Banner Message
Please note that online availability does not reflect stock in store!
Please contact us via email or phone for immediate stock information.
Graphic Novels
While investigating police brutality and corruption in 1970s Detroit, journalist Elena Abbott uncovers supernatural forces being controlled by a secret society of the city's elite. In the uncertain social and political climate of 1972 Detroit, hard-nosed, chain-smoking tabloid reporter Elena Abbott investigates a series of grisly crimes that the police have ignored. Crimes she knows to be the work of dark occult forces. Forces that took her husband from her. Forces she has sworn to destroy. Hugo Award-nominated novelist Saladin Ahmed (Star Wars: Canto Bight, Black Bolt) and artist Sami Kivelä (Beautiful Canvas) present one woman's search for the truth that destroyed her family amidst an exploration of the systemic societal constructs that haunt our country to this day.
Elena Abbott is one of Detroit's toughest reporters, who must now exhaust all her abilities as a reporter and a supernatural savior to rescue Detroit from dark forces trying to corrupt the city's most important election--but at what cost to her own life? A WAR FOR THE SOUL OF DETROIT. Elena Abbott is one of Detroit's toughest reporters--and after defeating the dark forces that murdered her husband, she's focused on the most important election in the city's history. But when someone uses dark magic to sabotage the campaign of the prospective first Black mayor of Detroit, it becomes clear to Abbott that the supernatural conspiracy in her city is even greater than she ever imagined. Now Abbott must exhaust all her abilities as a reporter and a supernatural savior to rescue Detroit--but at what cost to her own life? Miles Morales: Spider-Man mastermind & Eisner Award-winning writer Saladin Ahmed and acclaimed Machine Gun Wizards artist Sami Kivelä return to the Hugo Award-nominated world of Abbott, as the eponymous unstoppable reporter tackles a new corruption taking over Detroit in 1973 and the supernatural threat behind it. Collects Abbott: 1973 #1-5.
Having traveled cross the country searching for the truth about himself, Abe Sapien uncovers the secrets he's been looking for when he faces a giant monster that tore off part of the Florida coast, and a young girl with a psychic bond to the most ancient powers in the Hellboy mythology. The series that Multiversity calls, a healthy dose of action and nightmare-inducing horror takes Mike Mignola's second greatest character through the darkest corners of the end of the world, giving a street-level view of the end of the world as seen in B.P.R.D. Hell on Earth, with breathtaking art from Sebastian and Max Fiumara.
To lure pretty Epily, little chick Abelard sees only one solution: to catch the moon for her. So off he goes to America, the country that invented flying machines. Armed with his banjo and his proverb-sharing hat, he launches out on the country roads, where he meets Gaston, a grumpy bear with whom he shares his plan. As opposed to dreamer Abelard, Gaston has his feet firmly planted on the ground. This humorous comic, where the absurd becomes poetry, explores philosophical ideas through a simple, fanciful story.
From one of the greatst creative partnerships in comics history, Jeph Loeb and Tim Sale, comes their seminal graphic novel BATMAN: HAUNTED KNIGHT, now in an oversize Absolute edition. A companion piece to ABSOLUTE BATMAN: THE LONG HALLOWEEN and ABSOLUTE BATMAN: DARK VICTORY, this hardcover inclues additional design, sketch and script pages. This graphic novel includes three dark tales of horror and intrigue featuring Batman facing off against his most demented and wicked foes. Taking place on the most evil of holidays, Halloween, the Dark Knight Detective confronts his deepest fears as he tries to stop the madness and horror created by Scarecrow, the Mad Hatter, the Penguin, Poison Ivy and the Joker. Also included is CATWOMAN: WHEN IN ROME, a sequel to BATMAN: THE LONG HALLOWEEN. Collects BATMAN: LEGENDS OF THE DARK KNIGHT HALLOWEEN SPECIAL #1, BATMAN: MADNESS #1, BATMAN: GHOSTS #1 and CATWOMAN: WHEN IN ROME #1-6.
The complete 12-part saga written by Jeph Loeb (SUPERMAN/BATMAN, Smallville) with art by fan-favorites Jim Lee & Scott Williams (SUPERMAN, Uncanny X-Men) collected together for the first time in the oversized Absolute format! This slipcased edition includes BATMAN #608-619 as well as the the 2-page origin of Batman (originally seen only on dccomics.com) and the special story from Wizard: The Comics Magazine. The year-long Hush -- an epic tale of friendship, trust, and betrayal that spans a lifetime -- reinvigorated the Dark Knight, pitting him against the deadliest members of his Rogue's Gallery and introducing his newest foe! This Absolute edition includes an all-new cover by Lee and Williams, a Jim Lee Sketchbook, and issue-by-issue commentary by the creative team!
