Banner Message
Please note that online availability does not reflect stock in store!
Please contact us via email or phone for immediate stock information.
Holiday Hours:
12/24: 10am-3pm 12/31: 10am-3pm
12/25: CLOSED 1/01: CLOSED
12/26: CLOSED
Plays / Theatre
The unique format of this book will get students talking whether they're actors or not! Duologs are not scenes for two people; rather, they are a pair of monologs about the same subject but from different viewpoints. Likewise, triologs offer three perspectives on the same topic, without the actors ever interacting. These can be great tools for opening up subjects for discussion or debate. Even the standard single monologs including in this creative collection touch on issues ripe for discussion for middle and high school students. The subject material of all these monologs, ranging from one to three minutes maximum, is honest and true to life. Best of all, you don't have to worry about inappropriate language or situations. These monologs don't skirt important issues that teens face today, but each situation is handled in a way that allows the actor, not the language, to be center stage. Monologs range from light-hearted topics -- blind dates, babysitting blues, and fender benders -- to more sensitive ones such as family problems, drunk driving, and suicide.
In reaction to the extraordinary events of the first hundred days of the presidency of Donald J. Trump, Pulitzer Prize-winning playwright Suzan-Lori Parks has created a unique and personal response to one of the most tumultuous times in our recent history--a play diary for each day of the presidency, to capture and explore the events as they unfolded. Known for her distinctive lyrical dialogue and powerful sociopolitical themes, Parks's 100 Plays for the First Hundred Days is the powerful and provocative everyman's guide to the Trumpian universe of uncertainty, confusion, and chaos.
This book is a guide to One Hundred Plays addressing the most urgent and important issue of our time: the climate crisis
100 Plays to Save the World is a book to provoke as well as inspire--to start conversations, inform debate, challenge our thinking, and be a launchpad for future productions. Above all, it is a call to arms--to step up, think big, and unleash theatre's power to imagine a better future into being.
Each play is explored with an essay illuminating key themes in climate issues: Resources, Energy, Migration, Responsibility, Fightback, and Hope.
100 Plays to Save the World is an empowering resource for theatre directors, producers, teachers, youth leaders, and writers looking for plays that speak to our present moment.
Classic dramas include Aristophanes' The Birds, J. M. Synge's Riders to the Sea, and Eugene O'Neill's The Moon of the Caribbees. Other works include August Strindberg's The Stronger, Susan Glaspell's Trifles, Louise Saunders' The Knave of Hearts, and Oscar Wilde's A Florentine Tragedy, in addition to plays by Molière, Anton Chekhov, William Butler Yeats, James M. Barrie, and Edna St. Vincent Millay.
4.48 Psychosis was written throughout the autumn and winter of 1998-99 as Kane battled with one of her recurrent bouts of depression. On February 20, 1999, aged 28, the playwright committed suicide. On the page, the piece looks like a poem. No characters are named, and even their number is unspecified. It could be a journey through one person's mind, or an interview between a doctor and his patient.