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Plays / Theatre
Using her deep knowledge, her skills as a storyteller, and her imagination, Dava Sobel illuminates one of history's most significant and far-reaching meetings. In the spring of 1539, a young German mathematician--Georg Joachim Rheticus--journeyed hundreds of miles to northern Poland to meet the legendary, elderly cleric and reluctant astronomer Nicolaus Copernicus. Some two decades earlier, Copernicus had floated the mind-boggling theory that the Sun, not the Earth, was stationary at the center of the universe, and he was rumored to have crafted a book that could prove it. Though exactly what happened between them can never be known, Rheticus shepherded Copernicus's great work into production and De revolutionibus orbium coelestium ultimately changed the course of human understanding.
Dava Sobel imagines their dramatic encounter, and with wit and erudition gives them personality. Through clever and dramatic dialogue, she brings alive the months Rheticus and Copernicus spent together--the one a heretical Lutheran, the other a free-thinking Catholic--and in the process illuminates the historic tension between science and religion. An introduction by Dava Sobel will set the stage, putting the scenes in historical context, and an afterword will describe what happened after Copernicus's book was published detailing the impact it had on science and on civilization.
A vibrant celebration of Andrew Lloyd Webber's iconic multi-award winning musical, exploring its rich history, with letters from its cast, crew, and global fanbase, and featuring exclusive photos and archival materials. Since its opening night in 1986, Phantom of the Opera has become not only one of the longest-running musicals, but one of the most globally renowned productions of all time. This celebration of Andrew Lloyd Webber's Phantom of the Opera features exclusive stories from the cast and crew, unearthed archival documents, and brand new never-before-seen photography, with an in-depth look at how the story came to be and the expansive future it holds. From the Phantom's labyrinthine underworld to Christine's lamplit dressing room to the dreamlike grandeur of the Opera House rooftop at twilight, the evocative power of Andrew Lloyd Webber's Phantom of the Opera has always extended far beyond its theatrical setting. Starting with the show's creation (including the writing process, set design, and costume), Andrew Lloyd Webber's Phantom of the Opera takes a deep dive of the show's storied characters; then explores the show's global fanbase, including popular international tours in over 58 countries and a smash-hit movie in 2004; and celebrates the exciting and innovative ways in which the world of Phantom continues to expand, with a look at what's to come in the future. Visually rich and packed with enchanting and fascinating storytelling, this book will delight Phantom fans, both new and old.
HBO Films will present "Angels in America," directed by Mike Nichols from Tony Kushner's own adaptation of his Tony and Pulitzer Prize-winning play "Angels in America: A Gay Fantasia on National Themes." The remarkable cast features Al Pacino, Meryl Streep, Emma Thompson, Mary Louise Parker, Jeffrey Wright, Justin Kirk, Ben Shenkman, Patrick Wilson, James Cromwell, Michael Gambon and Simon Callow.
"Angels in America" is one of the most remarkable and celebrated plays of our time. Over 350,000 copies have been sold in paperback since their original publication in 1993.
Praise for the play:
"Angels in America is the broadest, deepest, most searching American play of our time."--Jack Kroll, "Newsweek"
"A vast, miraculous play . . . provocative, witty and deeply upsetting . . . a searching and radical rethinking of Ameri-can political drama."--Frank Rich, "The New York Times"
"Something rare, dangerous and harrowing...a roman candle hurled into a drawing room . . . "--Nicholas de Jongh, "London Evening Standard"
"Playful and profound, extravagantly theatrical and deeply spiritual, witty, and compassionate, furious and incredibly smart . . . It's impossible to imagine anyone captivated by the beginning not wanting--needing--to go back for the end."--Linda Winer, "Newsday"
"An enormously impressive work of the imagination and intellect, a towering example of what theatre stretched to its full potential can achieve."--Clifford A. Ridley, "Philadelphia Inquirer"
"Perestroika is a masterpiece."--John Lahr, "New Yorker"
Pulitzer Prize-winner for Drama, 1993. The first part of Tony Kushner's epic drama of America in the 1980s. "A vast, miraculous play.... provocative, witty and deeply upsetting.... a searching and radical rethinking of American political drama."--Frank Rich, "The New York Times ""Daring and dazzling! The most ambitious American play of our time."--Jack Kroll, "Newsweek "
WINNER OF THE PULITZER PRIZE FOR DRAMA
Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika
"Glorious. A monumental, subversive, altogether remarkable masterwork...Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions--power, religion, sex, responsibility, the future of the world--are as perilous, yet as falling-down funny, as ever." -Linda Winer, Newsday "A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, New York Times "A victory for theater, for the transforming power of the imagination to turn devastation into beauty." - John Lahr, New Yorker "An enormously impressive work of the imagination and intellect, a towering example of what theater stretched to its full potential can achieve." -Philadelphia Inquirer "Angels in America is the finest drama of our time, speaking to us of an entire era of life and death as no other play within memory. It ranks as nothing less than one of the greatest plays of the twentieth century." - John Heilpern, New York Observer "Some playwrights want to change the world. Some want to revolutionize theater. Tony Kushner is that rarity of rarities: a writer who has the promise to do both." -New York TimesThis new edition of Tony Kushner's masterpiece is published with the author's recent changes and a new introduction in celebration of the twentieth anniversary of its original production. One of the most honored American plays in history, Angels in America was awarded two Tony Awards for Best Play and the Pulitzer Prize for Drama. It was made into an Emmy Award-winning HBO film directed by Mike Nichols. This two-part epic, subtitled "A Gay Fantasia on National Themes," has received hundreds of performances worldwide in more than twenty-six languages.
