--perhaps most surprisingly--getting older.

White Egrets: Poems

White Egrets: Poems

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A DAZZLING NEW COLLECTION FROM ONE OF THE MOST IMPORTANT POETS OF THE TWENTIETH CENTURY

In White Egrets, Derek Walcott treats the characteristic subjects of his career--the Caribbean's complex colonial legacy, his love of the Western literary tradition, the wisdom that comes through the passing of time, the always strange joys of new love, and the sometimes terrifying beauty of the natural world--with an intensity and drive that recall his greatest work. Through the mesmerizing repetition of theme and imagery, Walcott creates an almost surflike cadence, broadening the possibilities of rhyme and meter, poetic form and language.

White Egrets is a moving new collection from one of the most important poets of the twentieth century--a celebration of the life and language of the West Indies. It is also a triumphant paean to beauty, love, art, and--perhaps most surprisingly--getting older.

White Papers

White Papers

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White Papers is a series of untitled poems that deal with issues of race from a number of personal, historical, and cultural perspectives. Expanding the territory of her 2006 book Blue Front, which focused on a lynching her father witnessed as a child, this book turns, among other things, to Martha Collins' childhood. Throughout, it explores questions about what it means to be white, not only in the poet's life, but also in our culture and history, even our pre-history. The styles and forms are varied, as are the approaches; some of the poems address race only implicitly, and the book, like Blue Front, includes some documentary and "found" material. But the focus is always on getting at what it has meant and what it means to be white--to have a race and racial history, much of which one would prefer to forget, if one is white, but all of which is essential to remember and to acknowledge in a multi-racial society that continues to live under the influence of its deeply racist past.

White Spaces

White Spaces

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White Spaces gathers the poetry and prose of Paul Auster from various small-press books issued throughout the seventies. These early poetic works are crucial for understanding the evolution of Auster's writing. Taut, lyrical, and always informed by a powerful and subtle music, his poems begin with basics--a swallow's egg, stones, roots, thistle, "the glacial rose"--and push language to the breaking point. As Robert Creeley wrote, "The enduring power of these early poems is their moving address to a world all too elusive, too fragmented, and too bitterly transient." Auster's poems are grounded in a physical utterance that is at once an exploration of the mind and of the world. This collection begins with compact verse fragments from Spokes (originally published in Poetry, 1971) and goes through Auster's marvelous later collections including Wall Writing (The Figures, 1976), Facing the Music (Parenthese, 1979), and White Spaces (Station Hill, 1980).
White Tea Bowl

White Tea Bowl

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Mitsu Suzuki is the widow of Shunryu Suzuki Roshi, the Zen monk who founded the San Francisco Zen Center and helped popularize Zen Buddhism in the United States. A White Tea Bowl is a selection of her poems, written after her return to Japan in 1993. These 100 haiku were chosen by editor Kazuaki Tanahashi and translated by Zen teacher Kate McCandless to celebrate Mitsu's 100th birthday on April 27, 2014. The introduction by Zen poet and priest Norman Fischer describes with loving detail a meeting with Mitsu at Rinso-in temple in 2010, considers the formative impact of war in Japan and social upheaval in America on her life, and places her poetry in the evolution of haiku as an international form.
Who Is Mary Sue

Who Is Mary Sue

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One of Bustle's 12 Most Anticipated Poetry Collections for 2018

In the language of fan fiction, a "Mary Sue" is an idealized and implausibly flawless character: a female archetype that can infuriate audiences for its perceived narcissism.

Such is the setting for this brilliant and important debut by Sophie Collins. In a series of verse and prose collages, Who Is Mary Sue? exposes the presumptive politics behind writing and readership: the idea that men invent while women reflect; that a man writes of the world outside while a woman will turn to the interior.

Part poetry and part reportage, at once playful and sincere, these fictive-factive miniatures deploy original writing and extant quotation in a mode of pure invention. In so doing, they lift up and lay down a revealing sequence of masks and mirrors that disturb the reflection of authority.

A work of captivation and correction, this is a book that will resonate with anyone concerned with identity, shame, gender, trauma, composition, and culture: everyone, in other words, who wishes to live openly and think fearlessly in the modern world.

Who Is Mary Sue? is a work for our times and a question for our age: it is a handbook for all those willing to reimagine prescriptive notions of identity and selfhood.

