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Poetry
Discover the poetry that ignites Grace and Hudson's love story!
Body of my woman, persistent in your grace. My thirst, an endless desire, my unsure path!
First published in Chile in 1924 by a then-unknown young poet named Pablo Neruda, Twenty Love Poems and a Song of Despair became the seminal poetry to inspire a generation to believe in love. Endlessly romantic, deep in its yearning, and groundbreakingly inspiring, this new translation, beautifully repackaged for today's teen audience, is a must-have collectible of a timeless classic.
A Penguin Classics Deluxe Edition, with French flaps
First published in 1924, Veinte poemas de amor y una canción desesperada remains among Pablo Neruda's most popular work. Daringly metaphorical and sensuous, this collection juxtaposes youthful passion with the desolation of grief. Drawn from the poet's most intimate and personal associations, the poems combine eroticism and the natural world with the influence of expressionism and the genius of a master poet. This edition features the newly corrected original Spanish text, with masterly English translations by award-winning poet W. S. Merwin on facing pages.
- Includes twelve sketches by Pablo Picasso- New introduction by Cristina García For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A fearless, wide-ranging book on the state of poetry and American literary culture by Tony Hoagland, the author of What Narcissism Means to Me
Live American poetry is absent from our public schools. The teaching of poetry languishes, and that region of youthful neurological terrain capable of being ignited only by poetry is largely dark, unpopulated, and silent, like a classroom whose shades are drawn. This is more than a shame, for poetry is our common treasure-house, and we need its vitality, its respect for the subconscious, its willingness to entertain ambiguity, its plaintive truth-telling, and its imaginative exhibitions of linguistic freedom, which confront the general culture's more grotesque manipulations. We need the emotional training sessions poetry conducts us through. We need its previews of coming attractions: heartbreak, survival, failure, endurance, understanding, more heartbreak.
--from "Twenty Poems That Could Save America"
Twenty Poems That Could Save America presents insightful essays on the craft of poetry and a bold conversation about the role of poetry in contemporary culture. Essays on the "vertigo" effects of new poetry give way to appraisals of Robert Bly, Sharon Olds, and Dean Young. At the heart of this book is an honesty and curiosity about the ways poetry can influence America at both the private and public levels. Tony Hoagland is already one of this country's most provocative poets, and this book confirms his role as a restless and perceptive literary and cultural critic.
For Hala Alyan, twenty-nine is a year of transformation and upheaval, a year in which the past--memories of family members, old friends and past lovers, the heat of another land, another language, a different faith--winds itself around the present.
Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies.
A vivid catalog of heartache, loneliness, love and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.
Here it is: a dope jam of dictions; a remixed, multicultural, polyphonic dance of vocabularies; a language of high stakes, hi-jinx, and hybridity. TWERK is subversive, vulnerable, and volatile. TwERK twists tongues. TwERK tweaks speech. Reading these amazing poems mostly makes me say, Wow! Open your ears to take this music in, open your mouth to say it out loud. And: Wow!--Terrance Hayes
Tweaking parallel languages, rebooting and putting them to (hard, hard) work, TWERK's non-stop shimmy-shimmy embarks on an animé-iigjag idio-lingual-lectical booty-roll and doesn't come down until the break of dawn. La Reina de Harlem responds to Lorca's Big-Apple-opolis heteroglossia with her own inimitable animations, incantations and ululations, twisting tongues so mellifluously that you don't even realize you've been dancing on Saturn with Sun Ra for hours and still could have begged for more. Welcome LaTasha Diggs: this is her many-splendored night out!--Maria Damon
From this time forward, TWERK, can refer to a collection of cultural coordinates of a radically transformed Americas. TWERK--is rare poetics, a vine enmeshed onyx slab of gypsum glyphs inscribed. Cut, swirly, and nervy, N. Diggs's fractal-linguistic urban chronicles deftly snip away at the lingering fears of a fugitive English's frisky explorations. In her first major work, N. Diggs doesn't so much 'find' culture as she conjures up the new emerging happy peoples herein. Five thousand updates--download now!--Rodrigo Toscano
While conducting fieldwork with a celebrated mycologist, Gander links human intimacy with the transformative collaborations between species that compose lichens. Throughout Twice Alive, Gander addresses personal and ecological trauma--several poems focus on the devastation wrought by wildfires in California where he lives--but his tone is overwhelmingly celebratory. Twice Alive is a book charged with exultation and tenderness.
Part of our revived Poetry Pamphlet series, Two American Scenes features two masters of the essay discussing found material.
Excerpts:
It was given to me, in the nineteenth century,
to spend a lifetime on this earth. Along with a few of the sorrows
that are appointed unto men, I have had innumerable enjoyments;
and the world has been to me, even from childhood, a great museum.
-- Lydia Davis
Bad rapids. Bradley is knocked over the side; his foot catches
under the seat and he is dragged, head under water. Camped on
a sand beach, the wind blows a hurricane. Sand piles over us like
a snow-drift.
-- Eliot Weinberge
Denise Duhamel's much anticipated new collection begins with a revisionist tale--Noah is married to Joan of Arc--in a poem about America's often flawed sense of history. Throughout Two and Two, doubles abound: Noah's animals; Duhamel's parents as Jack and Jill in a near-fatal accident; an incestuous double sestina; a male/female pantoum; a dream and its interpretation; and translations of advertisements from English to Spanish. In two Möbius strip poems (shaped like the Twin Towers), Duhamel invites her readers to get out their scissors and tape and transform her poems into 3-D objects.
At the book's center is "Love Which Took Its Symmetry for Granted," a gathering of journal entries, personal e-mails, and news reports into a collage of witness about September 11. A section of "Mille et un sentiments," modeled on the lists of Hervé Le Tellier, Georges Perec, and George Brainard, breaks down emotions to their most basic levels, their 1,001 tiny recognitions. The book ends with "Carbó Frescos," written in the form of an art guidebook from the 24th century.
Innovative and unpretentious, Duhamel uses twice the language usually available for poetry. She culls from the literary and nonliterary, from the Bible and product warning labels, from Woody Allen films and Hong Kong action movies--to say difficult things with astonishing accuracy. Two and Two is second to none.