Display

"Armageddon" is the epic story of the last eight months of World War II in Europe by Max Hastings-one of Britain's most highly regarded military historians, whose accounts of past battles John Keegan has described as worthy "to stand with that of the best journalists and writers" ("New York Times Book Review").
In September 1944, the Allies believed that Hitler's army was beaten, and expected that the war would be over by Christmas. But the disastrous Allied airborne landing in Holland, American setbacks on the German border and in the Hurtgen Forest, together with the bitter Battle of the Bulge, drastically altered that timetable. Hastings tells the story of both the Eastern and Western Fronts, and paints a vivid portrait of the Red Army's onslaught on Hitler's empire. He has searched the archives of the major combatants and interviewed 170 survivors to give us an unprecedented understanding of how the great battles were fought, and of their human impact on American, British, German, and Russian soldiers and civilians.
Hastings raises provocative questions: Were the Western Allied cause and campaign compromised by a desire to get the Soviets to do most of the fighting? Why were the Russians and Germans more effective soldiers than the Americans and British? Why did the bombing of Germany's cities continue until the last weeks of the war, when it could no longer influence the outcome? Why did the Germans prove more fanatical foes than the Japanese, fighting to the bitter end? This book also contains vivid portraits of Stalin, Churchill, Eisenhower, Montgomery, and the other giants of the struggle.
The crucial final months of the twentieth century's greatest global conflict come alive in this rousing and revelatory chronicle.

"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially--statistically speaking--there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."
---from the Introduction

Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves.

This is not your typical self-help book. This is a book written by artists, for artists --- it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone--now enhanced by internet posting--has placed it among the best-selling books on artmaking and creativity nationally.

Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000 copies.

An excerpt:

Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...

This text presents an overview of the most influential and best-loved American artists and their works. It covers three centuries, ranging from Puritan portraits and the American Impressionists through to the videos and digital works of today's conceptual artists. The book is shown in an A-Z format, and seeks to encourage readers to contemplate the connections between art, American history and popular culture.

"Readers of Anne Tyler and Jodi Picoult will appreciate the lyrical prose and expert rendering of the themes of heartbreakk and loss."--Booklist

An unforgettable novel about friendship, love and loss.

With extraordinary emotional power, Linda Olsson's stunningly well-crafted debut novel recounts the unusual and unexpected friendship that develops between two women. Veronika, a young writer from New Zealand, rents a house in a small Swedish village as she tries to come to terms with a recent tragedy while also finishing a novel. Her arrival is silently observed by Astrid, an older, reclusive neighbor who slowly becomes a presence in Veronika's life, offering comfort in the form of companionship and lovingly prepared home-cooked meals. Set against a haunting Swedish landscape, Astrid & Veronika is a lyrical and meditative novel of love and loss, and a story that will remain with readers long after the characters' secrets are revealed.