Music

A riveting cautionary tale about the ecstasy and dangers of loving Marvin Gaye, a performer passionately pursued by all--and a searing memoir of drugs, sex, and old school R&B from the wife of legendary soul icon Marvin Gaye.

After her seventeenth birthday in 1973, Janis Hunter met Marvin Gaye--the soulful prince of Motown with the seductive liquid voice whose chart-topping, socially conscious album What's Going On made him a superstar two years earlier. Despite a seventeen-year-age difference and Marvin's marriage to the sister of Berry Gordy, Motown's founder, the enchanted teenager and the emotionally volatile singer began a scorching relationship.

One moment Jan was a high school student; the next she was accompanying Marvin to parties, navigating the intriguing world of 1970s-'80s celebrity; hanging with Don Cornelius on the set of Soul Train, and helping to discover new talent like Frankie Beverly. But the burdens of fame, the chaos of dysfunctional families, and the irresistible temptations of drugs complicated their love.

Primarily silent since Marvin's tragic death in 1984, Jan at last opens up, sharing the moving, fervently charged story of one of music history's most fabled marriages. Unsparing in its honesty and insight, illustrated with sixteen pages of black-and-white photos, After the Dance reveals what it's like to be in love with a creative genius who transformed popular culture and whose artistry continues to be celebrated today.

Respected arts commentator and author Paul Morley, an artistic advisor to the curators of the highly successful retrospective exhibition David Bowie is for the Victoria & Albert Museum in London, constructs a definitive story of Bowie that explores how he worked, played, aged, structured his ideas, influenced others, invented the future, and entered history as someone who could and would never be forgotten. Morley captures the greatest moments from across Bowie's life and career; how young Davie Jones of South London became the international David Bowie; his pioneering collaborations in the recording studio with the likes of Tony Visconti, Mick Ronson, and Brian Eno; to iconic live, film, theatre, and television performances from the 1970s, 80s, and 90s, as well as the various encounters and artistic relationships he developed with musicians from John Lennon, Lou Reed, and Iggy Pop to Trent Reznor and Arcade Fire. And of course, discusses in detail his much-heralded and critically acclaimed finale with the release of Blackstar just days before his shocking death in New York.

Morley offers a startling biographical critique of David Bowie's legacy, showing how he never stayed still even when he withdrew from the spotlight, how he always knew his own worth, and released a dazzling plethora of personalities, concepts, and works into the world with a single-minded determination and a voluptuous imagination to create something the likes of which the world had never seen before--and likely will never see again.

One of the most remarkable figures of the twentieth century, Alan Lomax was best known for bringing legendary musicians like Woody Guthrie, Pete Seeger, Muddy Waters, Lead Belly, and Burl Ives to the radio and introducing folk music to a mass audience. Now John Szwed, the acclaimed biographer of Miles Davis and Sun Ra, presents the first biography of Lomax, a man who was as influential as he was controversial-trailed for years by the FBI, criticized for his folk- song-collecting practices, denounced by some as a purist and by others as a popularizer. This authoritative work reveals how Lomax changed not only the way everyone in the country heard music but also the way they viewed America itself.

The Alexander Technique for Musicians is a unique guide for all musicians, providing a practical, informative approach to being a successful and comfortable performer. Perfect as an introduction to the Alexander Technique, or to supplement the reader's lessons, the book looks at daily and last-minute practice, breathing, performance and performance anxiety, teacher-pupil relationships, ensemble skills, and the application of the Alexander Technique to instrumental and vocal work.

Complete with diagrams and photographs to aid the learning process, as well as step-by-step procedures and diary entries written by participating students, The Alexander Technique for Musicians gives tried-and-tested advice, drawn from the authors' twenty-plus years of experience working with musicians, providing an essential handbook for musicians seeking the most from themselves and their art.

Alice in Chains were among the loudest voices out of Seattle. They were iconic pioneers who mixed grunge and metal in ways that continue to influence today's artists, and theirs is a story of hard work, self-destruction, rising from the ashes, and carrying on a lasting legacy.

Four years after their first meeting at a warehouse under Seattle's Ballard Bridge, Alice in Chains became the first of grunge's big four - ahead of Nirvana, Pearl Jam, and Soundgarden - to get a gold record and achieve national recognition. With the charismatic Layne Staley behind the microphone, they became one of the most influential and successful bands to come out of the Seattle music scene. But as the band got bigger, so did their problems.

Acclaimed journalist David de Sola delves beneath the secrecy, gossip, and rumor surrounding the band to tell their full story for the first time. Based on a wealth of interviews with people who have direct knowledge of the band, many speaking on the record for the very first time, de Sola explores how drugs nearly destroyed them and claimed the lives of Staley and founding bassist Mike Starr, follows Jerry Cantrell's solo career and Mike Starr's life after being fired from the band, and chronicles the band's resurrection with new lead singer William DuVall.

From their anonymous struggles to topping the charts with hits like Would?, Man in the Box, and Rooster, Alice in Chains reveals the members of the band not as caricatures of rock stars but as brilliant, nuanced, and flawed human beings whose years of hard work led to the seemingly overnight success that changed the music scene forever.

Go-Go's bassist Kathy Valentine's story is a roller coaster of sex, drugs, and of course, music; it's also a story of what it takes to find success and find yourself, even when it all comes crashing down

At twenty-one, Kathy Valentine was at the Whisky in Los Angeles when she met a guitarist from a fledgling band called the Go-Go's--and the band needed a bassist. The Go-Go's became the first multi-platinum-selling, all-female band to play instruments themselves, write their own songs, and have a number one album. Their debut, Beauty and the Beat, spent six weeks at the top of the Billboard 200 and featured the hit songs "We Got the Beat" and "Our Lips Are Sealed." The record's success brought the pressures of a relentless workload and schedule culminating in a wild, hazy, substance-fueled tour that took the band from the club circuit to arenas, where fans, promoters, and crew were more than ready to keep the party going.

For Valentine, the band's success was the fulfillment of a lifelong dream--but it's only part of her story. All I Ever Wanted traces the path that took her from her childhood in Texas--where she all but raised herself--to the height of rock n' roll stardom, devastation after the collapse of the band that had come to define her, and the quest to regain her sense of self after its end. Valentine also speaks candidly about the lasting effects of parental betrayal, abortion, rape, and her struggles with drugs and alcohol--and the music that saved her every step of the way. Populated with vivid portraits of Valentine's interactions during the 1980s with musicians and actors from the Police and Rod Stewart to John Belushi and Rob Lowe, All I Ever Wanted is a deeply personal reflection on a life spent in music.

All the Songs delves deep into the history and origins of the Beatles and their music. This first-of-its-kind book draws upon decades of research, as music historians Margotin and Guesdon recount the circumstances that led to the composition of every song, the recording process, and the instruments used.

Here, we learn that one of John Lennon's favorite guitars was a 1958 Rickenbacker 325 Capri, which he bought for £100 in 1960 in Hamburg, Germany. We also learn that Love Me Do, recorded in Abbey Road Studios in September 1962, took 18 takes to get right, even though it was one of the first songs John and Paul ever wrote together. And the authors reveal that when the Beatles performed I Want to Hold Your Hand on The Ed Sullivan Show in 1964, John's microphone wasn't turned on, so viewers heard only Paul singing.

The hundreds of photographs throughout the book include rare black-and-white publicity stills, images of Beatles instruments, and engaging shots of the musicians in-studio.

All the Songs is the must-have book for the any true Beatles fan.