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Armed with a macro lens, an incredible eye for detail, and a truly groundbreaking vision, Lisa Johnson's guitar art is taking the world of fine art photography on a rock-and-roll ride. A compilation of Johnson's stunningly personal and intimate portraits, 108 Rock Star Guitars features the guitars of rock-and-roll luminaries, including Les Paul, Eric Clapton, Jimmy Page, Nancy Wilson, Bonnie Raitt, Chrissie Hynde, and many others.
Far from still life, Johnson's work conjures the abstract yet also possesses a very sensual and ethereal feel that intentionally illustrates intimate wear-and-tear details. Her unique presentation personifies and captures a musician's true spirit in these musical extensions of the artist's body. This ultra-deluxe, coffee-table photo book reveals through Johnson's signature macrophotography style the etchings, totems, and personal touches of each featured guitar. It is a rare perspective that few people outside of the musicians' stage crew have seen. Alongside these images, Johnson provides personal anecdotes describing her 17-year journey to photograph these iconic instruments, documenting her travels from the backstage hallways of some the world's most famous concert venues to the artists' private homes. 108 Rock Star Guitars is a music and fine-art photography aficionado's private backstage pass to witness up-close these six-stringed works of art.
Most people regard legal contracts with an inherent suspicion. Having heard scores of horror stories, we in the music business, whether artists, songwriters, producers, or management, are especially cautious - perhaps even paranoid - of any binding agreement, and with good reason. If you could better understand the most common - and important - documents in the game, wouldn't you? Steve Gordon, an entertainment attorney with over twenty years of experience in the industry, is making just such an offer with his latest book, The 11 Contracts That Every Artist, Songwriter, and Producer Should Know.
The 11 Contracts is an in-depth guide intended to assist any aspirant wary of navigating the music biz or struggling to interpret its insular jargon. This no-nonsense book follows a refreshingly simple format: Gordon presents a sample agreement, then breaks down the nuances of both the legal and business sides of the arrangement. Subjects covered include: - Management Agreements - Production Company and New Artist - Indie Label Deals - Sync Licenses - Producer Agreements - Music Publishing Deals - Composer Agreements - Live Performance Contracts - Music Video Production Contracts - Band Agreements Business Actions Artists Can Take Without an Attorney - Investment Agreements Every purchase also includes access to a library of streaming and downloadable video content touching on music clearances and licensing, management, artist, publishing, and producer agreements, the art of hiring a music attorney, the role of artist management and record companies in the music business today, and more. Ensure that you will never find yourself stuck on the wrong side of a bad deal - pick up your copy of The 11 Contracts today!
These studies constitute an irreplaceable part of the standard study material for classical guitar. They are designed to aid in maximum development of right-hand technique.
Winner of the 2020 Baillie Gifford Prize for Non-Fiction
A distinctive portrait of the Fab Four by one of the sharpest and wittiest writers of our time"If you want to know what it was like to live those extraordinary Beatles years in real time, read this book." --Alan Johnson, The Spectator Though fifty years have passed since the breakup of the Beatles, the Fab Four continue to occupy an utterly unique place in popular culture. Their influence extends far beyond music and into realms as diverse as fashion and fine art, sexual politics and religion. When they appeared on The Ed Sullivan Show in 1964, fresh off the plane from England, they provoked an epidemic of hoarse-throated fandom that continues to this day. Who better, then, to capture the Beatles phenomenon than Craig Brown--the inimitable author of Ninety-Nine Glimpses of Princess Margaret and master chronicler of the foibles and foppishness of British high society? This wide-ranging portrait of the four lads from Liverpool rivals the unique spectacle of the band itself by delving into a vast catalog of heretofore unexamined lore. When actress Eleanor Bron touched down at Heathrow with the Beatles, she thought that a flock of starlings had alighted on the roof of the terminal--only to discover that the birds were in fact young women screaming at the top of their lungs. One journalist, mistaken for Paul McCartney as he trailed the band in his car, found himself nearly crushed to death as fans climbed atop the vehicle and pressed their bodies against the windshield. Or what about the Baptist preacher who claimed that the Beatles synchronized their songs with the rhythm of an infant's heartbeat so as to induce a hypnotic state in listeners? And just how many people have employed the services of a Canadian dentist who bought John Lennon's tooth at auction, extracted its DNA, and now offers paternity tests to those hoping to sue his estate? 150 Glimpses of the Beatles is, above all, a distinctively kaleidoscopic examination of the Beatles' effect on the world around them and the world they helped bring into being. Part anthropology and part memoir, and enriched by the recollections of everyone from Tom Hanks to Bruce Springsteen, this book is a humorous, elegiac, and at times madcap take on the Beatles' role in the making of the sixties and of music as we know it.
