Nonfiction

"Here is a field guide, a boon, a bible, for the urban curious. Your city's secret anatomy laid bare--a hundred things you look at but don't see, see but don't know. Each entry is a compact, surprising story, a thought piece, an invitation to marvel. Together, they are almost transformative. To know why things are as they are adds a satisfying richness to daily existence. This book is terrific, just terrific."
--Mary Roach, New York Times bestselling author of Stiff, Grunt, and Gulp

"The 99% Invisible City brings into view the fascinating but often unnoticed worlds we walk and drive through every day, and to read it is to feel newly alive and aware of your place in the world. This book made me laugh, and it made me cry, and it reminded me to always read the plaque."
--John Green, New York Times bestselling author of The Fault in Our Stars and Turtles All The Way Down

A beautifully designed guidebook to the unnoticed yet essential elements of our cities, from the creators of the wildly popular 99% Invisible podcast

Have you ever wondered what those bright, squiggly graffiti marks on the sidewalk mean?

Or stopped to consider why you don't see metal fire escapes on new buildings?

Or pondered the story behind those dancing inflatable figures in car dealerships?

99% Invisible is a big-ideas podcast about small-seeming things, revealing stories baked into the buildings we inhabit, the streets we drive, and the sidewalks we traverse. The show celebrates design and architecture in all of its functional glory and accidental absurdity, with intriguing tales of both designers and the people impacted by their designs.

Now, in The 99% Invisible City: A Field Guide to Hidden World of Everyday Design, host Roman Mars and coauthor Kurt Kohlstedt zoom in on the various elements that make our cities work, exploring the origins and other fascinating stories behind everything from power grids and fire escapes to drinking fountains and street signs. With deeply researched entries and beautiful line drawings throughout, The 99% Invisible City will captivate devoted fans of the show and anyone curious about design, urban environments, and the unsung marvels of the world around them.

Original artwork and materials explore children's literature and its impact in society and culture over time

A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children's books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children's literature historian Leonard S. Marcus's insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota's Kerlan Collection of Children's Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere.

The story of the origins of children's literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L'Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children's books and effective ways of putting good books into children's hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children's book art, manuscripts, correspondence, and ephemera appeared--the University of Minnesota's Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever.

Regarding children's literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever.

"If Jennifer Baumgardner ever needs another mom, I'll be the first in line to adopt her. She's smart, fearless, and a formidable force for change."--Barbara Ehrenreich, author of Nickel and Dimed

In Abortion & Life, author and activist Jennifer Baumgardner reveals how the most controversial and stigmatized Supreme Court decision of our time cuts across eras, classes, and race. Stunning portraits by photographer Tara Todras-Whitehill of folk singer Ani DiFranco, authors Barbara Ehrenreich and Gloria Steinem, and others accompany their elucidating accounts of their own abortion experiences.

In this bold new work, Baumgardner explores some of the thorniest issues around terminating a pregnancy, including the ones that the pro-choice establishment has been the least sensitive or effective in confronting.

Jennifer Baumgardner is the producer/creator of the award-winning film I Had an Abortion. She is the co-author (with Amy Richards) of Manifesta: Young Women, Feminism, and the Future and Grassroots: A Field Guide for Feminist Activism (both Farrar, Straus & Giroux). Her most recent book is Look Both Ways: Bisexual Politics (FSG, 2007). She writes regularly for women's magazines like Glamour, Elle, and Allure, as well as more political outlets such as The Nation, Harper's, and NPR's All Things Considered. She lives in New York City.

Praise for Abortion & Life:

Publishers Weekly, Sept. 2008

Activist, filmmaker (of I Had an Abortion) and co-author (Manifesta: Young Women, Feminism and the Future) Baumgardner dedicates her work to spreading awareness about abortion. Graced with black and white photo portraits by Tara Todras-Whitehill of women wearing Baumgardner's shirt, reading simply "I had an abortion," the emphasis is on the testimony of these patients, revealing not only how common the procedure is (one in three women, according to the Guttmacher Institute) but how diverse those women and their situations are. Baumgardner begins with a brief history of abortion legislation in America, from pre-Roe v. Wade restrictions to clinic workers and doctors protested, threatened and murdered (as in the case of Buffalo doctor Barnett Slepian). Still, as Baumgardner says, it's the record of "our lives [that] might provide the best road map to strengthening women's reproductive freedoms." Included is a comprehensive listing of abortion resources, and 10 percent of the book's profits go to the New York Abortion Access Fund.

An effort at finding the middle ground on a contentious issue...Baumgardner's dedication to widening and civilizing the discussion is clear. She instructs, hopefully; this book belongs in the hands of a new generation of abortion-rights advocates, who can benefit from its history and might strive to answer its difficult questions.--Los Angeles Times

With the publication of his best-selling Of Wolves and Men, and with the astonishing originality of Arctic Dreams, Barry Lopez established himself as that rare writer whose every book is an event, for both critics and his devoted readership. Now, in About This Life, he takes us on a literal and figurative journey across the terrain of autobiography, assembling essays of great wisdom and insight.

Here is far-flung travel (the beauty of remote Hokkaido Island, the over-explored Galápagos, enigmatic Bonaire); a naturalist's contention (Why does our society inevitably strip political power from people with intimate knowledge of the land small-scale farmers, Native Americans, Eskimos, cowboys?); and pure adventure (a dizzying series of around-the-world journeys with air freight everything from penguins to pianos). And here, too, are seven exquisite memory pieces hauntingly lyrical yet unsentimental recollections that represent Lopez's most personal work to date, and which will be read as classics of the personal essay for years to come.

In writing about nature and people from around the world, by exploring the questions of our age, and, above all, by sharing a new openness about himself, Barry Lopez gives us a book that is at once vastly erudite yet intimate: a magically written and provocative work by a major American writer at the top of his form.