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Music
This fascinating compendium explains the most unusual, obscure, and curious words and expressions from vintage blues music. Utilizing both documentary evidence and invaluable interviews with a number of now-deceased musicians from the 1920s and '30s, blues scholar Stephen Calt unravels the nuances of more than twelve hundred idioms and proper or place names found on oft-overlooked "race records" recorded between 1923 and 1949. From "aggravatin' papa" to "yas-yas-yas" and everything in between, this truly unique, racy, and compelling resource decodes a neglected speech for general readers and researchers alike, offering invaluable information about black language and American slang.
"Do I have to tell you that Ronnie's got one of the greatest female rock-and-roll voices of all time? She stands alone."
--Keith Richards
Praise for Beastie Boys Book "A fascinating, generous book with portraits and detail that float by in bursts of color . . . As with [the band's] records, the book's structure is a lyrical three-man weave. . . . Diamond's voice is lapidary, droll. Horovitz comes on like a borscht belt comedian, but beneath that he is urgent, incredulous, kind of vulnerable. . . . Friendship is the book's subject as much as music, fame and New York."--The New York Times Book Review "Wild, moving . . . resembles a Beastie Boys LP in its wild variety of styles."--Rolling Stone
A riveting look at the transformative year in the lives and careers of the legendary group whose groundbreaking legacy would forever change music and popular culture.
They started off as hysteria-inducing pop stars playing to audiences of screaming teenage fans and ended up as musical sages considered responsible for ushering in a new era.
The year that changed everything for the Beatles was 1966--the year of their last concert and their first album, Revolver, that was created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. It was the year their records were burned in America after John's explosive claim that the group was more popular than Jesus, the year they were hounded out of the Philippines for snubbing its First Lady, the year John met Yoko Ono, and the year Paul conceived the idea for Sgt. Pepper's Lonely Hearts Club Band.
On the fiftieth anniversary of this seminal year, music journalist and Beatles expert Steve Turner slows down the action to investigate in detail the enormous changes that took place in the Beatles' lives and work during 1966. He looks at the historical events that had an impact on the group, the music they made that in turn profoundly affected the culture around them, and the vision that allowed four young men from Liverpool to transform popular music and serve as pioneers for artists from Coldplay to David Bowie, Jay-Z to U2.
By talking to those close to the group and by drawing on his past interviews with key figures such as George Martin, Timothy Leary, and Ravi Shankar--and the Beatles themselves--Turner gives us the compelling, definitive account of the twelve months that contained everything the Beatles had been and anticipated everything they would still become.
The arrival of the Beatles was one of those unforgettable cultural touchstones. Through the voices of those who witnessed it or were swept up in it indirectly, The Beatles Are Here! explores the emotional impact--some might call it hysteria--of the Fab Four's February 1964 dramatic landing on our shores. Contributors, including Lisa See, Gay Talese, Renée Fleming, Roy Blount, Jr., and many others, describe in essays and interviews how they were inspired by the Beatles.
This intimate and entertaining collection arose from writer Penelope Rowlands's own Beatlemaniac phase: she was one of the screaming girls captured in an iconic photograph that has since been published around the world--and is displayed on the cover of this book. The stories of these girls, who found each other again almost 50 years later, are part of this volume as well. The Beatles Are Here! gets to the heart of why, half a century later, the Beatles still matter to us so deeply.
A carefully curated collection of the surviving transcripts of the Beatles' appearances on BBC Radio and Television from 1962 to 1970, featuring commentary from author and Beatles expert Kevin Howlett and rare photographs and memorabilia from the BBC.
The year 2013 marks the fiftieth anniversary of the release of The Beatles' first album, Please, Please Me. To celebrate this event with material that has never been in print or has not repeatedly resurfaced is a challenge. But a great deal of both--namely, never-before-seen BBC transcripts, historical documents, and rare photos--will be the main thrust of the book The Beatles: The BBC Archives. Not since The Beatles' Anthology of 2000 has a work of this magnitude been offered.
Author Kevin Howlett delves into the BBC television and radio archives and draws on previously unpublished transcripts of interviews, as well as personal reminiscences from presenters, producers, and studio staff to reveal the creative and personal evolution of the band--from the witty, irreverent foursome of the early sixties, to the more reflective and confessional individuals before the split at the end of the decade. Each chapter details a full year in the life of the band and is introduced with an engaging text by Howlett that puts the following material into historical context. The book features rare photos of the Fab Four at the BBCs studios, both onstage and off, and eight removables documents of historical merit, direct from the BBC archive itself.
This is the story of two of Britain's most important cultural forces in tandem . . . word for word, event by event, as it happened with verbatim, unabridged transcripts. This has never been offered to reader before; it is a significant publishing event.
NEW YORK TIMES BESTSELLER
The most anticipated book in more than a decade by the legendary band, The Beatles: Get Back is the official account of the creation of their final album, Let It Be, told in The Beatles' own words, illustrated with hundreds of previously unpublished images, including photos by Ethan A. Russell and Linda McCartney. Half a century after the 1970 Let It Be album and film, this milestone book coincides with the global release of Peter Jackson's documentary feature film, The Beatles: Get Back.
The book opens in January 1969, the beginning of The Beatles' last year as a band. The BEATLES (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day's work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt.
The Beatles: Get Back tells the story of those sessions through transcripts of the band's candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions--Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson's documentary is also drawn.
Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, "In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles.
When the world's greatest pop band played their final public concert in January 1969, there were no tickets or posters printed. When John Lennon, Paul McCartney, George Harrison, and Ringo Starr emerged at lunchtime from the headquarters of their own company, Apple, five stories above London's Savile Row, only a select group of people even knew what was happening.
The rooftop concert was one of the Beatles' most spontaneous acts. Beatles on the Roof studies the rooftop concert in penetrating detail, uncovering new truths and debunking old myths about the event. Nobody knew it yet--not even the band--but this was the last time they would play live to the public. Now, in this illuminating micro-history of the greatest concert never attended, music journalist Tony Barrell examines the details of this final performance, bringing new perspective to one of the most revolutionary concerts ever performed.
