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Plays / Theatre
5-Minute Plays for Teens is the latest collection from veteran editor Lawrence Harbison, a man who has...We know - we're already losing your attention. And that's okay! In keeping with the spirit of this book, we'll give it to you in five.
1.On any given day, the average teen spends nine hours engaging with digital media. A fair chunk of that time is spent watching viral videos, which run, on average, for about five minutes.
2. Needless to say, an average play runs far longer (and costs much more). Accordingly, teens don't have the time (or money) for theater.
3. Adolescence is an emotional roller coaster rife with laughs and melodrama, reality and fantasy. Whatever a teen's mood, bite-sized bits of online entertainment keep him/her covered.
4. At long last, the world of theater has caught up with the digital realm. Five-minute plays and festivals abound -ÿyou can now plow through a full-fledged performance before your kids loses interest
5. Seems your children/students/kids suddenly do have time for theatre.
Whether you're a frustrated acting teacher struggling to retain your students' interest, a performing arts counselor looking for an engaging exercise, or a group of theater kids looking to screw around between sets, 5-Minute Plays for Teens shoehorns all the theater you need into the precise attention span you're granted. Why not give it a whirl?
Linda Walsh Jenkins developed the ideas and guidance in this practical book by teaching playwriting as well as working with playwrights, directors and productions of new plays for several decades. Through 90 daily lessons and hundreds of writing exercises, illustrated with examples from dramatic literature, she helps you:
* Explore the richness of your dramatic world and its themes
* Discover multiple facets of your dramatic characters
* Create and sustain an active throughline
* Find a balance between planning ahead and writing freely
* Learn techniques for composing your unique play
* Become confident with your own voice and style
* Rewrite and develop your play for production
In its first two years of production in Italy, Dario Fo's notorious Accidental Death of an Anarchist was seen by over half a million people. It has since been performed all over the world, and become a classic of twentieth-century drama. A sharp and hilarious satire on police corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window.
'I ought to warn you that the author of this sick little play, Dario Fo, has the traditional, irrational hatred of the police common to all narrowminded left-wingers and so I shall, no doubt, be the unwilling butt of endless anti-authoritarian jibes.' (Inspector Bertozzo, Central Italian Police HQ) 'A marvellous concept: a zany political farce.' (Michael Billington) This edition has been adapted by Gavin Richards from Gillian Hanna's translation and features an introduction by Stuart Hood and a preface by Dario Fo.Since its original publication, " Acting as a Business" has earned a reputation as an indispensable tool for working and aspiring actors. Avoiding the usual advice about persistence and luck, Brian O'Neil provides clear-cut guidelines that will give actors a solid knowledge of the business behind their art. It's packed with practical information-on everything from what to say in a cover letter to where to stand when performing in agent's office-including:
-How to craft a winning theatrical resume
-The most effective ways to join the performer's unions
-Tactics for getting an agent
-Strategies for finding work in the theater, on daytime television, and in independent films
-Navigating the different customs and cultures of New York and Los Angeles
O'Neil has updated "Acting as a Business" to keep up with the latest show-business trends, including how best to use the Internet, making this new edition no actor should be without.
-- How to research who will be casting what--and whether there is a role for you--well in advance
-- Examples of correspondence to agents and casting directors for both beginning and advanced professionals
-- A detailed analysis of the current trend of paying to meet industry personnel
-- How to communicate effectively with an agent or personal manager
-- Creative ways to use the internet and social media O'Neil regularly updates Acting as a Business (most recently in 2025) to keep up with the latest show-business trends, making this a reference no actor should be without.
After training and studying for years, you've earned a degree: now what? How to get a job and have a career as an actor is the number one question facing emerging artists and one which this book answers for you.
While performing arts schools do a great job of teaching how to act, most don't teach you how to launch and sustain a career. This book addresses this fundamental aspect of your creative journey, delivering a precise formula to help you organize the next chapter of your life. It helps you to find work and proactively build a career by providing the tools you'll need to connect with working professionals within the industry. If acting is your business, you must run it as a business. Positioning you as CEO of your own company, this book uses a boardroom table as a visual model. At that table are 7 key positions, each representing an area of action and expertise that you must understand to build a successful career. With worksheets and tools, supplemented throughout with interviews with industry professionals from North America, the UK and Europe, and Australia, and further supported by a companion website, this action plan will empower and equip you to achieve your career goals.A new book that provides actors and theatremakers with innovative methods for approaching the concept of space in theatrical performance.
In his bestselling book The Actor and the Target, Declan Donnellan laid out a fresh and radical approach to acting that has inspired actors around the world. Now, in The Actor and the Space, he develops and extends those ideas, exploring that most profound source of vitality in life as well as performance: the space around us.
Tackling fundamental questions that face any actor--What makes performance better? How do I create a space for my character to live in? How do I tap into that space, and draw energy from it?--Donnellan offers a universal set of keys to unlock the mysteries of performance. Full of insightful precepts, acute psychology and practical, hands-on advice, the book presents a bold new way of thinking about acting, illustrated throughout with line-by-line analysis of scenes from Macbeth to show how it works in rehearsal and performance.
Essential reading for any actor or theatre director, The Actor and the Space is also a fascinating distillation of the work of a world-leading director that will reward and enrich anyone with an interest in theatre.
Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.
Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.
The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.


