Who Reads Poetry

Who Reads Poetry

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Who reads poetry? We know that poets do, but what about the rest of us? When and why do we turn to verse? Seeking the answer, Poetry magazine since 2005 has published a column called "The View From Here," which has invited readers "from outside the world of poetry" to describe what has drawn them to poetry. Over the years, the incredibly diverse set of contributors have included philosophers, journalists, musicians, and artists, as well as doctors and soldiers, an iron-worker, an anthropologist, and an economist. This collection brings together fifty compelling pieces, which are in turns surprising, provocative, touching, and funny.

In one essay, musician Neko Case calls poetry "a delicate, pretty lady with a candy exoskeleton on the outside of her crepe-paper dress." In another, anthropologist Helen Fisher turns to poetry while researching the effects of love on the brain, "As other anthropologists have studied fossils, arrowheads, or pot shards to understand human thought, I studied poetry. . . . I wasn't disappointed: everywhere poets have described the emotional fallout produced by the brain's eruptions." Even film critic Roger Ebert memorized the poetry of e. e. cummings, and the rapper Rhymefest attests here to the self-actualizing power of poems: "Words can create worlds, and I've discovered that poetry can not only be read but also lived out. My life is a poem." Music critic Alex Ross tells us that he keeps a paperback of The Palm at the End of the Mind by Wallace Stevens on his desk next to other, more utilitarian books like a German dictionary, a King James Bible, and a Macintosh troubleshooting manual.

Who Reads Poetry offers a truly unique and broad selection of perspectives and reflections, proving that poetry can be read by everyone. No matter what you're seeking, you can find it within the lines of a poem.

Who's Afraid of Helen of Troy?: An Essay on Love

Who's Afraid of Helen of Troy?: An Essay on Love

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David Lazar extends the language of prose poetry, mixing the classical and the high modern, the song and dance man and the Odyssean. Nothing, he finds, is as far apart as we think, except for the chaos and order, innocence and experience. Lazar's voice is a sacred last resort: something's gotta give.

The voice in these poems is semi-autobiographical and performative: masked yet emotionally raw. Each poem draws on the features of modernist poetry, using an arch, cadenced sentence as its primary unit, but drawing on the Iliad, Odyssey , and other classical myths as part of its internal cosmos.

Whos on First

Whos on First

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New and selected poems by renowned poet Lloyd Schwartz.

For more than four decades, readers and critics have found Lloyd Schwartz's poems unlike anyone else's--a rare combination of the heartbreaking and the hilarious. With his ear for the poetry of the vernacular, Schwartz offers us a memorable cast of characters--both real and imagined, foolish and oracular. Readers experience his mother's piercing flashes of memory, the perverse comic wisdom of Gracie Allen, the uninhibited yet loving exhibitionists of antique pornography, and eager travelers crossing America in a club-car or waiting in a Brazilian airport. Schwartz listens to these people without judging--understanding that they are all trying to live their lives, whenever possible, with tenderness, humor, and grace.

Who's on First? brings together a selection of poems from all of Schwartz's previous collections along with eagerly awaited new poems, highlighting his formal inventiveness in tangling and untangling the yarn of comedy and pathos. Underlying all of these poems is the question of what it takes and what it costs to make art.

Whosoever Has Let a Minotaur Enter Them or A Sonnet

Whosoever Has Let a Minotaur Enter Them or A Sonnet

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How does a love poet fall out of her marriage and back in love with the world? What happens when you grow up to be the "kind of person who..."? These fairytales are for the heartbreakers as much as the heartbroken, for those smitten with wanderlust, for those who believe in loving this world through art.

A singular flow of bewildered brilliance, Emily Carr's swiftly flowing sequence of love poems--divorce poems, really--engages the very real problem of falling out of love because (admit it!) you never think you will. No matter how many times it's happened before. Imagine it: not limiting love to the erotic but embracing endeavor, struggle, social change, and political action. Love as consciousness, inventiveness, and intention. In a world that hurts as much as it holds.

Carr's swell of gorgeous psychedelia is presented in a lavish book-object befitting the work's interconnected, page-defying sweep of line upon line:

between her thighs, the buffalo holding sky.
saucers of mountain sway. deities spill, shining & suffering ...
not forgetting we can't ever--whose fury sings like eagles--
skeletons unlean from fruit trees, falling
like white gunsmoke, we want/ to be here. listen.
the wind has blown all the birds from our hair.