Garth Ennis and Steve Dillon's groundbreaking Vertigo series is finally given the Absolute Edition treatment with ABSOLUTE PREACHER VOL. 1! Merging with a bizarre spiritual force called Genesis, Texan Preacher Jesse Custer becomes completely disillusioned with the beliefs that he had dedicated his entire life to. Now possessing the power of The Word, an ability to make people do whatever he utters, Custer begins a violent and riotous journey across the country. Joined by his gun-toting girlfriend Tulip and the hard drinking Irish vampire Cassidy, the Preacher loses faith in both man and God as he witnesses dark atrocities and improbable calamities during his exploration of America. Collects issues #1-26 of PREACHER in an oversized Absolute Edition format, complete with a new slipcase and bonus material!
The iconic super-heroes unite when longtime Superman enemy Lex Luthor, now president of the United States, accuses Superman of a crime against humanity, and assembles a top-secret team of powerhouse heroes to bring Superman in -- dead or alive. And in the second storyarc, prepare for the arrival of Supergirl! Batman has discovered something strange on the bottom of Gotham Bay, which leads him to a mysterious and powerful teenaged girl bent on destroying Gotham City! What's her connection to Superman? Why does Wonder Woman want to hide her from the outside world? And will Darkseid succeed in recruiting her into doing his bidding?
The cult series returns, remastered and collected together in its entirety for the first time ever! Mike Fallon: handsome and sexy as James Bond; lethal as Carlos the Jackal; discrete as an air bubble to the heart. Collected for the first time, Accident Man features four darkly humorous tales of sex, revenge, brutal violence, people drowning in the bath and assassination targets being run over by out-of-control cars, all, of course, by 'accident'.
George Evans was a master of the aviation war story. This collection includes all of his highly-acclaimed stories for Aces High, EC's famous air war title. As a bonus, we present a rarity: Evans' never-before-reprinted 3-D story of World War I ace Frank Luke (in regular, easy-on-the-eyes 2-D). This volume also includes numerous Evans crime and shock stories, including "As Ye Sow...," "...My Brother's Keeper," and "Cadillac Fever." Other war stories, many done in collaboration with Harvey Kurtzman, include "Napoleon!" and "Flaming Coffins" (which Evans wrote, about the inherent perils of WW I aircraft). Like all books in the Fantagraphics EC line, Aces High features essays and notes by EC experts on these superbly crafted, classic comic book masterpieces.
Riding high on the success of The Great Outdoor Fight, Achewood and Dark Horse Comics have compiled an extensively annotated collection of the first few years' worth of Achewood comics. This is no mere companion volume to the cult-classic online strip: the entire prehistory of Achewood is set forth for the first time, and all of the celebrated alt-texts are included. Additionally, author Chris Onstad has literally littered the book with observations and rudities. TIME magazine named back-to-back Ignatz Award-winner Achewood its 2007 Graphic Novel of the Year, and legions of devoted fans consistently report that it makes them feel the way Bloom County and Calvin and Hobbes did when they were young.
Acclaimed cartoonist Chris Ware reveals the outtakes of his genius in these intimate, imaginative, and whimsical sketches collected from the years during which he completed his award-winning graphic novel Jimmy Corrigan: The Smartest Kid on Earth (Pantheon). His novel not only won the Manchester Guardian First Novel prize in 2001 but it has sold over 100,000 copies. This book is as much a companion volume to Jimmy Corrigan --one of the great crossover success stories-- as a tremendous art collection from of one of America's most interesting and popular graphic artist.
Chris Ware has a passion for drawing that is surprisingly wide-ranging in style and subject. This book surprises the reader on every page with its sense of spontaneous vision. Architectural drawings from Chicago and interplanetary robot comics collide with cruelly doodled human figures and quietly troubling studies of the still life. A must for people with a passion for modern design and old-fashioned style.
The third and final installment of the artist's facsimile sketchbook series.
After over fifteen years deferral, delay and dawdling, the ink-and-paper cheerleader F. C. Ware finally succumbs to imaginary public pressure by concluding his tiresome experiment in reader trust with the third and final volume of secret notebooks and sketches spanning over thirty-seven years of bus rides, airport delays and telephone hold music. Exquisitely crafted fine art doodles, hand-selected meanderings and artisanal rewritings of personal conflict are scattered throughout comic strips unconsciously revealing private hostilities and unflattering portraits of public transportation riders, the whole carefully cleansed of any impugnable or litigious tracery. As a professional adult-picture-book drawer and regular contributor to the New Yorker, Le Monde and the Illinois Cook County Assessor's office, Mr. Ware's work in these pages secures his reputation as an reliably unreliable self-narrator, willing to say or write anything to win petty disputes and imagined squabbles. 208 full-color pages augmented by annotations, introduction and a professional apology, with paper boards and cloth spine of misleading demureness to conceal its native prurience.
