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Narrative Nonfiction
The PEN Award-winning essay collection about queer lives: "Gorgeously punk-rock rebellious."--The A.V. Club
The razor-sharp but damaged Valerie Solanas, a doomed lesbian biker gang, recovering alcoholics, and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures populating America's fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these queer lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways.
Delivered with her signature honesty and dark humor, this is Tea's first-ever collection of journalistic writing. As she blurs the line between telling other people's stories and her own, she turns an investigative eye to the genre that's nurtured her entire career--memoir--and considers the price that art demands be paid from life.
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Eclectic and wide-ranging. . . . A palpable pain animates many of these essays, as well as a raucous joy and bright curiosity. --The New York Times
The best essay collection I've read in years. --The New Republic
Robert Fisk has amassed a massive and devoted global readership with his eloquent and far-ranging articles on international politics. Now, for the first time, his brave and incisive essays have been collected in a single volume that ranges in scope from the recent war in Lebanon to the rise of Hamas; from the invasion of Kuwait to the looting of Baghdad; from America's imperial ambitions to the inescapable influence of the Treaty of Versailles. Taken together, these articles form an unparalleled account of our war-torn recent history.
An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system.
"A wistful Irish sensibility and memories from a 30-year career as a peace officer in the New York City criminal justice system haunt this solid collection...With spare prose, McLoughlin creates memorable vignettes of urban life. Fans of Kent Anderson's Liquor, Guns & Ammo will want to check this out."
--Publishers Weekly
"Alcohol, Tobacco, and Firearms couldn't be more New York. Tim McLoughlin drops a ton of big-city knowledge and wisdom, rich in lived-in detail, with humor that's hard as the sidewalk."
--John Strausbaugh, author of City of Sedition
In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing.
An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car.
In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to.
A recurring theme in his urban, often New York-centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin's ghosts, these casualties of progress, and he holds them dear and celebrates them.
More than fifty years after Algerian independence, Albert Camus "Algerian Chronicles" appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus most political works an exploration of his commitments to Algeria. Dismissed or disdained at publication, today "Algerian Chronicles, " with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer s elegant translation.
Believe me when I tell you that Algeria is where I hurt at this moment, Camus, who was the most visible symbol of France s troubled relationship with Algeria, writes, as others feel pain in their lungs. Gathered here are Camus strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form.
In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world."
From André Aciman, the New York Times bestselling author of Call Me By Your Name, comes an eclectic collection of essays on memory and exile inspired by the quiet moments of an introspective traveler
A Boston Globe Best Nonfiction Book of the YearCelebrated as one of the most poignant stylists of his generation, André Aciman has written a luminous series of linked essays about time, place, identity, and art that show him at his very finest. From beautiful and moving pieces about the memory evoked by the scent of lavender; to meditations on cities like Barcelona, Rome, Paris, and New York; to his sheer ability to unearth life secrets from an ordinary street corner, Alibis reminds the reader that Aciman is a master of the personal essay. A beautiful new book of essays . . . Aciman's deep fidelity to the world of the senses, and to the translation of those sensations into prose, makes Alibis a delight.--The New York Times Book Review
#1 New York Times Bestseller
"No one will come away unmoved by the book, and no one will be able to put it down.... There is no way of reading Alive without a heightened sense of one's own life and its value." -- New Republic
Sixteen Men, Seventy-Two Days, and Insurmountable Odds--the Classic Adventure of Survival in the Andes
On October 12, 1972, an Uruguayan Air Force plane carrying a team of rugby players crashed in the remote snowy peaks of the Andes. Ten weeks later, only sixteen of the forty-five passengers were found alive. This is the story of those ten weeks spent in the shelter of the plane's fuselage without food and with scarcely any hope of a rescue. The survivors protected and helped one another, and came to the difficult conclusion that to live meant doing the unimaginable. Confronting nature at its most furious, two brave young men risked their lives to hike through the mountains looking for help. A tale of astonishing bravery and adventure, Alive is much more than a survival story, it is a breathtaking saga of human courage
The P.S. edition features an extra 16 pages of insights into the book, including interviews, recommended reading, and more.
"Alix's Journal" is a collection of private notebooks kept by Canadian photographer Alix Cleo Roubaud during the last four years of her life, before her death at the age of 31. Written, in a sense, for her husband--acclaimed novelist, poet, and mathematician Jacques Roubaud--"Alix's Journal" straddles the gap between French and English, poetry and prose, the tragic and the comic, the profound and the quotidian. Alix's idiosyncratic and revealing work gives us access to a singular consciousness, one that was profoundly influential on her husband's subsequent works, in style as well as content. The notebooks center on themes of love, marriage, photography, addiction, and death, and include examples of Alix's photographic work, whose strangeness and poignancy is enhanced by its juxtaposition with her plans for and interpretations of it.
As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low.
A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead.
All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary.
With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line."
With an Introduction from Keith Gessen.