Winner of the 2020 Baillie Gifford Prize for Non-Fiction
A distinctive portrait of the Fab Four by one of the sharpest and wittiest writers of our time"If you want to know what it was like to live those extraordinary Beatles years in real time, read this book." --Alan Johnson, The Spectator Though fifty years have passed since the breakup of the Beatles, the fab four continue to occupy an utterly unique place in popular culture. Their influence extends far beyond music and into realms as diverse as fashion and fine art, sexual politics and religion. When they appeared on The Ed Sullivan Show in 1964, fresh off the plane from England, they provoked an epidemic of hoarse-throated fandom that continues to this day. Who better, then, to capture the Beatles phenomenon than Craig Brown--the inimitable author of Ninety-Nine Glimpses of Princess Margaret and master chronicler of the foibles and foppishness of British high society? This wide-ranging portrait of the four lads from Liverpool rivals the unique spectacle of the band itself by delving into a vast catalog of heretofore unexamined lore. When actress Eleanor Bron touched down at Heathrow with the Beatles, she thought that a flock of starlings had alighted on the roof of the terminal--only to discover that the birds were in fact young women screaming at the top of their lungs. One journalist, mistaken for Paul McCartney as he trailed the band in his car, found himself nearly crushed to death as fans climbed atop the vehicle and pressed their bodies against the windshield. Or what about the Baptist preacher who claimed that the Beatles synchronized their songs with the rhythm of an infant's heartbeat so as to induce a hypnotic state in listeners? And just how many people have employed the services of a Canadian dentist who bought John Lennon's tooth at auction, extracted its DNA, and now offers paternity tests to those hoping to sue his estate? 150 Glimpses of the Beatles is, above all, a distinctively kaleidoscopic examination of the Beatles' effect on the world around them and the world they helped bring into being. Part anthropology and part memoir, and enriched by the recollections of everyone from Tom Hanks to Bruce Springsteen, this book is a humorous, elegiac, and at times madcap take on the Beatles' role in the making of the sixties and of music as we know it.
A lively chronicle of the year that shaped popular music forever, with an all new Spotify appendix!
More than half a century ago, friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released "Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones's "Satisfaction" catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant's introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative.
A lively chronicle of the year that shaped popular music forever!
Fifty years ago, friendly rivalry between musicians turned 1965 into the year rock evolved into the premier art form of its time and accelerated the drive for personal freedom throughout the Western world. The Beatles made their first artistic statement with Rubber Soul. Bob Dylan released Like a Rolling Stone, arguably the greatest song of all time, and went electric at the Newport Folk Festival. The Rolling Stones's Satisfaction catapulted the band to world-wide success. New genres such as funk, psychedelia, folk rock, proto-punk, and baroque pop were born. Soul music became a prime force of desegregation as Motown crossed over from the R&B charts to the top of the Billboard Hot 100. Country music reached new heights with Nashville and the Bakersfield sound. Musicians raced to innovate sonically and lyrically against the backdrop of seismic cultural shifts wrought by the Civil Rights Movement, Vietnam, psychedelics, the Pill, long hair for men, and designer Mary Quant's introduction of the miniskirt. In 1965, Andrew Grant Jackson combines fascinating and often surprising personal stories with a panoramic historical narrative.
The pop world accelerated and broke through the sound barrier in 1966. In America, in London, in Amsterdam, in Paris, revolutionary ideas slow-cooking since the late '50s reached boiling point. In the worlds of pop, pop art, fashion and radical politics -- often fueled by perception-enhancing substances and literature -- the 'Sixties', as we have come to know them, hit their Modernist peak. A unique chemistry of ideas, substances, freedom of expression and dialogue across pop cultural continents created a landscape of immense and eventually shattering creativity. After 1966 nothing in the pop world would ever be the same. The 7 inch single outsold the long-player for the final time. It was the year in which the ever lasting and transient pop moment would burst forth in its most articulate, instinctive and radical way. Jon Savage's 1966 is a monument to the year that shaped the pop future of the balance of the century. Exploring canonical artists like The Beatles, The Byrds, Velvet Underground, The Who and The Kinks, 1966 also goes much deeper into the social and cultural heart of the decade through unique archival primary sources.
