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Plays / Theatre
For generations, the Voysey family business has been secretly skimming money from its clients' accounts. When Edward, designated to take over the firm from his aging father, discovers the embezzlement that has been keeping his relatives in a life of luxury, he must weigh the trappings of wealth and the imperative to preserve his family's good name against the better principles of his conscience. But moral righteousness turns to self-protection when he comes to understand fully the consequences of his "inheritance."
In Waiting for Godot, two wandering tramps, Vladimir and Estragon, wait by a lonely tree, to meet up with Mr. Godot, an enigmatic figure in a world where time, place and memory are blurred and meaning is where you find it. The tramps hope that Godot will change their lives for the better. Instead, two eccentric travelers arrive, one man on the end of the other's rope. The results are both funny and dangerous in this existential masterpiece.
Performed across the globe by some of the world's most iconic performers, Samuel Beckett's indelible masterpiece remains an unwavering testament of what it means to be human.
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, "Time catches up with genius ... Waiting for Godot is one of the masterpieces of the century."
The story revolves around two seemingly homeless men waiting for someone--or something--named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind's inexhaustible search for meaning. Beckett's language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.
From an inauspicious beginning at the tiny Left Bank Théâtre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become one of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, "Time catches up with genius. . . . Waiting for Godot is one of the masterpieces of the century."
Beckett wrote the play in French and then translated it into English himself. In doing so he chose to revise and eliminate various passages. With side-by-side text, the reader can experience the mastery of Beckett's language and explore its nuances. Upon being asked who Godot is, Samuel Beckett told director Alan Schneider, "If I knew, I would have said so in the play." Although we may never know who we are waiting for, in this special edition we can rediscover one of the most poignant and humorous allegories of our time.
The definitive guide to making a career in theater--to Broadway and beyond
Tiffany Haas knows how to make it on Broadway. After 72 rejections in a row she finally landed a role in Broadway's long-running smash hit Wicked and later became "Glinda the Good." Now she wants to share her advice for starting and nurturing a career in the theater. Waiting in the Wings is the essential guide for anyone who wants to have a theatrical career, whether they're complete newbies or already have some professional credits.
Based on everything she learned on her journey to New York, including 10 years on Broadway, Tiffany shares the information that you need to succeed in theater. Everyone's path is a little bit different, but the principles for success are always the same. With advice on auditions, how to become the performer they want to hire, developing relationships with cast mates, finding a reputable agent, the importance of reputation, and the best way to shape and build your career, Tiffany covers every aspect of the business. You'll learn what it takes to be successful and where to best spend your time and effort as you navigate the "great mystery" of pursuing musical theater.
In an industry that is famed for its insider secrets, Tiffany draws back the curtain, giving readers the knowledge and tools they need to follow their dreams. If you're one of those people Waiting in the Wings for a big Broadway career, Tiffany Haas's book is the one resource you need to land a big role, stand in front of those footlights and let it go!
Brimming with more than 140 dramatic images, this is the stunning, visual companion to Steven Spielberg's epic adventure, set in rural England and Europe, about a young man and his horse and their separate journeys through the battlefields of the First World War. One of the great stories of friendship and war, the successful novel War Horse not only inspired the award-winning stage play, but also inspired one of the great directors in film history to commit his talent, vision, and resources to make this extraordinary movie, which was shot in the countryside of England.
I first fell in love with the story of War Horse because I was moved by the relationship between a boy and an animal in Michael Morpurgo's novel and the screenplay by Richard Curtis and Lee Hall, writes Steven Spielberg in his foreword. But, ultimately, I made it because of what the book and the screenplay say about courage. I t is about the courage of the horse Joey and what he endures to survive, and the courage of Albert in his attempt to find his best friend in a time of war. With every frame of this film, it was my hope to issue a call for courage in our daily lives. A call to 'be brave.'
Additional forewords by producer Kathleen Kennedy, novelist Michael Morpurgo, and co-screenwriter Richard Curtis reveal their feelings about the story and the process of moving it from page to screen. The main body of the book is divided into three sections:
Part 1: Joey's Journey--A visual retelling, along with script excerpts and filmmakers' comments, of the journey taken by Joey, the horse trained by his beloved Albert, from the striking verdant countryside of Dartmoor, Devon, to training in the British cavalry, to trench warfare in France.
Part 2: The Making of War Horse--An insider's glimpse of the movie-making process highlighted with fascinating insights from the international cast and the crew about the casting, locations, costumes, horse training, and much more.
Part 3: The History of War Horses--An illuminating section on the role of horses in battle, illustrated with iconic images from history, vivid drawings, paintings and photographs.
