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Music
In Acid for the Children, Flea takes readers on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected prose makes the Los Angeles of the 1970s and 80s come to gritty, glorious life, including the potential for fun, danger, mayhem, or inspiration that lurked around every corner. It is here that young Flea, looking to escape a turbulent home, found family in a community of musicians, artists, and junkies who also lived on the fringe. He spent most of his time partying and committing petty crimes. But it was in music where he found a higher meaning, a place to channel his frustration, loneliness, and love. This left him open to the life-changing moment when he and his best friends, soul brothers, and partners-in-mischief came up with the idea to start their own band, which became the Red Hot Chili Peppers. Acid for the Children is the debut of a stunning new literary voice, whose prose is as witty, entertaining, and wildly unpredictable as the author himself. It's a tenderly evocative coming-of-age story and a raucous love letter to the power of music and creativity from one of the most renowned musicians of our time. New York Times BestsellerA #1 LA Times BestsellerA USA Today BestsellerOne of NPR's "Favorite Books of 2019"
In Acid for the Children, Flea takes readers on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected prose makes the Los Angeles of the 1970s and 80s come to gritty, glorious life, including the potential for fun, danger, mayhem, or inspiration that lurked around every corner. It is here that young Flea, looking to escape a turbulent home, found family in a community of musicians, artists, and junkies who also lived on the fringe. He spent most of his time partying and committing petty crimes. But it was in music where he found a higher meaning, a place to channel his frustration, loneliness, and love. This left him open to the life-changing moment when he and his best friends, soul brothers, and partners-in-mischief came up with the idea to start their own band, which became the Red Hot Chili Peppers. Acid for the Children is the debut of a stunning new literary voice, whose prose is as witty, entertaining, and wildly unpredictable as the author himself. It's a tenderly evocative coming-of-age story and a raucous love letter to the power of music and creativity from one of the most renowned musicians of our time. New York Times BestsellerA #1 LA Times BestsellerA USA Today BestsellerOne of NPR's "Favorite Books of 2019"
The riotous and unbridled confessions of a debauched rock and roller, this is a music memoir that chronicles his adventures in excess while touring Middle America on the '80's hair-metal nostalgia circuit.
The Unband emerged from the suburbs of late '80's New England and drank, drugged, crashed, and burned their way across the United States until, on the brink of the new century and with the help of their dominatrix manager, a drug-dealing patron bent on revolution, and a willful record executive or two, the band got their Big Break, in a collapsing music industry where boy-band pop ruled and rock music had been declared dead. Equal parts This Is Spinal Tap and Fear and Loathing in Las Vegas, Adios, Motherfucker is the candid and hilarious behind the music account of that experience, now updated and expanded from the version published in 2004 as Gentlemanly Repose.
In this epic, funny rock biography and intoxicated memoir, Unband bassist Michael Ruffino takes readers along on a raucous tear across a surrealistic landscape populated with crack-smoking Girl Scouts, beer-drinking chimps, two-fisted femmes fatales, and murderous headbangers by the horde, while on tour with giants of heavy metal including Ronnie James Dio, Lemmy Kilmister, Def Leppard, Anthrax, and a veritable Who Was Who of reunited '80's hair bands.
Into that volatile mix, The Unband brought do-it-yourself pyrotechnics, a giant inflatable hand (for making giant inflatable gestures), a high tolerance for substance abuse of all kinds, and an infectious love of rock and roll and everything it stands for. Chronicling everything from the drug-fueled chaos in the underground caverns of California to shotgun-toting barmaids on Hamburg's Reeperbahn, Adios, Motherfucker is a reader's all-access pass to the rock and roll lifestyle, a comic odyssey through the netherworld of heavy rock.
This is the all-access, uncensored tour diary of a band that lived to tell the tale--barely.
A riveting cautionary tale about the ecstasy and dangers of loving Marvin Gaye, a performer passionately pursued by all--and a searing memoir of drugs, sex, and old school R&B from the wife of legendary soul icon Marvin Gaye.
After her seventeenth birthday in 1973, Janis Hunter met Marvin Gaye--the soulful prince of Motown with the seductive liquid voice whose chart-topping, socially conscious album What's Going On made him a superstar two years earlier. Despite a seventeen-year-age difference and Marvin's marriage to the sister of Berry Gordy, Motown's founder, the enchanted teenager and the emotionally volatile singer began a scorching relationship.
