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Nonfiction
On September 10, 2001, a haggard Chicago lawyer just wanted to go home. But the weather in Newark, and a little thing called 9/11, got in his way. Let's just start with this, though: 9/11 and Home is not truly a 9/11 book, so feel free to place any knee-jerk red flags you may think you see safely into your natty little pocket. That quite historic event is merely the backdrop for this irreverent, brutally honest and compelling, true story of both temporary and life-long friends facing a wild assortment of unique challenges. Those challenges initially derive from the tragedy we're all so familiar with but. in actuality, this is no more "another 9/11 book" than Titanic was a movie about "proper boat maintenance." This book is decidedly different, and actually represents an entirely unique style of writing. A new genre.
9/11 and Home is a highly quirky memoir/work-of-narrative-non-fiction which creatively chronicles a rapid-fire, page turning array of intense, and alternately quite funny, experiences and relationships forged by strangers from around the U.S. and the world during the week of the attacks. It's simply a very humorous and compelling recounting of one stressed-out attorney's experiences while stranded for a week in a huge Newark hotel--all after eye-witnessing each Trade Center tower collapse upon itself.
Life, death, sex, drugs, race, religion, politics---it's all here. As opposed to stories of direct victims, caregivers or rescuers during that week, this book is about how the rest of us experienced 9/11. And "Home" is what the book is ultimately about: what home actually is, what it means to us as Americans, and all of our individually funny, weird, sad, great, and very-personal impressions of it. 9/11 and Home is, shamelessly, about just that.
"If you've ever finished a book and had to sit back for a moment and collect yourself, you should definitely take this ride."
On September 10, 2001, a haggard Chicago lawyer just wanted to go home. But the weather in Newark, and a little thing called 9/11, got in his way. Let's just start with this, though: 9/11 and Home is not truly a 9/11 book, so feel free to place any knee-jerk red flags you may think you see safely into your natty little pocket. That quite historic event is merely the backdrop for this irreverent, brutally honest and compelling, true story of both temporary and life-long friends facing a wild assortment of unique challenges. Those challenges initially derive from the tragedy we're all so familiar with but. in actuality, this is no more "another 9/11 book" than Titanic was a movie about "proper boat maintenance." This book is decidedly different, and actually represents an entirely unique style of writing. A new genre.
9/11 and Home is a highly quirky memoir/work-of-narrative-non-fiction which creatively chronicles a rapid-fire, page turning array of intense, and alternately quite funny, experiences and relationships forged by strangers from around the U.S. and the world during the week of the attacks. It's simply a very humorous and compelling recounting of one stressed-out attorney's experiences while stranded for a week in a huge Newark hotel--all after eye-witnessing each Trade Center tower collapse upon itself.
Life, death, sex, drugs, race, religion, politics---it's all here. As opposed to stories of direct victims, caregivers or rescuers during that week, this book is about how the rest of us experienced 9/11. And "Home" is what the book is ultimately about: what home actually is, what it means to us as Americans, and all of our individually funny, weird, sad, great, and very-personal impressions of it. 9/11 and Home is, shamelessly, about just that.
"If you've ever finished a book and had to sit back for a moment and collect yourself, you should definitely take this ride."
This volume is the authorized edition of the Commission's final report.
First, The 9/11 Investigations presents the most shocking discoveries to emerge in the course of the investigations. Former Newsweek editor Steven Strasser has combed through the extensive investigative documents and extracted the most revelatory information about 9/11 itself--the al Qaeda plot, the terrorist attack, the emergency response--as well as troubling insights into the inner workings of our government: the decision-making process at the top levels of government, the miscommunication between the FBI and CIA, and the fatal oversights made by the Bush administration before the attacks.
Second, The 9/11 Investigations explores the investigation process itself. A lead essay by Craig R. Whitney, assistant managing editor of the New York Times, places the 9/11 investigation into a historical context of other governmental investigations such as the Warren Report and the Pearl Harbor investigation. Whitney also explores the political power plays that have affected the investigation's progress, addressing these fundamental questions: Why hasn't the Bush administration cooperated fully with the 9/11 Commission? How has the administration's behavior affected the work of the Commission? Who will be held responsible for the intelligence and leadership failures revealed by the investigations? And perhaps most importantly: Will the 9/11 investigation help prevent such a tragedy from happening again? Are we any safer for their work?
