French Corner

Amid the blasted rubble of a once-perfect suburb, a hazmat-suited postman delivers the mail, aloud.

He shouts his letters down a vent to the bunker-bound family below.

They describe the family's prosperous past life, and then get stranger and stranger...

Drawn by the famed cartoonish and Charlie Hebdo contributor Gébé, and never before available in English, Letter to Survivors is a blackhearted delight, a scathing, impassioned send-up of consumerist excess and nuclear peril: funnier--and scarier--than ever.

"One of the great novels of the century. Suddenly and unexpectedly, the late 20th century has produced a novel on the level of Joyce, Proust, Mann, Kafka, and Nabokov."--Boston Globe

Structured around a single moment in time -- 8:00 p.m. on June 23, 1975 -- Perec's spellbinding puzzle begins in an apartment block in the XVIIth arrondissement of Paris where, chapter by chapter, room by room, like an onion being peeled, an extraordinary rich cast of characters is revealed in a series of tales that are bizarre, unlikely, moving, funny, or (sometimes) quite ordinary.

From the confessions of a racing cyclist to the plans of an avenging murderer, from a young ethnographer obsessed with a Sumatran tribe to the death of a trapeze artist, from the fears of an ex-croupier to the dreams of a sex change pop star to an eccentric English millionaire who has devised the ultimate pastime, Life A User's Manual is a manual of human irony, portraying the mixed marriages of fortunes, passions and despairs, betrayals and bereavements, of hundreds of lives in Paris and around the world.

But the novel is more than an extraordinary range of individual stories; it is a closely observed account of life and experience. The apartment block's one hundred rooms are arranged in a magic square, and the book as a whole is peppered with a staggering range of literary puzzles and allusions, acrostics, problems of chess and logic, crosswords, and mathematical formula. All are there for the reader to solve.

A thrilling page-turner that also happens to be the biography of one of Russia's most controversial figures

This is how Emmanuel Carrère, the magnetic journalist, novelist, filmmaker, and chameleon, describes his subject: "Limonov is not a fictional character. There. I know him. He has been a young punk in Ukraine, the idol of the Soviet underground; a bum, then a multimillionaire's butler in Manhattan; a fashionable writer in Paris; a lost soldier in the Balkans; and now, in the fantastic shambles of postcommunism, the elderly but charismatic leader of a party of young desperadoes. He sees himself as a hero; you might call him a scumbag: I suspend my judgment on the matter. It's a dangerous life, an ambiguous life: a real adventure novel. It is also, I believe, a life that says something. Not just about him, Limonov, not just about Russia, but about all our history since the end of the Second World War."

So Eduard Limonov isn't fictional--but he might as well be. This pseudobiography isn't a novel, but it reads like one: from Limonov's grim childhood to his desperate, comical, ultimately successful attempts to gain the respect of Russia's literary intellectual elite; to his immigration to New York, then to Paris; to his return to the motherland. Limonov could be read as a charming picaresque. But it could also be read as a troubling counternarrative of the second half of the twentieth century, one that reveals a violence, an anarchy, a brutality, that the stories we tell ourselves about progress tend to conceal.