One moment Jan was a high school student; the next she was accompanying Marvin to parties, navigating the intriguing world of 1970s-'80s celebrity; hanging with Don Cornelius on the set of Soul Train, and helping to discover new talent like Frankie Beverly. But the burdens of fame, the chaos of dysfunctional families, and the irresistible temptations of drugs complicated their love.
Primarily silent since Marvin's tragic death in 1984, Jan at last opens up, sharing the moving, fervently charged story of one of music history's most fabled marriages. Unsparing in its honesty and insight, illustrated with sixteen pages of black-and-white photos, After the Dance reveals what it's like to be in love with a creative genius who transformed popular culture and whose artistry continues to be celebrated today.
That is not this story.
Here, instead, is Dylan's second thirty years. Across an abecedarium of chapters surveying his albums, performances, films, and books since 1991--since that rainy February night in New York City when Dylan, then forty-nine, accepted a Grammy Lifetime Achievement Award, signaling in effect that his extraordinary vocation as a vital and indispensable creative force had ended, was over--After the Flood reveals Dylan's creative output during the last three decades as his most ambitious and accomplished yet.
Drawing on thousands of pages from Dylan's newly opened archive in Tulsa, Oklahoma, and anatomizing hundreds of published and unpublished lyrics, liner notes, and more, celebrated poet and biographer Robert Polito demonstrates how Dylan evolved a late musical style that has equally embodied and resisted its era, interweaving folk process and American and world history, and transforming spectral cultural memory into devastating inspiration. Polito thus establishes Dylan as an intensely literary songwriter whose recent writings, especially, are dynamic, intricate, and far-reaching collages.
Between Good as I Been to You (1992) and Shadow Kingdom (2023), across Desert Storm, 9/11, and COVID-19, Polito shows that Dylan revitalized lines and contexts from sources as diverse as classical Greece and Rome, the American Civil War, and film noir, tipping Henry Timrod, poet laureate of the Confederacy, into Muddy Waters; slanting Herman Melville, John Winthrop, and Henry Wadsworth Longfellow into Stephen Foster, Dan Emmett, and Al Jolson; and secreting Marcel Proust into his own literal California backyard--to touch on just a few of the storerooms inside Dylan's astonishing "memory palace."
Imaginatively researched, boldly arranged, and with elegiac insights into the cunning behind his songs, After the Flood is an essential revision and continuation of the Dylan saga, and a must-read for all Dylan enthusiasts.
Looks at how their debut album Sigh No More scored chart success in multiple countries and the band's numerous awards including two Grammy nominations.
Fully chronicles the lives of bandmembers Marcus Mumford, Ben Lovett, Country Winston Marshall and Ted Dwayne; a must-read for fans new and old.
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A larger-than-life new biography of country music legend and philanthropist Dolly Parton.
In Ain't Nobody's Fool: The Life and Times of Dolly Parton, Martha Ackmann chronicles the life of an American Original. From her impoverished childhood in the Smoky Mountains to international stardom as a singer, songwriter, actress, businesswoman, and philanthropist, Dolly Parton has exceeded everyone's expectations except her own. During a time when the Beatles set the standard for contemporary music, Dolly appeared on a local country music television show that her high school classmates thought was pure cornpone. The day after her high school graduation, she boarded a bus for Nashville, but record executives turned her down. One said her voice sounded like a screech owl.
One of the most remarkable figures of the twentieth century, Alan Lomax was best known for bringing legendary musicians like Woody Guthrie, Pete Seeger, Muddy Waters, Lead Belly, and Burl Ives to the radio and introducing folk music to a mass audience. Now John Szwed, the acclaimed biographer of Miles Davis and Sun Ra, presents the first biography of Lomax, a man who was as influential as he was controversial-trailed for years by the FBI, criticized for his folk- song-collecting practices, denounced by some as a purist and by others as a popularizer. This authoritative work reveals how Lomax changed not only the way everyone in the country heard music but also the way they viewed America itself.
The Alexander Technique for Musicians is a unique guide for all musicians, providing a practical, informative approach to being a successful and comfortable performer. Perfect as an introduction to the Alexander Technique, or to supplement the reader's lessons, the book looks at daily and last-minute practice, breathing, performance and performance anxiety, teacher-pupil relationships, ensemble skills, and the application of the Alexander Technique to instrumental and vocal work.
Complete with diagrams and photographs to aid the learning process, as well as step-by-step procedures and diary entries written by participating students, The Alexander Technique for Musicians gives tried-and-tested advice, drawn from the authors' twenty-plus years of experience working with musicians, providing an essential handbook for musicians seeking the most from themselves and their art.

