From acclaimed playwright Karen Hines come two darkly comic meditations on security, safety, and shelter.
Crawlspace is a comic, Kafkaesque monologue about the darker side of home ownership that moves past 'cautionary' as it snakes through the brutal battleground of Toronto real estate, decorative twig orbs, and the state of the human soul.
All the Little Animals I Have Eaten explores questions surrounding existence, death, and salvation through the perspectives of one sleep-deprived young woman, the ghosts of brilliant authors, some well-heeled professionals, meth-curious lambs, a puppet in a beatnik onesie, tiny vertebrates, glowing arthropods, and other unexpected voices.
Praise for the Videofag production of Crawlspace:
'Karen Hines's macabre monologue about a real-estate nightmare - and a dead animal stuck in a crawlspace - was all the more terrifying for being true. This was Hines at her most horrifyingly hilarious.'
- Globe and Mail
'Hines's clever script, alternately savagely funny and disturbing, is full of facts the author keeps amending, underlining the bait-and-switch nature of the real estate swindle.'
- NOW magazine
'The kind of story you want to talk about as soon as you get home. Horrifying and enlightening.'
- Mooney on Theatre
Karen Hines is an award-winning playwright, performer, and stage director. She has performed extensively in Canadian television and film, while her independent stage performances, plays, and short films have been presented internationally. She lives in Calgary, Alberta.
Winner of the 2003 Pulitzer Prize for Drama . . . there are many kinds of light.
The light of fires. The light of stars.
The light that reflects off rivers.
Light that penetrates through cracks.
Then there's the type of light that reflects off the skin.
--Nilo Cruz, Anna in the Tropics This lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy's Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land. Reviews:
"The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."--Miami Herald "Deeply engrossing." -Robert Hurwitt, San Francisco Chronicle "Earnestly poetic...Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition." -Ben Brantley, New York Times Nilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.
The light of fires. The light of stars.
The light that reflects off rivers.
Light that penetrates through cracks.
Then there's the type of light that reflects off the skin.
--Nilo Cruz, Anna in the Tropics This lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy's Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land. Reviews:
"The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."--Miami Herald "Deeply engrossing." -Robert Hurwitt, San Francisco Chronicle "Earnestly poetic...Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition." -Ben Brantley, New York Times Nilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.
WITH AN INTRODUCTION BY TOM STOPPARD
Our most esteemed living playwright adapts the most famous love story ever written in the screenplay for the new Focus Features film Anna Karenina, directed by Joe Wright, starring Keira Knightley and Jude Law.
Tolstoy's brilliant novel, tracing the tragic love affair between Count Vronsky and the unhappily married Anna, has moved readers for generations. Now, award-winning playwright Tom Stoppard re-imagines what Vladimir Nabokov called "one of the greatest love stories in world literature" for the screen. In an impeccable match of talent between source and adaptation, Stoppard projects Tolstoy's powerful contrasts between city and country, love and death, happiness and unhappiness. The result is beautiful, stirring, and at once old and new. A special introduction by Stoppard offers a glimpse into the process behind his remarkable interpretation.
The new science fantasy action horror film written for the screen and directed by Alex Garland based on the book of the same name by Jeff VanderMeer and starring Natalie Portman.
A group of soldiers enters an environmental disaster zone and only one comes back out alive, though he is grievously injured. In an attempt to save his life, his wife Lena, a biologist, volunteers for a second expedition into the zone to figure out what happened to him.
