Horror

Nobody has a "normal" family, but Vesper Wright's is truly...something else. Vesper left home at eighteen and never looked back--mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn't return. But then an envelope arrives on her doorstep.

Inside is an invitation to the wedding of Vesper's beloved cousin Rosie. It's to be hosted at the family farm. Have they made an exception to the rule? It wouldn't be the first time Vesper's been given special treatment. Is the invite a sweet gesture? An olive branch? A trap? Doesn't matter. Something inside her insists she go to the wedding. Even if it means returning to the toxic environment she escaped. Even if it means reuniting with her mother, Constance, a former horror film star and forever ice queen.

When Vesper's homecoming exhumes a terrifying secret, she's forced to reckon with her family's beliefs and her own crisis of faith in this deliciously sinister novel that explores the way family ties can bind us as we struggle to find our place in the world.

"A gruesome, action-packed monster novel about a mother and daughter with a terrible secret, on the run from an obsessed and crumbling detective . . . Terrific." --The New York Times Book Review

Meanwhile, Special Agent Donner of the FBI has been hunting down a gruesome serial killer who drains their victims of blood before severing their spinal cords. As Agent Donner's investigation brings him closer to the Carters, the life that Rebecca has fought so hard to hold together for her daughter becomes increasingly imperiled.

In this riveting, blood-soaked take on the vampire myth, nobody is safe and nothing is certain--not even the line between predator and prey.

Alone in the wild, Monica Carter survives on whatever small prey she can hunt down. But she needs more. One night, a young man lures her through the mountain scrub with the scent of human blood, promising he and his little brother will feed her and keep her safe. Somehow these brothers know her nickname--Moonflower--and the truth of what she is. She needs them--but can she trust them?

In this breathtaking follow-up to Blood Like Mine, Stuart Neville brings to life the ultimate horror: a mother who has been separated from her daughter, and who will stop at nothing to be reunited.

Beware the buried skull underfoot and watch out for children with fur on their backs...

Blood on Satan's Claw is widely regarded as part of the 'unholy trinity' of cult classics which gave birth to the film genre that would become known as folk horror. Along with The Wicker Man and Witchfinder General, it found new ways to terrify audiences using elements of superstition and folklore.

Now, fifty years after its release, readers can experience the unearthing of this terror in the film's first official novelisation: a compelling and frightening retelling of the fate of unfortunate villagers sacrificed by their own children as devil worship infiltrates their rural existence.

Written by the film's original screenwriter Robert Wynne-Simmons and featuring haunting new illustrations from Richard Wells, it is an atmospheric and defining cult classic in the making.

What if nobody ever freed the slaves...because they freed themselves - 150 years before the Civil War?

In the Province of Carolina, 1710, freedom seems unattainable for Willie, for his beloved Gertie, and for their unborn child. They live, suffer, and toil under their brutal master, James "Big Jim" Barrow, whose grand plantation was built by the blood, sweat, and tears of the enslaved. To flee this hell on earth is be hunted and killed. Until one strange night Willie is offered a dark hope by Rafazi, an enigmatic slave with an irresistible and blood-chilling path to liberation.

Hailing from the Kingdom of Ghana, Rafazi is the lone survivor of the Ramanga, an African vampire tribe rendered nearly extinct by plague. Rafazi has roamed the world for centuries with an undying desire to replenish the power that once defined his heritage. In Willie, Rafazi has found his first biddable subject to be turned and to help in a hungry revolt. And Willie desires nothing more than to free his people from malicious bondage. Whatever it takes.

One by one, as an army of blood slaves thirsting for revenge is gathered, the headstrong Gertie fears that no good can come from the vampiric legacy that courses through Rafazi's veins. Willie knows that only evil can fight evil. And when the woman he loves stands between the reemergence of the Ramanga and the justified slaughter of the oppressors, Willie must make an irreversible decision. Only one thing is certain: on the Barrow plantation, and beyond, blood will spill.

Part historical drama, part supernatural horror, and part alternate history, Blood Slaves is an ingenuous and defiant new creation myth of the vampire, one rooted in both justice and the sometimes-violent means necessary to achieve it.

Rosemary meets Ash at the farmers' market. Ash--precise, pretty, and practically perfect--sells bars of soap in delicate pastel colors, sprinkle-spackled cupcakes stacked on scalloped stands, beeswax candles, jelly jars of honey, and glossy green plants. Ro has never felt this way about another woman; with Ash, she wants to be her and have her in equal measure. But as her obsession with Ash consumes her, she may find she's not the one doing the devouring...

"Go read Andy Davidson's lush nightmare, The Boatman's Daughter. It put an arrow through my head and heart." --Paul Tremblay, author of Growing Things

"Ample bloodshed is offset by beautiful prose . . . A stunning supernatural Southern Gothic." --Kirkus (starred)

Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.

But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda's peculiar and precarious life. And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.

With the heady mythmaking of Neil Gaiman and the heartrending pacing of Joe Hill, Andy Davidson spins a thrilling tale of love and duty, of loss and discovery. The Boatman's Daughter is a gorgeous, horrifying novel, a journey into the dark corners of human nature, drawing our worst fears and temptations out into the light.

A real-life Latin American haunted mansion. A murky labyrinth of family secrets. A young, aristocratic woman desperate to escape her past. This haunting debut "introduces a powerful new voice in gothic horror" (Ana Reyes, New York Times bestselling author) and is perfect for fans of Mexican Gothic and The Shining.

In 1923 Soacha, Colombia, La Casona--an opulent mansion perched above the legendary Salto del Tequendama waterfall--was once home to Antonia and her family, who settle in despite their constant nightmares and the house's malevolent spirit. But tragedy strikes when Antonia's mother takes a fatal fall into El Salto and her father, consumed by grief, attempts to burn the house down with Antonia still inside.

Three years later, haunted by disturbing dreams and cryptic journal entries from her late mother, Antonia is drawn back to her childhood home when it is converted into a luxurious hotel. As Antonia confronts her fragmented memories and the dark history of the estate, she wrestles with unsettling questions she can no longer ignore: Was her mother's death by her own hands, or was it by someone else's?

In a riveting quest for answers, Antonia must navigate the shadows of La Casona as she unearths its darkest secrets in this "delicately told story of how the past always finds us--and how people can be haunted just as surely as places can" (Hannah Whitten, New York Times bestselling author).