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History
It was the year Henry Ford first put a conveyer belt in his car factory, and the year Louis Armstrong first picked up a trumpet. It was the year Charlie Chaplin signed his first movie contract, and Coco Chanel and Prada opened their first dress shops. It was the year Proust began his opus, Stravinsky wrote The Rite of Spring, and the first Armory Show in New York introduced the world to Picasso and the world of abstract art. It was the year the recreational drug now known as ecstasy was invented. It was 1913, the year before the world plunged into the catastrophic darkness of World War I. In a witty yet moving narrative that progresses month by month through the year, and is interspersed with numerous photos and documentary artifacts (such as Kafka's love letters), Florian Illies ignores the conventions of the stodgy tome so common in "one year" histories. Forefronting cultural matters as much as politics, he delivers a charming and riveting tale of a world full of hope and unlimited possibility, peopled with amazing characters and radical politics, bristling with new art and new technology . . . even as ominous storm clouds began to gather.
In this illuminating history, Charles Emmerson liberates the world of 1913 from this "prelude to war" narrative, and explores it as it was, in all its richness and complexity. Traveling from Europe's capitals, then at the height of their global reach, to the emerging metropolises of Canada and the United States, the imperial cities of Asia and Africa, and the boomtowns of Australia and South America, he provides a panoramic view of a world crackling with possibilities, its future still undecided, its outlook still open.
The world in 1913 was more modern than we remember, more similar to our own times than we expect, more globalized than ever before. The Gold Standard underpinned global flows of goods and money, while mass migration reshaped the world's human geography. Steamships and sub-sea cables encircled the earth, along with new technologies and new ideas. Ford's first assembly line cranked to life in 1913 in Detroit. The Woolworth Building went up in New York. While Mexico was in the midst of bloody revolution, Winnipeg and Buenos Aires boomed. An era of petro-geopolitics opened in Iran. China appeared to be awaking from its imperial slumber. Paris celebrated itself as the city of light--Berlin as the city of electricity.
Full of fascinating characters, stories, and insights, 1913: In Search of the World before the Great War brings a lost world vividly back to life, with provocative implications for how we understand our past and how we think about our future.
It was the year Henry Ford first put a conveyer belt in his car factory, and the year Louis Armstrong first picked up a trumpet. It was the year Charlie Chaplin signed his first movie contract, and Coco Chanel and Prada opened their first dress shops. It was the year Proust began his opus, Stravinsky wrote The Rite of Spring, and the first Armory Show in New York introduced the world to Picasso and the world of abstract art. It was the year the recreational drug now known as ecstasy was invented. It was 1913, the year before the world plunged into the catastrophic darkness of World War I. In a witty yet moving narrative that progresses month by month through the year, and is interspersed with numerous photos and documentary artifacts (such as Kafka's love letters), Florian Illies ignores the conventions of the stodgy tome so common in "one year" histories. Forefronting cultural matters as much as politics, he delivers a charming and riveting tale of a world full of hope and unlimited possibility, peopled with amazing characters and radical politics, bristling with new art and new technology . . . even as ominous storm clouds began to gather.
Interpreting this title as broadly and ambiguously as Graves intended, these essays mark the War's centenary by reinvigorating these questions. The book includes Elif Shafak on an inheritance of silence in Turkey, Ali Smith on lost voices in Scotland, Xiaolu Guo on the 100,000 Chinese sent to the Front, Daniel Kehlmann on hypnotism in Berlin, Colm Toibin on Lady Gregory losing her son fighting for Britain as she fought for an independent Ireland, Kamila Shamsie on reimagining Karachi, Erwin Mortier on occupied Belgium's legacy of shame, NoViolet Bulawayo on Zimbabwe and clarity, Ales Steger on resisting history in Slovenia, and Jeanette Winterson on what art is for.
Contributors include:
Ali Smith - Scotland
Ales Steger - Slovenia
Jeanette Winterson - England
Elif Shafak - Turkey
NoViolet Bulawayo - Zimbabwe
Colm Toíbín - Ireland
Xiaolu Guo - China
Erwin Mortier - Belgium
Kamila Shamsie - Pakistan
Daniel Kehlmann - Germany
A fascinating examination of the First World War beyond the Western Front told through the significant global events of 1916, which dramatically altered the fate of many nations.
The mud-filled, blood-soaked trenches of the Low Countries and North-Eastern Europe were essential battlegrounds during the First World War, but the war reached many other corners of the globe, and events elsewhere significantly affected its course.
Covering the twelve months of 1916, eminent historian Keith Jeffery uses twelve moments from a range of locations and shows how they reverberated around the world. As well as discussing better-known battles such as Gallipoli, Verdun and the Somme, Jeffery examines Dublin, for the Easter Rising, East Africa, the Italian front, Central Asia and Russia, where the killing of Rasputin exposed the internal political weakness of the country's empire. And, in charting a wide range of wartime experience, he studies the 'intelligence war', naval engagements at Jutland and elsewhere, as well as the political consequences that ensued from the momentous United States presidential election.
Using an extraordinary range of military, social and cultural sources, and relating the individual experiences on the ground to wider developments, these are the stories lost to history, the conflicts that spread beyond the sphere of Europe and the moments that transformed the war.
So much of the literature on the First World War centers on the trench warfare of the Western Front, and these were essential battlegrounds. But the war was in fact truly a global conflict, and by focusing on a sequence of events in 1916 across many continents, historian Keith Jeffery's magisterial work casts new light on the Great War.
