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Nonfiction
Decades after the deadliest terrorist attack on the United States, an event that left no aspect of American foreign or domestic policy untouched, The 9/11 Report: A Graphic Adaptation, offers an accessible account of the most defining event of the century.
On December 5, 2005, the 9/11 Commission issued its final report card on the government's fulfillment of the recommendations issued in July 2004: one A, twelve Bs, nine Cs, twelve Ds, three Fs, and four incompletes. Here is stunning evidence that Sid Jacobson and Ernie Colón, with more than sixty years of experience in the comic-book industry between them, were right: far, far too few Americans have read, grasped, and demanded action on the Commission's investigation into the events of that tragic day and the lessons America must learn. Using every skill and storytelling method Jacobson and Colón have learned over the decades, they have produced the most accessible version of the 9/11 Report. Jacobson's text frequently follows word for word the original report, faithfully captures its investigative thoroughness, and covers its entire scope, even including the Commission's final report card. Colón's stunning artwork powerfully conveys the facts, insights, and urgency of the original.Finalist for the Los Angeles Press Club Book Award, muse to a Givenchy fashion collection, and recommended by the The New York Times, The Skimm, US Weekly, The Washington Post, The Boston Globe, Refinery 29, Book Riot, Bitch Media, and more.
Yarrow's biting autopsy of the decade scrutinizes the way society reduced -- or "bitchified" -- women at work, women at home, women in court, even women on ice skates . . . Direct quotes from politicians, journalists and comedians about the women provide the most jarring, oh-my-god-that-really-happened portions of Yarrow's decade excavation. -- Pittsburg Post-Gazette
The nostalgic, smart, and shocking account of how the 90s set back feminism, undermined girls and women, and shaped the millennial generation from award-winning journalist, Allison Yarrow.
To understand how we got here, we have to rewind the VHS tape. 90s Bitch tells the real story of women and girls in the 1990s, exploring how they were maligned by the media, vilified by popular culture, and objectified in the marketplace.
Trailblazing women like Hillary Clinton, Anita Hill, Madeleine Albright, Janet Reno, and Marcia Clark, and were undermined. Newsmakers like Britney Spears, Monica Lewinsky, Tonya Harding and Lorena Bobbitt were shamed and misunderstood. The advent of the 24-hour news cycle reinforced society's deeply entrenched misogyny. Meanwhile, marketers hijacked feminism, sold "Girl Power," and poisoned a generation.
Today echoes of 90s "bitchification" still exist everywhere we look. To understand why, we must revisit and interrogate the 1990s--a decade in which empowerment was twisted into objectification, exploitation, and subjugation.
Yarrow's thoughtful, juicy, and timely examination is a must-read for anyone trying to understand 21st century sexism and end it for the next generation.
A selection of the best short work by France's greatest living nonfiction writer
A New York Times Notable Books of 2020
--The New York Times Book Review "Here is a field guide, a boon, a bible, for the urban curious. Your city's secret anatomy laid bare--a hundred things you look at but don't see, see but don't know. Each entry is a compact, surprising story, a thought piece, an invitation to marvel. Together, they are almost transformative. To know why things are as they are adds a satisfying richness to daily existence. This book is terrific, just terrific."
--Mary Roach, New York Times bestselling author of Stiff, Grunt, and Gulp "The 99% Invisible City brings into view the fascinating but often unnoticed worlds we walk and drive through every day, and to read it is to feel newly alive and aware of your place in the world. This book made me laugh, and it made me cry, and it reminded me to always read the plaque."
--John Green, New York Times bestselling author of The Fault in Our Stars and Turtles All The Way Down A beautifully designed guidebook to the unnoticed yet essential elements of our cities, from the creators of the wildly popular 99% Invisible podcast Have you ever wondered what those bright, squiggly graffiti marks on the sidewalk mean? Or stopped to consider why you don't see metal fire escapes on new buildings? Or pondered the story behind those dancing inflatable figures in car dealerships? 99% Invisible is a big-ideas podcast about small-seeming things, revealing stories baked into the buildings we inhabit, the streets we drive, and the sidewalks we traverse. The show celebrates design and architecture in all of its functional glory and accidental absurdity, with intriguing tales of both designers and the people impacted by their designs. Now, in The 99% Invisible City: A Field Guide to Hidden World of Everyday Design, host Roman Mars and coauthor Kurt Kohlstedt zoom in on the various elements that make our cities work, exploring the origins and other fascinating stories behind everything from power grids and fire escapes to drinking fountains and street signs. With deeply researched entries and beautiful line drawings throughout, The 99% Invisible City will captivate devoted fans of the show and anyone curious about design, urban environments, and the unsung marvels of the world around them.
