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Nonfiction
As the world nears 8 billion people, the countries that have led the global order since World War II are becoming the most aged societies in human history. At the same time, the world's poorest and least powerful countries are suffocating under an imbalance of population and resources. In 8 Billion and Counting, political demographer Jennifer D. Sciubba argues that the story of the twenty-first century is less a story about exponential population growth, as the previous century was, than it is a story about differential growth--marked by a stark divide between the world's richest and poorest countries.
Drawing from decades of research, policy experience, and teaching, Sciubba employs stories and statistics to explain how demographic trends, like age structure and ethnic composition, are crucial signposts for future violence and peace, repression and democracy, poverty and prosperity. Although we have a diverse global population, demographic trends often follow predictable patterns that can help professionals across the corporate, nonprofit, government, and military sectors understand the global strategic environment.
Through the lenses of national security, global health, and economics, Sciubba demonstrates the pitfalls of taking population numbers at face value and extrapolating from there. Instead, she argues, we must look at the forces in a society that amplify demographic trends and the forces that dilute them, particularly political institutions, or the rules of the game. She shows that the most important skills in demographic analysis are naming and being aware of your preferences, rethinking assumptions, and asking the right questions.
Provocative and engrossing, 8 Billion and Counting is required reading for business leaders, policy makers, and anyone eager to anticipate political, economic, and social risks and opportunities. A deeper understanding of fertility, mortality, and migration promises to point toward the investments we need to make today to shape the future we want tomorrow.
Shortly before Christmas in 1943, five Army aviators left Alaska's Ladd Field on a routine flight to test their hastily retrofitted B-24 Liberator in harsh winter conditions. The mission ended in a crash that claimed all but one-Leon Crane, a city kid from Philadelphia with no wilderness experience. With little more than a parachute for cover and an old Boy Scout knife in his pocket, Crane found himself alone in subzero temperatures. 81 Days Below Zero recounts, for the first time, the full story of Crane's remarkable twelve-week saga.
From noted journalist Jules Witcover, the classic account of Robert F. Kennedy's tragically short-lived campaign for president in 1968.
85 Days is veteran Washington journalist Jules Witcover's masterpiece of political reportage. It brilliantly captures a lost moment in time when the politics of conviction seemed to converge with America's youth movement in opposition to the Vietnam War. At its center was the charismatic Robert F. Kennedy, brother of the slain President John F. Kennedy. Robert Kennedy's impassioned opposition to the Vietnam War, and his vision for a more egalitarian United States, launched him on one of the most memorable, though brief, campaigns in U.S. political history.
Witcover's driving narrative follows Kennedy's campaign throughout the primary season, as Kennedy mulled a run, developed his core issues and supporter base, and shot to the top of the polls, culminating in a victory in California just two days before he was tragically killed. A timeless work of political journalism, 85 Days captures the character and spirit of a man who came to symbolize an unforgettable era in America.
On September 10, 2001, a haggard Chicago lawyer just wanted to go home. But the weather in Newark, and a little thing called 9/11, got in his way. Let's just start with this, though: 9/11 and Home is not truly a 9/11 book, so feel free to place any knee-jerk red flags you may think you see safely into your natty little pocket. That quite historic event is merely the backdrop for this irreverent, brutally honest and compelling, true story of both temporary and life-long friends facing a wild assortment of unique challenges. Those challenges initially derive from the tragedy we're all so familiar with but. in actuality, this is no more "another 9/11 book" than Titanic was a movie about "proper boat maintenance." This book is decidedly different, and actually represents an entirely unique style of writing. A new genre.
9/11 and Home is a highly quirky memoir/work-of-narrative-non-fiction which creatively chronicles a rapid-fire, page turning array of intense, and alternately quite funny, experiences and relationships forged by strangers from around the U.S. and the world during the week of the attacks. It's simply a very humorous and compelling recounting of one stressed-out attorney's experiences while stranded for a week in a huge Newark hotel--all after eye-witnessing each Trade Center tower collapse upon itself.
Life, death, sex, drugs, race, religion, politics---it's all here. As opposed to stories of direct victims, caregivers or rescuers during that week, this book is about how the rest of us experienced 9/11. And "Home" is what the book is ultimately about: what home actually is, what it means to us as Americans, and all of our individually funny, weird, sad, great, and very-personal impressions of it. 9/11 and Home is, shamelessly, about just that.
"If you've ever finished a book and had to sit back for a moment and collect yourself, you should definitely take this ride."
On September 10, 2001, a haggard Chicago lawyer just wanted to go home. But the weather in Newark, and a little thing called 9/11, got in his way. Let's just start with this, though: 9/11 and Home is not truly a 9/11 book, so feel free to place any knee-jerk red flags you may think you see safely into your natty little pocket. That quite historic event is merely the backdrop for this irreverent, brutally honest and compelling, true story of both temporary and life-long friends facing a wild assortment of unique challenges. Those challenges initially derive from the tragedy we're all so familiar with but. in actuality, this is no more "another 9/11 book" than Titanic was a movie about "proper boat maintenance." This book is decidedly different, and actually represents an entirely unique style of writing. A new genre.
