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Narrative Nonfiction
Peter Carey captures our imagination with a brilliant and unexpected portrait of Sydney.
Bloomsbury is pleased to announce the second title in the phenomenally well-received Writer in the City series-in which some of the world's finest novelists reveal the secrets of the city they know best. In the midst of the 2000 Olympic games, Australia native Peter Carey returns to Sydney after a seventeen-year absence. Examining the urban landscape as both a tourist and a prodigal son, Carey structures his account around the four elements-Earth, Air, Fire, and Water-insisting on the primacy of nature to this unique Australian cityscape. As his quixotic account unfolds, Carey looks both inward into his past (as well as Sydney's own violent history) and outward onto the city's familiar landmarks and surroundings-the Opera House, the Harbour Bridge, the Blue Mountains-achieving just the right alchemy of Earth, Air, Fire, and Water to tell Sydney's extraordinary story.Machu Picchu, the Acropolis, the Great Rift Valley: these are some of the most beautiful, mysterious and awe-inspiring places on the planet.
Award-winning travel writer Aaron Millar reveals the greatest wonders of the world and the insider secrets on how to see them. From where to catch the perfect sunrise over the Grand Canyon to how to swim up to the very edge of the Victoria Falls, this is a road map for discovering the greatest experiences of your life. There are wonders of our future too: the Large Hadron Collider, the most complicated machine ever built; the International Space Station, the greatest international peacetime collaboration in history; the Rio Carnival, the biggest party on the planet. The 50 Greatest Wonders of the World reminds us how fantastically inspiring our planet really is, and how we're a part of it.Shortly before Christmas in 1943, five Army aviators left Alaska's Ladd Field on a routine flight to test their hastily retrofitted B-24 Liberator in harsh winter conditions. The mission ended in a crash that claimed all but one-Leon Crane, a city kid from Philadelphia with no wilderness experience. With little more than a parachute for cover and an old Boy Scout knife in his pocket, Crane found himself alone in subzero temperatures. 81 Days Below Zero recounts, for the first time, the full story of Crane's remarkable twelve-week saga.
On September 10, 2001, a haggard Chicago lawyer just wanted to go home. But the weather in Newark, and a little thing called 9/11, got in his way. Let's just start with this, though: 9/11 and Home is not truly a 9/11 book, so feel free to place any knee-jerk red flags you may think you see safely into your natty little pocket. That quite historic event is merely the backdrop for this irreverent, brutally honest and compelling, true story of both temporary and life-long friends facing a wild assortment of unique challenges. Those challenges initially derive from the tragedy we're all so familiar with but. in actuality, this is no more "another 9/11 book" than Titanic was a movie about "proper boat maintenance." This book is decidedly different, and actually represents an entirely unique style of writing. A new genre.
9/11 and Home is a highly quirky memoir/work-of-narrative-non-fiction which creatively chronicles a rapid-fire, page turning array of intense, and alternately quite funny, experiences and relationships forged by strangers from around the U.S. and the world during the week of the attacks. It's simply a very humorous and compelling recounting of one stressed-out attorney's experiences while stranded for a week in a huge Newark hotel--all after eye-witnessing each Trade Center tower collapse upon itself.
Life, death, sex, drugs, race, religion, politics---it's all here. As opposed to stories of direct victims, caregivers or rescuers during that week, this book is about how the rest of us experienced 9/11. And "Home" is what the book is ultimately about: what home actually is, what it means to us as Americans, and all of our individually funny, weird, sad, great, and very-personal impressions of it. 9/11 and Home is, shamelessly, about just that.
"If you've ever finished a book and had to sit back for a moment and collect yourself, you should definitely take this ride."
A selection of the best short work by France's greatest living nonfiction writer
A New York Times Notable Books of 2020
Original artwork and materials explore children's literature and its impact in society and culture over time
A favorite childhood book can leave a lasting impression, but as adults we tend to shelve such memories. For fourteen months beginning in June 2013, more than half a million visitors to the New York Public Library viewed an exhibition about the role that children's books play in world culture and in our lives. After the exhibition closed, attendees clamored for a catalog of The ABC of It as well as for children's literature historian Leonard S. Marcus's insightful, wry commentary about the objects on display. Now with this book, a collaboration between the University of Minnesota's Kerlan Collection of Children's Literature and Leonard Marcus, the nostalgia and vision of that exhibit can be experienced anywhere.
The story of the origins of children's literature is a tale with memorable characters and deeds, from Hans Christian Andersen and Lewis Carroll to E. B. White and Madeleine L'Engle, who safeguarded a place for wonder in a world increasingly dominated by mechanistic styles of thought, to artists like Beatrix Potter and Maurice Sendak who devoted their extraordinary talents to revealing to children not only the exhilarating beauty of life but also its bracing intensity. Philosophers like John Locke and Jean-Jacques Rousseau and educators such as Johann Comenius and John Dewey were path-finding interpreters of the phenomenon of childhood, inspiring major strands of bookmaking and storytelling for the young. Librarians devised rigorous standards for evaluating children's books and effective ways of putting good books into children's hands, and educators proposed radically different ideas about what those books should include. Eventually, publishers came to embrace juvenile publishing as a core activity, and pioneering collectors of children's book art, manuscripts, correspondence, and ephemera appeared--the University of Minnesota's Dr. Irvin Kerlan being a superb example. Without the foresight and persistence of these collectors, much of this story would have been lost forever.
Regarding children's literature as both a rich repository of collective memory and a powerful engine of cultural change is more important today than ever.
When John D'Agata helps his mother move to Las Vegas one summer, he begins to follow a story about the federal government's plan to store nuclear waste at Yucca Mountain; the result is a startling portrait that compels a reexamination of the future of human life.
In About Face, twenty-five writers tackle this question, each using the same simple framework of an opening paragraph that objectively considers what they see when they look in the mirror. Each writer then details an experience that transpired, in one way or another, because of the face they live with: a feature that belies a woman's heritage, a scar that serves as a daily reminder of a childhood tragedy, an unwanted change due to sun exposure or smoking or drinking.
Since we live our entire lives behind our faces, About Face presents a challenge: to consider exploring our experiences from a vantage point we simply don't have access to. This collection uncovers surprising outcomes and truly unique observations about internal experiences as witnessed from the writers' external points of view.