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Narrative Nonfiction
Steven Callahan shares his dramatic tale of survival at sea in this undeniable seafaring classic. His engrossing firsthand account reveals how he survived more than a month alone at sea, fighting for his life in an inflatable raft after his small sloop capsized only six days out. "Utterly absorbing" (Newsweek), Adrift is a must-have for any adventure library.
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New York Times Bestseller
The heart-stopping memoir, soon to be a major motion picture starring Shailene Woodley and Sam Claflin, and directed by Baltasar Kormákur (Everest).
"An inspirational and empowering read."--Shailene Woodley
Young and in love, their lives ahead of them, Tami Oldham and her fiancé Richard Sharp set sail from Tahiti under brilliant blue skies, with Tami's hometown of San Diego as their ultimate destination. But the two free spirits and avid sailors couldn't anticipate that less than two weeks into their voyage, they would sail directly into one of the most catastrophic hurricanes in recorded history. They found themselves battling pounding rain, waves the size of skyscrapers, and 140 knot winds. Richard tethered himself to the boat and sent Tami below to safety, and then all went eerily quiet. Hours later, Tami awakened to find the boat in ruins, and Richard nowhere in sight.
Adrift is the story of Tami's miraculous forty-one-day journey to safety on a ravaged boat with no motor and no masts, and with little hope for rescue. It's a tale of love and survival on the high seas-- an unforgettable story about resilience of the human spirit, and the transcendent power of love.
In 1997 the celebrated Italian novelist and essayist Gianni Celati accompanied his friend, filmmaker Jean Talon, on a journey to West Africa which took them from Mali to Senegal and Mauritania. The two had been hoping to research a documentary about Dogon priests, but frustrated by red tape, their voyage became instead a touristic adventure. The vulnerable, prickly, insightful Celati kept notebooks of the journey, now translated by Adria Bernardi as Adventures in Africa. Celati is the privileged traveler, overwhelmed by customs he doesn't understand, always at the mercy of others who are trying to sell him something he doesn't want to buy, and aware of himself as the Tourist who is always a little disoriented and at the center of the continual misadventures that are at the heart of travel.
Celati's book is both a travelogue in the European tradition and a trenchant meditation on what it means to be a tourist. Celati learns to surrender to the chaos of West Africa and in the process produces a work of touching and comic descriptions, in the lucid and ironic prose that is his hallmark. Hailed as one of the best travelogues on Africa ever written and awarded the first Zerilli-Marimó prize, Adventures in Africa is a modest yet profound account of the utter discombobulation of travel.
An astounding work of doubles by Albert Goldbarth, "a dazzling virtuoso who can break your heart" (Joyce Carol Oates)
Albert Goldbarth's first book of essays in a decade, The Adventures of Form and Content is about the mysteries of dualities, the selves we all carry inside, the multiverses that we are. This collection takes its shape from the ACE Doubles format of the 1950s: turn this book one way, and read about the checkered history of those sci-fi and pulp fictions, or about the erotic poetry of Catullus and the gravelly songs of Springsteen, or about the high gods and the low-down blues, a city of the holy and of the sinful; turn this book the other way, and read about prehistoric cave artists and NASA astronauts, or about illness and health, or about the discovery of planets and the discovery of oneself inside an essay, or about soul ships and space ships, the dead and the living; or turn the book any way you want, and this book becomes an adventure of author and reader, form and content.
Goldbarth's essays have pioneered and inspired new forms of nonfiction writing for thirty years. Robert Atwan, the series editor for The Best American Essays, praises his work by stating, "These essays are a whole new breed . . . Goldbarth has spliced strands of the old genre with a powerful new genre--and the results are miraculous." The Adventures of Form and Content is a new, ingenious work of hilarity and humanity that reminds us of the capabilities and impossibilities of art.
"A" is for Australia and "A" is for Arizona, over 9,000 miles apart but sharing the same Earth. In this eccentric, intimate compendium of short environmental and personal essays, David Carlin (in Melbourne) and Nicole Walker (in Flagstaff) engage in a long-distance dialogue between two writers, creating an improvisational subversion of the encyclopedia, a witty-yet-serious send-up of the concept of a survival guide. In this era of interconnected ecological, political, and human rights catastrophes, these two whimsical, elegiac, and intellectually questing voices contemplate the role of the individual in the midst of increasingly inescapable collective action crises that call the very concept of survival into question. Refusing equally to find solace in false hopes and to give in to murky despair, Carlin and Walker deftly use the flash nonfiction form to wonder and worry their way through the alphabet in search of a path forward. With meditations on topics ranging from bitumen to plasmodia, elephants to xeric, The After-Normal: Brief, Alphabetical Essays on a Changing Planet collects an A to Z of people, places, and phenomena to marvel at, to kick against, to let go, and to fight for.
Suddenly everything was gone. East Germany disappeared, swallowed up by the West, and in its place was everything Jana and her friends had coveted for so long: designer clothes, pop CDs, Hollywood movies, supermarkets, magazines. They snapped up every possible Western product and mannerism. They changed the way they talked, the way they walked, what they read, where they went. They cut off from their parents. They took English lessons, and opened bank accounts. Fifteen years later, they all have the right haircuts and drive the right cars, but who are they? Where are they going?
In After the Wall, Jana Hensel tells the story of her confused generation of East Germans, who were forced to abandon their past and feel their way through a foreign landscape to an uncertain future. Now as they look back, they wonder whether the oppressive, yet comforting life of their childhood wasn't so bad after all.
A New York Times Book Review Editors' Choice
In the winter of 2000, shortly after his mother's death, Donald Antrim began writing about his family. In pieces that appeared in The New Yorker and were anthologized in Best American Essays, Antrim explored his intense and complicated relationships with his mother, Louanne, an artist, teacher, and ferociously destabilizing alcoholic; his gentle grandfather, who lived in the mountains of North Carolina and who always hoped to save his daughter from herself; and his father, who married his mother twice. The Afterlife is an elliptical, sometimes tender, sometimes blackly hilarious portrait of a family--faulty, cracked, enraging--and of a man struggling to learn the nature of his origins.
The Guardian - The Atlantic - New York Magazine - San Francisco Chronicle - Paris Review - National Post (Canada) Longlisted for the 2017 PEN Diamonson-Spielvogel Award for the Art of the Essay
Includes the essay Notes on Camp, the inspiration for the 2019 exhibition Notes on Fashion: Camp at the Costume Institute of the Metropolitan Museum of Art
Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the groundbreaking essays Notes on Camp and Against Interpretation, as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.