Together, these documents and analysis provide an in-depth look at how America has tried to deal with the shocking impact of the 9/11 attacks.
Decades after the deadliest terrorist attack on the United States, an event that left no aspect of American foreign or domestic policy untouched, The 9/11 Report: A Graphic Adaptation, offers an accessible account of the most defining event of the century.
On December 5, 2005, the 9/11 Commission issued its final report card on the government's fulfillment of the recommendations issued in July 2004: one A, twelve Bs, nine Cs, twelve Ds, three Fs, and four incompletes. Here is stunning evidence that Sid Jacobson and Ernie Colón, with more than sixty years of experience in the comic-book industry between them, were right: far, far too few Americans have read, grasped, and demanded action on the Commission's investigation into the events of that tragic day and the lessons America must learn. Using every skill and storytelling method Jacobson and Colón have learned over the decades, they have produced the most accessible version of the 9/11 Report. Jacobson's text frequently follows word for word the original report, faithfully captures its investigative thoroughness, and covers its entire scope, even including the Commission's final report card. Colón's stunning artwork powerfully conveys the facts, insights, and urgency of the original.Finalist for the Los Angeles Press Club Book Award, muse to a Givenchy fashion collection, and recommended by the The New York Times, The Skimm, US Weekly, The Washington Post, The Boston Globe, Refinery 29, Book Riot, Bitch Media, and more.
Yarrow's biting autopsy of the decade scrutinizes the way society reduced -- or "bitchified" -- women at work, women at home, women in court, even women on ice skates . . . Direct quotes from politicians, journalists and comedians about the women provide the most jarring, oh-my-god-that-really-happened portions of Yarrow's decade excavation. -- Pittsburg Post-Gazette
The nostalgic, smart, and shocking account of how the 90s set back feminism, undermined girls and women, and shaped the millennial generation from award-winning journalist, Allison Yarrow.
To understand how we got here, we have to rewind the VHS tape. 90s Bitch tells the real story of women and girls in the 1990s, exploring how they were maligned by the media, vilified by popular culture, and objectified in the marketplace.
Trailblazing women like Hillary Clinton, Anita Hill, Madeleine Albright, Janet Reno, and Marcia Clark, and were undermined. Newsmakers like Britney Spears, Monica Lewinsky, Tonya Harding and Lorena Bobbitt were shamed and misunderstood. The advent of the 24-hour news cycle reinforced society's deeply entrenched misogyny. Meanwhile, marketers hijacked feminism, sold "Girl Power," and poisoned a generation.
Today echoes of 90s "bitchification" still exist everywhere we look. To understand why, we must revisit and interrogate the 1990s--a decade in which empowerment was twisted into objectification, exploitation, and subjugation.
Yarrow's thoughtful, juicy, and timely examination is a must-read for anyone trying to understand 21st century sexism and end it for the next generation.
A selection of the best short work by France's greatest living nonfiction writer
A New York Times Notable Books of 2020
An exploration of mathematical style through 99 different proofs of the same theorem
This book offers a multifaceted perspective on mathematics by demonstrating 99 different proofs of the same theorem. Each chapter solves an otherwise unremarkable equation in distinct historical, formal, and imaginative styles that range from Medieval, Topological, and Doggerel to Chromatic, Electrostatic, and Psychedelic. With a rare blend of humor and scholarly aplomb, Philip Ording weaves these variations into an accessible and wide-ranging narrative on the nature and practice of mathematics. Inspired by the experiments of the Paris-based writing group known as the Oulipo--whose members included Raymond Queneau, Italo Calvino, and Marcel Duchamp--Ording explores new ways to examine the aesthetic possibilities of mathematical activity. 99 Variations on a Proof is a mathematical take on Queneau's Exercises in Style, a collection of 99 retellings of the same story, and it draws unexpected connections to everything from mysticism and technology to architecture and sign language. Through diagrams, found material, and other imagery, Ording illustrates the flexibility and creative potential of mathematics despite its reputation for precision and rigor. Readers will gain not only a bird's-eye view of the discipline and its major branches but also new insights into its historical, philosophical, and cultural nuances. Readers, no matter their level of expertise, will discover in these proofs and accompanying commentary surprising new aspects of the mathematical landscape.--The New York Times Book Review "Here is a field guide, a boon, a bible, for the urban curious. Your city's secret anatomy laid bare--a hundred things you look at but don't see, see but don't know. Each entry is a compact, surprising story, a thought piece, an invitation to marvel. Together, they are almost transformative. To know why things are as they are adds a satisfying richness to daily existence. This book is terrific, just terrific."