A group of soldiers enters an environmental disaster zone and only one comes back out alive, though he is grievously injured. In an attempt to save his life, his wife Lena, a biologist, volunteers for a second expedition into the zone to figure out what happened to him.
The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
When her dead brother is decreed a traitor, his body left unburied beyond the city walls, Antigone refuses to accept this most severe of punishments. Defying her uncle who governs, she dares to say 'No'. Forging ahead with a funeral alone, she places personal allegiance before politics, a tenacious act that will trigger a cycle of destruction.
Renowned for the revelatory nature of his work, Ivo van Hove first enthralled London audiences with his ground-breaking Roman Tragediesseen at the Barbican in 2009. Drawing on his 'ability to break open texts calcified by tradition' (Guardian), the director now turns to a classic Greek masterpiece.
The most celebrated plays of ancient Athens--Sophocles's seven surviving works--in vivid and dynamic new translations. ANTIGONE, translated by award-winning poet Robert Bagg, is one of seven plays Harper Perennial has published as beautifully designed, stand-alone editions.
Powerfully portraying the clash between civic and familial duty--between morality and obedience--Antigone brings the Oedipus Cycle to a conclusion with the story of the tragic hero's eldest daughter Antigone, who courts her own death by defying the edict of Thebes's new ruler, her uncle Kreon, which forbids giving her dishonored brother a proper burial. This is Sophocles, vibrant and alive, for a new generation.
In his long life, Sophocles (born ca. 496 B.C., died after 413) wrote more than one hundred plays. Of these, seven complete tragedies remain, among them the famed Oedipus Rex and Oedipus at Colonus. In Antigone, he reveals the fate that befalls the children of Oedipus. With its passionate speeches and sensitive probing of moral and philosophical issues, this powerful drama enthralled its first Athenian audiences and won great honors for Sophocles.
The setting of the play is Thebes. Polynices, son of Oedipus, has led a rebellious army against his brother, Eteocles, ruler of Thebes. Both have died in single combat. When Creon, their uncle, assumes rule, he commands that the body of the rebel Polynices be left unburied and unmourned, and warns that anyone who tampers with his decree will be put to death.
Antigone, sister of Polynices, defies Creon's order and buries her brother, claiming that she honors first the laws of the gods. Enraged, Creon condemns her to be sealed in a cave and left to die. How the gods take their revenge on Creon provides the gripping denouement to this compelling tragedy, which remains today one of the most frequently performed of classical Greek dramas.
One of the greatest, most moving of all tragedies, Antigone continues to have meaning for us because of its depiction of the struggle between individual conscience and state policy, and its delicate probing of the nature of human suffering. Mr. Rudall's splendid translation brings a new power and speakability to Sophocles' prose.
With text blocks hand-inked on the page by Anne Carson and her collaborator Robert Currie, Antigonick features translucent vellum pages with stunning drawings by Bianca Stone that overlay the text.
Anne Carson has published translations of the ancient Greek poets Sappho, Simonides, Aiskhylos, Sophokles and Euripides. Antigonick is her first attempt at making translation into a combined visual and textual experience. Sophokles' luminous and disturbing tragedy is here given an entirely fresh language and presentation. Thoroughly delightful.
"A paradoxical, puzzling, compellingly hypnotic work." --Village Voice
The highly anticipated new play from the Pulitzer Prize-winning playwright of The Flick.
In Annie Baker's The Antipodes, a group of people sit around a table telling, cataloging, and theorizing stories. Their purpose is never clear: are they brainstorming ideas for a TV show? A film? A mythology? This is a world where ghostly fables co-exist with mundane discussions of snacks and sexual exploits, where the vague instruction to tell stories about "something monstrous" though "it might not be a literal monster" becomes maddeningly impossible. Part satire, part sacred rite, The Antipodes asks what value stories have for a world in crisis.
A haunting new play about loss and missed connections by the award-winning playwright of Mr. Burns.
"Ms. Washburn is a writer of questing imagination and convention-bending technique." --Ben Brantley, New York Times
In Anne Washburn's captivating new drama, a group of old friends--who, now in middle age, have mostly lost touch over the years--reunite at a remote Texas estate for the funeral of one of their own. As the former friends confront the memories of their shared past, the walls quickly dissolve (literally and figuratively) into a realm bordering on supernatural. A haunting tale of loss and friendship, Washburn seamlessly blurs the lines between the real and surreal, inviting us into a world of humor, imagination and mystery.