9/11 and Home is a highly quirky memoir/work-of-narrative-non-fiction which creatively chronicles a rapid-fire, page turning array of intense, and alternately quite funny, experiences and relationships forged by strangers from around the U.S. and the world during the week of the attacks. It's simply a very humorous and compelling recounting of one stressed-out attorney's experiences while stranded for a week in a huge Newark hotel--all after eye-witnessing each Trade Center tower collapse upon itself.
Life, death, sex, drugs, race, religion, politics---it's all here. As opposed to stories of direct victims, caregivers or rescuers during that week, this book is about how the rest of us experienced 9/11. And "Home" is what the book is ultimately about: what home actually is, what it means to us as Americans, and all of our individually funny, weird, sad, great, and very-personal impressions of it. 9/11 and Home is, shamelessly, about just that.
"If you've ever finished a book and had to sit back for a moment and collect yourself, you should definitely take this ride."
This volume is the authorized edition of the Commission's final report.
First, The 9/11 Investigations presents the most shocking discoveries to emerge in the course of the investigations. Former Newsweek editor Steven Strasser has combed through the extensive investigative documents and extracted the most revelatory information about 9/11 itself--the al Qaeda plot, the terrorist attack, the emergency response--as well as troubling insights into the inner workings of our government: the decision-making process at the top levels of government, the miscommunication between the FBI and CIA, and the fatal oversights made by the Bush administration before the attacks.
Second, The 9/11 Investigations explores the investigation process itself. A lead essay by Craig R. Whitney, assistant managing editor of the New York Times, places the 9/11 investigation into a historical context of other governmental investigations such as the Warren Report and the Pearl Harbor investigation. Whitney also explores the political power plays that have affected the investigation's progress, addressing these fundamental questions: Why hasn't the Bush administration cooperated fully with the 9/11 Commission? How has the administration's behavior affected the work of the Commission? Who will be held responsible for the intelligence and leadership failures revealed by the investigations? And perhaps most importantly: Will the 9/11 investigation help prevent such a tragedy from happening again? Are we any safer for their work?
Together, these documents and analysis provide an in-depth look at how America has tried to deal with the shocking impact of the 9/11 attacks.
Decades after the deadliest terrorist attack on the United States, an event that left no aspect of American foreign or domestic policy untouched, The 9/11 Report: A Graphic Adaptation, offers an accessible account of the most defining event of the century.
On December 5, 2005, the 9/11 Commission issued its final report card on the government's fulfillment of the recommendations issued in July 2004: one A, twelve Bs, nine Cs, twelve Ds, three Fs, and four incompletes. Here is stunning evidence that Sid Jacobson and Ernie Colón, with more than sixty years of experience in the comic-book industry between them, were right: far, far too few Americans have read, grasped, and demanded action on the Commission's investigation into the events of that tragic day and the lessons America must learn. Using every skill and storytelling method Jacobson and Colón have learned over the decades, they have produced the most accessible version of the 9/11 Report. Jacobson's text frequently follows word for word the original report, faithfully captures its investigative thoroughness, and covers its entire scope, even including the Commission's final report card. Colón's stunning artwork powerfully conveys the facts, insights, and urgency of the original.Finalist for the Los Angeles Press Club Book Award, muse to a Givenchy fashion collection, and recommended by the The New York Times, The Skimm, US Weekly, The Washington Post, The Boston Globe, Refinery 29, Book Riot, Bitch Media, and more.
Yarrow's biting autopsy of the decade scrutinizes the way society reduced -- or "bitchified" -- women at work, women at home, women in court, even women on ice skates . . . Direct quotes from politicians, journalists and comedians about the women provide the most jarring, oh-my-god-that-really-happened portions of Yarrow's decade excavation. -- Pittsburg Post-Gazette
The nostalgic, smart, and shocking account of how the 90s set back feminism, undermined girls and women, and shaped the millennial generation from award-winning journalist, Allison Yarrow.
To understand how we got here, we have to rewind the VHS tape. 90s Bitch tells the real story of women and girls in the 1990s, exploring how they were maligned by the media, vilified by popular culture, and objectified in the marketplace.
Trailblazing women like Hillary Clinton, Anita Hill, Madeleine Albright, Janet Reno, and Marcia Clark, and were undermined. Newsmakers like Britney Spears, Monica Lewinsky, Tonya Harding and Lorena Bobbitt were shamed and misunderstood. The advent of the 24-hour news cycle reinforced society's deeply entrenched misogyny. Meanwhile, marketers hijacked feminism, sold "Girl Power," and poisoned a generation.
Today echoes of 90s "bitchification" still exist everywhere we look. To understand why, we must revisit and interrogate the 1990s--a decade in which empowerment was twisted into objectification, exploitation, and subjugation.
Yarrow's thoughtful, juicy, and timely examination is a must-read for anyone trying to understand 21st century sexism and end it for the next generation.
A selection of the best short work by France's greatest living nonfiction writer
A New York Times Notable Books of 2020


