"A bright, nostalgic look at the exhilaration of 1967, this book--illustrated throughout with Hitchcock's surreal sketches--will appeal to not only the author's many fans but also anyone interested in the music and culture from the golden age of psychedelia. Wistfully reflective reading." --Kirkus Reviews
"Memoirists rarely begin their work with a stroke of genuine inspiration, and Robyn Hitchcock's ingenious idea to limit his account of his life to the titular year gives this sharp, funny, finely written book an unusually keen, wistful intensity without sacrificing its sense of the breathtaking sweep of time. I absolutely adored every line of 1967 and every moment I spent reading it." --Michael Chabon, author of Telegraph Avenue
1967: HOW I GOT THERE AND WHY I NEVER LEFT explores how that pivotal slice of time tastes to a bright, obsessive-compulsive boy who is shipped off to a hothouse academic boarding school as he reaches the age of thirteen--just as Bob Dylan's Highway 61 Revisited starts to bite, and the Beatles's Sgt. Pepper's Lonely Hearts Club Band explodes.
When he arrives in January 1966, Robyn Hitchcock is still a boy pining for the comforts of home and his family's loving au pair, Teresa. By December 1967, he's mutated into a 6'2? tall rabid Bob Dylan fan, whose two ambitions in life are to get really high and fly to Nashville.
In between--as the hippie revolution blossoms in the world outside--Hitchcock adjusts to the hierarchical, homoerotic world of Winchester, threading a path through teachers with arrested development, some oafish peers, and a sullen old maid--a very English freak show. On the way he befriends a cadre of bat-winged teenage prodigies and meets their local guru, the young Brian Eno.
At the end of 1967, all the ingredients are in place that will make Robyn Hitchcock a songwriter for life. But then again, does 1967 ever really end?
(Real Book Multi-Tracks Play-Along). Today's best way to practice jazz! Accurate, easy-to-read lead sheets and professional, customizable audio tracks accessed online for 10 songs. The interactive, online audio interface includes: tempo control; looping; buttons to turn each instrument on or off; lead sheet with follow-along marker; and melody performed by a saxophone or trumpet on the "head in" and "head out." The full stereo tracks can also be downloaded and played off-line. Separate lead sheets are included for C, B-flat, E-flat and Bass Clef instruments. This volume includes 10 songs: Birdland * Bolivia * Chameleon * 500 Miles High * Lucky Southern * Phase Dance * Red Baron * Red Clay * Spain * Sugar.
A fascinating account of the music and epic social change of 1973, a defining year for David Bowie, Bruce Springsteen, Pink Floyd, Elton John, the Rolling Stones, Eagles, Elvis Presley, and the former members of The Beatles.
1973 was the year rock hit its peak while splintering--just like the rest of the world. Ziggy Stardust travelled to America in David Bowie's Aladdin Sane. The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top ten albums, two hitting #1.
2,000 Guitars will introduce you to a lengthy list of the most incredible instruments from all over the world, including all your favorite makes, models and guitar styles you've never seen before. With guitars you've never seen in your life, this collection is a must-have for any guitar enthusiast or beginner. Not only is this volume the go-to place for classic guitar styles, bass guitars are a featured item in the catalogue. From Fender to Gibson and everything in between, this book highlights some of the most popular guitars of recent years as well as historical instruments.
The incredible array of featured instruments is arranged alphabetically by maker/manufacturer for easy access. For convenient browsing, sections are further organized by subdivisions, including solid-bodied guitars, semi-solid-bodied guitars, acoustic guitars, and bass guitars. Gorgeous, high quality photos only further enhance the presentation of the beautiful instruments inside 2,000 Guitars.
This book is a well-designed, organized and thorough collection of the most beautiful and interesting guitars on the planet. Clean, modern spreads featuring high-quality, professional photos showcase thousands of full-color photographs of the world's most coveted guitars. 2,000 Guitars is the must-have book for any guitar collector or historian in your life.
