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Narrative Nonfiction
The Guardian - The Atlantic - New York Magazine - San Francisco Chronicle - Paris Review - National Post (Canada) Longlisted for the 2017 PEN Diamonson-Spielvogel Award for the Art of the Essay
Includes the essay Notes on Camp, the inspiration for the 2019 exhibition Notes on Fashion: Camp at the Costume Institute of the Metropolitan Museum of Art
Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the groundbreaking essays Notes on Camp and Against Interpretation, as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.
The PEN Award-winning essay collection about queer lives: "Gorgeously punk-rock rebellious."--The A.V. Club
The razor-sharp but damaged Valerie Solanas, a doomed lesbian biker gang, recovering alcoholics, and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures, populating America's fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways.
Delivered with her signature honesty and dark humor, Tea blurs the line between telling other people's stories and her own. She turns an investigative eye to the genre that's nurtured her entire career--memoir--and considers the extent to which art preys on life.
Robert Fisk has amassed a massive and devoted global readership with his eloquent and far-ranging articles on international politics. Now, for the first time, his brave and incisive essays have been collected in a single volume that ranges in scope from the recent war in Lebanon to the rise of Hamas; from the invasion of Kuwait to the looting of Baghdad; from America's imperial ambitions to the inescapable influence of the Treaty of Versailles. Taken together, these articles form an unparalleled account of our war-torn recent history.
"A wistful Irish sensibility and memories from a 30-year career as a peace officer in the New York City criminal justice system haunt this solid collection . . . With spare prose, McLoughlin creates memorable vignettes of urban life. Fans of Kent Anderson's Liquor, Guns & Ammo will want to check this out." --Publishers Weekly
"Alcohol, Tobacco, and Firearms couldn't be more New York. Tim McLoughlin drops a ton of big-city knowledge and wisdom, rich in lived-in detail, with humor that's hard as the sidewalk." --John Strausbaugh, author of City of Sedition
In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing.
An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car.
In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to.
A recurring theme in his urban, often New York-centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin's ghosts, these casualties of progress, and he holds them dear and celebrates them.
More than fifty years after Algerian independence, Albert Camus "Algerian Chronicles" appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus most political works an exploration of his commitments to Algeria. Dismissed or disdained at publication, today "Algerian Chronicles, " with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer s elegant translation.
Believe me when I tell you that Algeria is where I hurt at this moment, Camus, who was the most visible symbol of France s troubled relationship with Algeria, writes, as others feel pain in their lungs. Gathered here are Camus strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form.
In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world."
From André Aciman, the New York Times bestselling author of Call Me By Your Name, comes an eclectic collection of essays on memory and exile inspired by the quiet moments of an introspective traveler
A Boston Globe Best Nonfiction Book of the YearCelebrated as one of the most poignant stylists of his generation, André Aciman has written a luminous series of linked essays about time, place, identity, and art that show him at his very finest. From beautiful and moving pieces about the memory evoked by the scent of lavender; to meditations on cities like Barcelona, Rome, Paris, and New York; to his sheer ability to unearth life secrets from an ordinary street corner, Alibis reminds the reader that Aciman is a master of the personal essay. A beautiful new book of essays . . . Aciman's deep fidelity to the world of the senses, and to the translation of those sensations into prose, makes Alibis a delight.--The New York Times Book Review