This beautiful book is a testament to what can be done when people become impassioned about a goal. As producer Kathleen Kennedy expresses in her foreword: War Horse was one of those unusual productions that comes together in an incredibly short time, and for all the right reasons. Everyone involved understood the film's potential, the richness of the characters, the depth of emotion, and the strength of the story's message.
Yasmine Beverly Rana's The War Zone is My Bed and Other Plays follows journeys of spiritual destruction and redemption from the banks of the Mississippi River and the fallen levees of New Orleans to the conflict-ravaged streets of Sarajevo and Kabul. The characters in Rana's politically charged and moving plays attempt to seek and sustain love in violent circumstances.
In the title play, The War Zone is My Bed, a prostitute from Kabul and a journalist from Bosnia stumble through a maze of brutality to find solace within each other. In Blood Sky a traumatic event is triggered by a mysterious, animalistic call. Also collected here are Returning, in which a photographer from Sarajevo is torn between his role as an artist and victim of war and Paradise, where, as the Mississippi River rises, two lovers who are also illegal immigrants, debate whether they should stay in New Orleans and risk their lives or flee--and, thereby reveal their illegal status.
The War Zone is My Bed presents the topical and intense plays of one of the most interesting new voices in American theater.
For the first time in print, comes the revolutionary acting technique from the premiere acting coach of our era. Not a copy of the old masters, The Warner Loughlin Technique empowers the actor to create rich, nuanced and unique characters. Discover the technique used to help create some of the most remarkable performances of our time from actors such as Amy Adams, Ryan Reynolds, Kyra Sedgwick and countless other Oscar, Emmy, Golden Globe, Tony and Grammy nominees and winners. Loughlin debunks the myth of the tortured actor and guides you step by step through her groundbreaking technique revealing powerful ways to unlock your creativity in a psychologically safe way. Her insight into life and art is remarkable. The Warner Loughlin Technique changes the way acting will be taught for generations to come. Find out more at warnerloughlin.com.
"I was able to find my voice, and to find tears and to find levels, because I was able to have a safe place to go, that I could come back from. With your technique, in character prep, when I visit a character's life, her past and create an event good or tragic - that belongs to her. I don't take ownership of that pain with me. I don't take it on as my own...So this allows me not to be scared to go there, which allows me freedom as an actress to do anything, because I don't own it. It belongs to my character."-Amy Adams
"Working with Warner was a revelation. I doubted that I could ever work without "observing" and judging every moment. I will be forever grateful [to Warner] for helping me get back to the joy of living in the spontaneous truth of every scene."-Kyra Sedgwick
"I've been working with Warner Loughlin for years. Not only has she helped me become a better actor, but she's also helped me truly enjoy this work in ways I never imagined."-Ryan Reynolds
"Before I started working with Warner on the technique, I felt like acting was just something that I could some days do, and some days not do. It was only through doing deep emotion with detail on each of the characters I got, that I could act everyday how I wanted to, because I ended up knowing the character inside and out. The thoughts are no longer my own, but the characters', so I don't have to work as hard during the scenes. Now being on set and being the character is fun and never feels pushed. I love the technique and it has helped me immensely."-Sosie Bacon
"I met Warner over 10 years ago. She has coached me through comedy, drama, and even life! She has not only given me tools to be better at my job, but tools to be 100% confident through the process."-Emma Roberts
"Warner's Technique has become part of my creative process... It's simply the most intuitive way for me to find a character's base human emotion. Warner worked with us on Disney's Frozen for many months and helped us create truthful characters... I've never felt so comfortable animating a character before and I think the sophistication in the performance in the film speaks for itself."-Lino DiSalvo, Head of Animation for Disney's Frozen
Rural Suffolk, 1759. As the country waits for Halley's Comet, Sally Poppy is sentenced to hang for a heinous murder. When she claims to be pregnant, a jury of twelve matrons are taken from their housework to decide whether she's telling the truth, or simply trying to escape the noose. With only midwife Lizzy Luke prepared to defend the girl, and a mob baying for blood outside, the matrons wrestle with their new authority, and the devil in their midst.
"BEST PLAY OF THE YEAR"
New York Times - New Yorker - TIME - Hollywood Reporter - Newsweek - BuzzFeed - Forbes - New York - NPR - Washington Post - Entertainment Weekly - Los Angeles Times - Chicago Tribune
Finalist for the 2019 Pulitzer Prize for Drama
When she was fifteen years old, Heidi Schreck started traveling the country, taking part in constitutional debates to earn money for her college tuition. Decades later, in What the Constitution Means to Me, she traces the effect that the Constitution has had on four generations of women in her family, deftly examining how the United States' founding principles are inextricably linked with our personal lives.