This National Book Award-winning debut poetry collection is a powerfully evocative (The New York Review of Books) meditation on the black female figure through time.
Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, Voyage of the Sable Venus, an amazing narrative made up entirely of titles of artworks from ancient times to the present--titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, Voyage is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin--five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire--how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race--a full embrace of its pleasure and horror, in equal parts.WINNER OF THE NATIONAL BOOK AWARD
A stunning poetry debut: this meditation on the black female figure throughout time introduces us to a brave and penetrating new voice. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems considering the roles desire and race play in the construction of the self. The central panel is the title poem, "Voyage of the Sable Venus," a riveting narrative made up entirely of titles of artworks from ancient times to the present--titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's autobiographical poems, "Voyage" is a tender and shocking study of the fragmentary mysteries of stereotype, as it juxtaposes our names for things with what we actually see and know. Offering a new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin--five hundred years ago, five thousand, or even longer? And what role has art played in this ancient, often heinous story? From the "Young Black Female Carrying / a Perfume Vase" to a "Little Brown Girl / Girl Standing in a Tree / First Day of Voluntary / School Integration," this poet adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire and how they define us all, including herself, as she explores her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race--a full embrace of its pleasure and horror, in equal parts.Shortlisted for the T. S. Eliot Prize
Finalist for the Forward Prize for Best Collection
The extraordinary new poetry collection by Tracy K. Smith, the Poet Laureate of the United States
Jangling handcuffs and keys, what else Are they so buffered against, if not love's blade
Sizing up the heart's familiar meat? We watch and grieve. We sleep, stir, eat.
Love: the heart sliced open, gutted, clean. Love: naked almost in the everlasting street,
Skirt lifted by a different kind of breeze. --from "Unrest in Baton Rouge" In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice--inquisitive, lyrical, and wry--turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. Here, private utterance becomes part of a larger choral arrangement as the collection widens to include erasures of The Declaration of Independence and the correspondence between slave owners, a found poem comprised of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors' reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America's essential poets.
Shortlisted for the T. S. Eliot Prize
Finalist for the Forward Prize for Best Collection
The extraordinary new poetry collection by Tracy K. Smith, the Poet Laureate of the United States
Jangling handcuffs and keys, what else Are they so buffered against, if not love's blade
Sizing up the heart's familiar meat? We watch and grieve. We sleep, stir, eat.
Love: the heart sliced open, gutted, clean. Love: naked almost in the everlasting street,
Skirt lifted by a different kind of breeze. --from "Unrest in Baton Rouge" In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice--inquisitive, lyrical, and wry--turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. Here, private utterance becomes part of a larger choral arrangement as the collection widens to include erasures of The Declaration of Independence and the correspondence between slave owners, a found poem comprised of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors' reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America's essential poets.
Wait finds C. K. Williams by turns ruminative, stalked by the conscience-beast, who harries me, and riven by idiot vigor, voracious as the youth I was / for whom everything always was going too slowly, too slowly. Poems about animals and rural life are set hard by poems about shrapnel in Iraq and sudden desire on the Paris métro; grateful invocations of Herbert and Hopkins give way to fierce negotiations with the shades of Coleridge, Dostoyevsky, and Celan. What the poems share is their setting in the cool, spacious, spotlit, book-lined place that is Williams's consciousness, a place whose workings he has rendered for fifty years with inimitable candor and style.
Williams manages to consistently maintain the gentle, witty, and honest voice that he has spent a lifetime crafting. --Rachel A. Burns, The Harvard CrimsonThe Waiting Tide is a bilingual homage to Pablo Neruda's classic tome of love poetry, The Captain's Verses, mixing classic love poetry with verse of a more modern and visceral bent, and all while never straying far from the sea. Illustrated by Chicago artist Brett Manning.
ONE OF THE BEST BOOKS OF THE YEAR: Ms. Magazine, Kirkus Reviews Walking Gentry Home tells the story of Alora Young's ancestors, from the unnamed women forgotten by the historical record but brought to life through Young's imagination; to Amy, the first of Young's foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young's great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors; down to Young in the present day as she leaves childhood behind and becomes a young woman. The lives of these girls and women come together to form a unique American epic in verse, one that speaks of generational curses, coming of age, homes and small towns, fleeting loves and lasting consequences, and the brutal and ever-present legacy of slavery in our nation's psyche. Each poem is a story in verse, and together they form a heart-wrenching and inspiring family saga of girls and women connected through blood and history. Informed by archival research, the last will and testament of an enslaver, formal interviews, family lore, and even a DNA test, Walking Gentry Home gives voice to those too often muted in America: Black girls and women.