Straggling behind the mild 2003 success of cartoonist Chris Ware's first facsimile collection of his miscellaneous sketches, notes, and adolescent fantasies arrives this second volume, updating weary readers with Ware's clichéd and outmoded insights from the late twentieth century.
Working directly in pen and ink, watercolor, and white-out whenever he makes a mistake, Ware has cannily edited out all legally sensitive and personally incriminating material from his private journals, carefully recomposing each page to simulate the appearance of an ordered mind and established aesthetic directive. All phone numbers, references to ex-girlfriends, "false starts," and embarrassing experiments with unfamiliar drawing media have been generously excised to present the reader with the most pleasant and colorful sketchbook reading experience available. Included are Ware's frustrated doodles for his book covers, angry personal assaults on friends, half-finished comic strips, and lengthy and tiresome fulminations of personal disappointments both social and sexual, as well as his now-beloved drawings of the generally miserable inhabitants of the city of Chicago. All in all, a necessary volume for fans of fine art, water-based media, and personal diatribe. This hardcover is attractively designed and easy to resell.
Utterly eschewing the general bonhomie surrounding the newly-minted contemporary regard for the comic strip medium as a language of complicated personal expression and artistic sophistication, professional colorist and award-winning letterer F. C. Ware returns to the book trade with "The ACME Novelty Library," a hardcover distillation of all his surviving one-page cartoon jokes with which he tuckpointed the holes of his regular comic book periodical over the past decade. Sometimes claimed to be his "best work" by those who really don't know any better, this definitive congestion of stories of the future, the old west, and even of modern life nonetheless tries to stay interesting by including a luminescent map of the heavens, a chart of the general structure of the universe, assorted cut-out activitites, and a complete history of The ACME Novelty Company itself, decorated by rare photographs, early business ventures, not to mention the smallest example of a Comic Strip ever before offered to the general public. All in all, it will likely prove a rather mild disappointment, but at least it catches the light in a nice way and may force a smile here and there before being shelved for the next generation's ultimate disregard and/or disposal.
The latest edition of this comic book/art series features the first serial instalment of 'Rusty Brown', the story of a young outcast whose only friend is his Supergirl action figure - until he meets new kid on the block and fellow comic nerd, Chalky White.
Undaunted by lukewarm Internet and blogospheric opinion ("flat," "slow," and "always dreary") of his meretricious return last year to the tradition of the American comic book with the sixteenth issue of his ACME Novelty Library, cartoonist and professional sentimentalist Chris Ware returns with the seventeenth issue of this same title, and it is almost certain not to change general public opinion. Continuing with the second half of the introduction to his shamelessly meandering graphic novel Rusty Brown (which began last issue at a private school in the 1970s Midwest), the six-sided crystal suggested by the exegesis of the first installment is slowly turned and examined in midmorning winter sunlight sometime between the bell of first period and the conclusion of lunch for the first through the fourth grades. Also included are more thorough examinations of many of the main characters' cloudy motivations, personal habits, and favorite restaurants, to say nothing of the small dust mote around which they have coalesced and the complications in its life due to the acquisition of superpowers sometime the night before. Like the irritating distant family member you only have to see once a year, the ACME Novelty Library #17 will, as was its predecessor, be published by the author in a single, limited edition only, never to be reprinted until the entire library is collected as a single volume, though it may be promptly remaindered and/or discarded.
In keeping with his athletic goal of issuing a volume of his occasionally lauded ACME series once every new autumn, volume 18 finds cartoonist Chris Ware abandoning the engaging serialization of his "Rusty Brown" and instead focusing upon his ongoing and more experimentally grim narrative "Building Stories."
Collecting pages unseen except in obscure alternative weekly periodicals and sophisticated expensive coffee-table magazines, ACME Novelty Library #18 reintroduces the characters that New York Times readers found "dry" and "deeply depressing" when one chapter of the work (not included here) was presented in its pages during 2005 and 2006. Set in a Chicago apartment building more or less in the year 2000, the stories move from the straightforward to the mnemonically complex, invading characters' memories and personal ambitions with a text point size likely unreadable to human beings over the age of forty-five. Reformatted to accommodate this different material, readers will be pleased by the volume's vertical shape and tasteful design, which, unlike Ware's earlier volumes, should discreetly blend into any stack or shelf of real books.