True crime journalist Gregg Olsen, author of the instant bestseller If You Tell, unravels the twisted tale of a shocking murder in Amish country.
On Christmas Eve in 1985, a hunter found a young boy's body along an icy corn field in Nebraska. The residents of Chester, Nebraska buried him as Little Boy Blue, unclaimed and unidentified-- until a phone call from Ohio two years later led authorities to Eli Stutzman, the boy's father. Eli Stutzman, the son of an Amish bishop, was by all appearances a dedicated farmer and family man in the country's strictest religious sect. But behind his quiet façade was a man involved with pornography, sadomasochism, and drugs. After the suspicious death of his pregnant wife, Stutzman took his preschool-age son, Danny, and hit the road on a sexual odyssey ending with his conviction for murder. But the mystery of Eli Stutzman and the fate of his son didn't end on the barren Nebraska plains. It was just beginning... Olsen's Abandoned Prayers is an incredible true story of murder and Amish secrets.Original artwork and materials explore children's literature and its impact in society and culture over time
A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children's books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children's literature historian Leonard S. Marcus's insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota's Kerlan Collection of Children's Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere.
The story of the origins of children's literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L'Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children's books and effective ways of putting good books into children's hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children's book art, manuscripts, correspondence, and ephemera appeared--the University of Minnesota's Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever.
Regarding children's literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever.
Abolition. Feminism. Now. is a celebration of freedom work, a movement genealogy, a call to action, and a challenge to those who think of abolition and feminism as separate--even incompatible--political projects.
In this remarkable collaborative work, leading scholar-activists Angela Y. Davis, Gina Dent, Erica R. Meiners, and Beth E. Richie surface the often unrecognized genealogies of queer, anti-capitalist, internationalist, grassroots, and women-of-color-led feminist movements, struggles, and organizations that have helped to define abolition and feminism in the twenty-first century. This pathbreaking book also features illustrations documenting the work of grassroots organizers embodying abolitionist feminist practice. Amplifying the analysis and the theories of change generated out of vibrant community based organizing, Abolition. Feminism. Now. highlights necessary historical linkages, key internationalist learnings, and everyday practices to imagine a future where we can all thrive.Abortion Under Attack addresses a spectrum of personal and social influences, ranging from dealing with remorse to the impact that economics, race, and culture have on a woman's right to choose. Krista Jacob, longtime advocate for reproductive rights and former abortion counselor, has compiled an impressive collection of writings by a diverse group of pro-choice activists who go beyond the same old analysis of reproductive rights to present the current issues facing the pro-choice movement. Feminist activist Amy Richards challenges supporters of reproductive rights to adopt language that strips conservatives of their moral authority as defenders of life. Author Laura Fraser writes about the dangers of a government that restricts Mifepristone, a drug that has proven effective in treating fibroids, endometriosis, and depression, because of its controversial use in terminating pregnancies. Gloria Feldt, the former President of Planned Parenthood, writes about how her personal experiences led to her role as a leader in the fight for reproductive justice, and offers strategies for preserving legal abortion.
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When John D'Agata helps his mother move to Las Vegas one summer, he begins to follow a story about the federal government's plan to store nuclear waste at Yucca Mountain; the result is a startling portrait that compels a reexamination of the future of human life.
Yet as the contradictions inherent in Yucca's story are revealed, D'Agata's investigation turns inevitably personal. He finds himself investigating the death of a teenager who jumps off the tower of the Stratosphere Hotel, a boy whom D'Agata believes he spoke with before his suicide.
Here is the work of a penetrating thinker whose startling portrait of a mountain in the desert compels a reexamination of the future of human life.
In About Face, twenty-five writers tackle this question, each using the same simple framework of an opening paragraph that objectively considers what they see when they look in the mirror. Each writer then details an experience that transpired, in one way or another, because of the face they live with: a feature that belies a woman's heritage, a scar that serves as a daily reminder of a childhood tragedy, an unwanted change due to sun exposure or smoking or drinking.
Since we live our entire lives behind our faces, About Face presents a challenge: to consider exploring our experiences from a vantage point we simply don't have access to. This collection uncovers surprising outcomes and truly unique observations about internal experiences as witnessed from the writers' external points of view.