21 Nights--a first book by Prince and celebrated photographer Randee St. Nicholas is a stunning multimedia volume offering a rare glimpse into the life, lyrics and mystique of one of the most notable and prolific musicians of our time. This beautifully designed photographic essay flows from Prince's sensational, unprecedented, record-breaking, sold-out 21 concerts in 21 Nights at London's 02 Arena in 2007. Giving insight into his dueling worlds of performance and solitude, 21 Nights incorporates Prince's evocative poetry and lyrics to new songs and other selections, and 124 full-color, sumptuous never-before-published images by Randee St. Nicholas. As part of the multi-dimensional experience, it will also include "Indigo Night," a CD--available only with the book--capturing Prince's after-hours, live after-show sessions--rare and profound moments of musical genius. 21 Nights takes the reader from the passenger seat of a limousine zipping through the streets of London to his sleeping quarters in a luxury hotel. In between we see him and his phenomenal band of musicians, singers and dancers backstage in the make up room to onstage, bathed in purple lights and a fog of gray smoke. Like a movie-in-a-book, readers are taken on his journey from London to Prague, in a style that takes glam rock to a new level. Then there is poetry and lyrics that reveal the heart and soul of Prince--in addition to his incomparable talent. Going beyond the catchy hook, he expresses himself on everything from the destructive forces of war, greed and superficiality the life giving energy of love, beauty, and--of course--music.
In 1973, the musical collective 24-Carat Black released an unheralded masterpiece on Stax Records-and then disappeared. Ghetto: Misfortune's Wealth, a soul-funk concept album primarily written by the ex-Motown arranger Dale Warren, was too bleak, ambitious, or just outright bizarre to reach mainstream audiences. 24-Carat Black collapsed when Stax went bankrupt, and the group's only completed album sank into cultural obscurity. With deep reporting elucidating an untold story full of cinematic details, this book traces how Ghetto went from commercial flop to enigmatic underground classic embraced by the hip-hop community. It also chronicles, in infuriating detail, how the music industry of the 1970s systematically exploited soul musicians and then left them struggling to get paid-and where 24-Carat Black fits into this broader injustice. This is a fascinating and multilayered story about a remarkable album nearly lost to history. It's also a rare glimpse into what it's like to have your music resurrected by rap samples decades after your career fell apart.
A fascinating portrait of icon Woody Guthrie, the Pacific Northwest, and folk music--all set against the backdrop of a tumultuous moment in American history In 1941, Woody Guthrie wrote 26 songs in 30 days--including classics like "Roll On Columbia" and "Pastures of Plenty"--when he was hired by the Bonneville Power Administration to promote the benefits of cheap hydroelectric power, irrigation, and the Grand Coulee Dam. Now, KEXP DJ Greg Vandy takes readers inside the unusual partnership between one of America's great folk artists and the federal government, and shows how the American folk revival was a response to hard times. 26 Songs In 30 Days plunges deeply into the historical context of the time and the progressive politics that embraced Social Democracy during an era in which the United States had been severely suffering from The Great Depression. And though this is a musical history of a vibrant American musical icon and a specific part of the country, it couldn't be a better reminder of how timeless and expansive such topics are in today's political discourse.
When singer Amy Winehouse was found dead at her London home in 2011, the press inducted her into what Kurt Cobain's mother named the 27 Club. "Now he's gone and joined that stupid club," she said in 1994, after being told that her son, the front man of Nirvana, had committed suicide. "I told him not to...." Kurt's mom was referring to the extraordinary roll call of iconic stars who died at the same young age. The Big Six are Brian Jones of the Rolling Stones, Jimi Hendrix, Janis Joplin, Jim Morrison of the Doors, Kurt Cobain and, now, Amy Winehouse. All were talented. All were dissipated. All were 27. Journalists write about "the curse of the 27 Club" as if there is a supernatural reason for this series of deaths. Others invoke astrology, numerology, and conspiracy theories to explain what has become a modern mystery. In this haunting book, author Howard Sounes conducts the definitive forensic investigation into the lives and deaths of the six most iconic members of the Club, plus another forty-four music industry figures who died at 27, to discover what, apart from coincidence, this phenomenon signifies. In a grimly fascinating journey through the dark side of the music business over six decades, Sounes uncovers a common story of excess, madness, and self-destruction. The fantasies, half-truths, and mythologies that have become associated with Jones, Hendrix, Joplin, Morrison, Cobain, and Winehouse are debunked. Instead a clear and compelling narrative emerges, one based on hard facts, that unites these lost souls in both life and death.