--Mary Roach, New York Times bestselling author of Stiff, Grunt, and Gulp "The 99% Invisible City brings into view the fascinating but often unnoticed worlds we walk and drive through every day, and to read it is to feel newly alive and aware of your place in the world. This book made me laugh, and it made me cry, and it reminded me to always read the plaque."
--John Green, New York Times bestselling author of The Fault in Our Stars and Turtles All The Way Down A beautifully designed guidebook to the unnoticed yet essential elements of our cities, from the creators of the wildly popular 99% Invisible podcast Have you ever wondered what those bright, squiggly graffiti marks on the sidewalk mean? Or stopped to consider why you don't see metal fire escapes on new buildings? Or pondered the story behind those dancing inflatable figures in car dealerships? 99% Invisible is a big-ideas podcast about small-seeming things, revealing stories baked into the buildings we inhabit, the streets we drive, and the sidewalks we traverse. The show celebrates design and architecture in all of its functional glory and accidental absurdity, with intriguing tales of both designers and the people impacted by their designs. Now, in The 99% Invisible City: A Field Guide to Hidden World of Everyday Design, host Roman Mars and coauthor Kurt Kohlstedt zoom in on the various elements that make our cities work, exploring the origins and other fascinating stories behind everything from power grids and fire escapes to drinking fountains and street signs. With deeply researched entries and beautiful line drawings throughout, The 99% Invisible City will captivate devoted fans of the show and anyone curious about design, urban environments, and the unsung marvels of the world around them.
True crime journalist Gregg Olsen, author of the instant bestseller If You Tell, unravels the twisted tale of a shocking murder in Amish country.
On Christmas Eve in 1985, a hunter found a young boy's body along an icy corn field in Nebraska. The residents of Chester, Nebraska buried him as "Little Boy Blue," unclaimed and unidentified-- until a phone call from Ohio two years later led authorities to Eli Stutzman, the boy's father. Eli Stutzman, the son of an Amish bishop, was by all appearances a dedicated farmer and family man in the country's strictest religious sect. But behind his quiet façade was a man involved with pornography, sadomasochism, and drugs. After the suspicious death of his pregnant wife, Stutzman took his preschool-age son, Danny, and hit the road on a sexual odyssey ending with his conviction for murder. But the mystery of Eli Stutzman and the fate of his son didn't end on the barren Nebraska plains. It was just beginning... Olsen's Abandoned Prayers is an incredible true story of murder and Amish secrets.Original artwork and materials explore children's literature and its impact in society and culture over time
A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children's books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children's literature historian Leonard S. Marcus's insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota's Kerlan Collection of Children's Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere.
The story of the origins of children's literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L'Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children's books and effective ways of putting good books into children's hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children's book art, manuscripts, correspondence, and ephemera appeared--the University of Minnesota's Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever.
Regarding children's literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever.
Sparrow Rose Jones is probably best known for their blog, Unstrange
Mind: Remapping My World, and their previous book, No You Don't: Essays
from an Unstrange Mind, both of which deftly narrate their examination of
themself, their identity as an Autistic person, and the changing state of access
and civil rights for Autistic people. Their essays have covered everything
from famous civil rights and criminal cases in the media to sexuality and
relationships, life skills, coping mechanisms, and personal introspection.
In The ABCs of Autism Acceptance, Sparrow takes us through a guided tour
of the topics most central to changing the way that autism is perceived, to
remove systemic barriers to access that have traditionally been barriers to
Autistic participation in some sectors of society. They also take us through the
basics of Autistic culture, discussing many of its major features and recent
developments with a sense of history and making the current state of the
conversation around this form of neurodivergence clear to those who are new to
it, whether they are Autistic themselves or a friend/family member looking for
resources to help themselves support the Autistic people in their lives more fully.
While it is impossible to capture the full scope and diversity of Autistic
communities--and there are many of them out there--this book does serve as
an important conversation starter, a primer, and a humble guide to the world.
In these 26 short essays, you will find most of the topics most often blogged about
by Actually Autistic authors, including footnotes, resources, and references
to other writers whose works continue the conversations that start here.