Starting in January with the end of the catastrophic Gallipoli campaign, Jeffery recounts the massive struggle for Verdun over February and March; the Easter Rising in Ireland in April; dramatic events in Russia in June on the eastern front; the familiar story of the war in East Africa, where some 200,000 Africans may have died; and the November U.S. presidential race in which Woodrow Wilson was re-elected on a platform of keeping the United States out of the war--a position he reversed within five months. Incorporating the stories of civilians in all countries, both participants in and victims of the war, 1916: A Global History is a major addition to the literature and the Great War by a historian at the height of his powers.
How did two men move the world away from wars for land and treasure to wars over ideas and ideologies--a change that would go on to kill millions?
In April 1917, Woodrow Wilson--champion of American democracy but also of segregation, advocate for free trade and a new world order based on freedom and justice--thrust the United States into the First World War in order to make the "world safe for democracy"--only to see his dreams for a liberal international system dissolve into chaos, bloodshed, and betrayal.
That October, Vladimir Lenin--communist revolutionary and advocate for class war and "dictatorship of the proletariat"--would overthrow Russia's earlier democratic revolution that had toppled the powerful czar, all in the name of liberating humanity--and instead would set up the most repressive totalitarian regime in history, the Soviet Union.
In this incisive, fast-paced history, the New York Times bestselling author Arthur Herman brilliantly reveals how Lenin and Wilson rewrote the rules of modern geopolitics. Prior to and through the end of World War I, countries marched into war only to advance or protect their national interests. After World War I, countries began going to war over ideas. Together Lenin and Wilson unleashed the disruptive ideologies that would sweep the world, from nationalism and globalism to Communism and terrorism, and that continue to shape our world today.
Our new world disorder is the legacy left by Wilson and Lenin, and their visions of the perfectibility of man. One hundred years later, we still sit on the powder keg they first set the detonator to, through war and revolution.
How did two men move the world away from wars for land and treasure to wars over ideas and ideologies--a change that would go on to kill millions?
In April 1917, Woodrow Wilson--champion of American democracy but also of segregation, advocate for free trade and a new world order based on freedom and justice--thrust the United States into the First World War in order to make the "world safe for democracy"--only to see his dreams for a liberal international system dissolve into chaos, bloodshed, and betrayal.
That October, Vladimir Lenin--communist revolutionary and advocate for class war and "dictatorship of the proletariat"--would overthrow Russia's earlier democratic revolution that had toppled the powerful czar, all in the name of liberating humanity--and instead would set up the most repressive totalitarian regime in history, the Soviet Union.
In this incisive, fast-paced history, the New York Times bestselling author Arthur Herman brilliantly reveals how Lenin and Wilson rewrote the rules of modern geopolitics. Prior to and through the end of World War I, countries marched into war only to advance or protect their national interests. After World War I, countries began going to war over ideas. Together Lenin and Wilson unleashed the disruptive ideologies that would sweep the world, from nationalism and globalism to Communism and terrorism, and that continue to shape our world today.
Our new world disorder is the legacy left by Wilson and Lenin, and their visions of the perfectibility of man. One hundred years later, we still sit on the powder keg they first set the detonator to, through war and revolution.
The Roaring Twenties is the only decade in American history with a widely-applied nickname, and our fascination with this era continues. But how did this surge of innovation and cultural milestones emerge out of the ashes of The Great War? No one has yet written a book about the decade's beginning.
Acclaimed author Eric Burns investigates the year of 1920, not only a crucial twelve-month period of its own, but one that foretold the future, foreshadow the rest of the 20th century and the early years of the 21st. Burns sets the record straight about this most misunderstood and iconic of periods. Despite being the first full year of armistice, 1920 was not, in fact, a peaceful time--it contained the greatest act of terrorism in American history to date. And while 1920 is thought of as staring a prosperous era, for most people, life had never been more unaffordable. Meanwhile, African Americans were putting their stamp on culture and though people today imagine the frivolous image of the flapper dancing the night away, the truth was that a new power had been bestowed on women, and it had nothing to do with the dance floor . . .
From prohibition to immigration, the birth of jazz, the rise of expatriate literature, and the original Ponzi scheme, 1920 was truly a year like no other.
1922 was a year of great turbulence and upheaval. Its events reverberated throughout the rest of the twentieth century and still affect us today, 100 years later.
Empires fell. The Ottoman Empire collapsed after more than six centuries. The British Empire had reached its greatest extent but its heyday was over. The Irish Free State was declared and demands for independence in India grew. New nations and new politics came into existence. The Soviet Union was officially created and Mussolini's Italy became the first Fascist state.
In the USA, Prohibition was at its height. The Hollywood film industry, although rocked by a series of scandals, continued to grow. A new mass medium - radio - was making its presence felt and, in Britain, the BBC was founded. In literature it was the year of peak modernism. Both T. S. Eliot's The Waste Land and James Joyce's Ulysses were first published in full.
In society, already changed by the trauma of war and pandemic, the morals of the past seemed increasingly outmoded; new ways of behaving were making their appearance. The Roaring Twenties had begun to roar and the Jazz Age had arrived.
1922 also saw the discovery of Tutankhamun's tomb, the arrest of Mahatma Gandhi, the death of Marcel Proust, the election of a new pope, the release of the first major vampire movie, and the brief imprisonment in Munich of an obscure right-wing demagogue named Adolf Hitler.
In a sequence of vividly written sketches, Nick Rennison conjures up all the drama and diversity of an extraordinary year.