Excess and tragedy are the stuff of music legend, but it is only with hindsight that deeper patterns emerge. None of these is more striking than the deaths at age 27 of some of the greatest musicians of our time.
Jimi Hendrix. Janis Joplin. Jim Morrison. Brian Jones. Kurt Cobain. Founding bluesman Robert Johnson. All died at 27. Their stories, as well as those of ill-fated members of the Grateful Dead, The Stooges, Badfinger, Big Star, Minutemen, Echo & the Bunnymen, and The Mars Volta, are here presented for the first time as a profound and interlocking web that reaches beyond coincidence to the roots of artistic causality and fate.
"The 27s "is the first comprehensive account of the lives and legacies of the thirty-four musicians who make up (to date) rock s most notorious myth. It is also a capsule history of rock & roll, twisting and turning through decades and genres, unfurling layers of numerology, philosophy, and astrology along the way. The text is complemented by compelling and multifaceted artwork that brings a nonlinear graphic-novel edge to this major contribution to the study of rock culture.
The 27s also include crooner Jesse Belvin ("Earth Angel," "Goodnight My Love"), Rudy Lewis of the Drifters, Brian Jones of the Rolling Stones, Malcolm Hale of Spanky And Our Gang, Alan Wilson from Canned Heat, Arlester Christian of Dyke And the Blazers, Jim Morrison, Ron "Pigpen" McKernan of the Grateful Dead, Pete Ham of Badfinger, Gary Thain of Uriah Heep and Keef Hartley Band, Roger Lee Durham of Bloodstone, Helmut Kollen of Triumvirat, Chris Bell of Big Star, D. Boon of Minutemen, Pete de Freitas of Echo & the Bunnymen, Mia Zapata of the Gits, Kurt Cobain of Nirvana, Kristin Pfaff of Hole, Raymond "Freaky Tah" Rogers of Lost Boyz, Sean McCabe of Ink & Dagger, Jeremy Michael Ward of De Facto and The Mars Volta, Bryan Ottoson of American Head Charge, and Valentin Elizalde."
Jimi Hendrix. Janis Joplin. Jim Morrison. Brian Jones. Kurt Cobain. Founding bluesman Robert Johnson. All died at 27. Their stories, as well as those of ill-fated members of the Grateful Dead, The Stooges, Badfinger, Big Star, Minutemen, Echo & the Bunnymen, and The Mars Volta, are here presented for the first time as a profound and interlocking web that reaches beyond coincidence to the roots of artistic causality and fate.
"The 27s "is the first comprehensive account of the lives and legacies of the thirty-four musicians who make up (to date) rock s most notorious myth. It is also a capsule history of rock & roll, twisting and turning through decades and genres, unfurling layers of numerology, philosophy, and astrology along the way. The text is complemented by compelling and multifaceted artwork that brings a nonlinear graphic-novel edge to this major contribution to the study of rock culture.
The 27s also include crooner Jesse Belvin ("Earth Angel," "Goodnight My Love"), Rudy Lewis of the Drifters, Brian Jones of the Rolling Stones, Malcolm Hale of Spanky And Our Gang, Alan Wilson from Canned Heat, Arlester Christian of Dyke And the Blazers, Jim Morrison, Ron "Pigpen" McKernan of the Grateful Dead, Pete Ham of Badfinger, Gary Thain of Uriah Heep and Keef Hartley Band, Roger Lee Durham of Bloodstone, Helmut Kollen of Triumvirat, Chris Bell of Big Star, D. Boon of Minutemen, Pete de Freitas of Echo & the Bunnymen, Mia Zapata of the Gits, Kurt Cobain of Nirvana, Kristin Pfaff of Hole, Raymond "Freaky Tah" Rogers of Lost Boyz, Sean McCabe of Ink & Dagger, Jeremy Michael Ward of De Facto and The Mars Volta, Bryan Ottoson of American Head Charge, and Valentin Elizalde."