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French Corner
This early work by the landmark Swiss author Robert Pinget is unlike any other he produced over his long career; indeed, there are few books by any writer with which it bears comparison--aside perhaps from the novels of Raymond Roussel or Denis Diderot. Graal Flibuste follows the progress of its narrator and his impudent coachman, Brindon, through a fantastical land peopled by strange creatures and stranger potentates, and filled with tall tales, mysteries, crimes, dilemmas, and deities . . . not least among whom is the terrible god Graal Flibuste himself.
It's 1862, and Spain is a little rueful about letting Peru have their independence. Or, more importantly, letting Peru have the guano--white gold--on the Chincha Islands. Simón is the ship's recorder on a scientific--okay, military--expedition when he meets, in Callao, the mysterious Montse. She asks of him only that he write her letters. Which he utterly fails to do. As military tensions escalate, so does Simón's unabated lust for Montse -- even if he can't bring himself to do anything about it.
Louis Carmain lives in Gatineau, Quebec. Guano, his first novel, received the prestigious Prix littéraire des collégiens.
Rhonda Mullins's translation of Jocelyne Saucier's And the Birds Rained Down was a 2015 CBC Canada Reads selection. She lives in Montreal, Quebec.
Harry Potter thinks he is an ordinary boy - until he is rescued by a beetle-eyed giant of a man, enrols at Hogwarts School of Witchcraft and Wizardry, learns to play Quidditch and does battle in a deadly duel.
One of Bill Gates' Five Best Summer Reads
The basis for the critically-acclaimed film, Heal the Living, directed by Katell Quillévéré and starring Tahar Rahim and Emmanuelle Seigner Albertine Prize Finalist Winner of the Wellcome Book Prize and the French-American Foundation Translation Prize Just before dawn on a Sunday morning, three teenage boys go surfing. While driving home exhausted, the boys are involved in a fatal car accident on a deserted road. Two of the boys are wearing seat belts; one goes through the windshield. The doctors declare him brain-dead shortly after arriving at the hospital, but his heart is still beating. The Heart takes place over the twenty-four hours surrounding the resulting heart transplant, as life is taken from a young man and given to a woman close to death. In gorgeous, ruminative prose, it examines the deepest feelings of everyone involved as they navigate decisions of life and death. As stylistically audacious as it is emotionally explosive, The Heart mesmerized readers in France, where it has been hailed as the breakthrough work of a new literary star. With the precision of a surgeon and the language of a poet, de Kerangal has made a major contribution to both medicine and literature with an epic tale of grief, hope, and survival.
An NYRB Classics Original Emmanuel Bove was one of the most original writers to come out of twentieth-century France and a popular success in his day. Discovered by Colette, who arranged for the publication of his first novel, My Friends, Bove enjoyed a busy literary career, until the German occupation silenced him. During his lifetime, his novels and stories were admired by Rilke, the surrealists, Camus, and Beckett, who said of him that "more than anyone else he has an instinct for the essential detail." Henry Duchemin and His Shadows is the ideal introduction to Bove's world, with its cast of stubborn isolatoes who call to mind Melville's Bartleby, Walser's "little men," and Rhys's lost women. Henri Duchemin, the protagonist of the collection's first story, "Night Crime," is ambivalent, afraid of appearing ridiculous, desperate for money: in other words, the perfect prey. Criminals, beautiful women, and profiteers threaten the sad young men of Bove's stories, but worse yet are the interior voices and paranoia that propel them to their fates. The poet of the flophouse and the dive, the park bench and the pigeon's crumb, Bove is also a deeply empathetic writer for whom no defeat is so great as to silence desire.
C'est quoi, des histoires pressees ? Des histoires qui ont hate de se terminer. Et ca parle de quoi ? De ce qui existe, de ce qui n'existe pas. C'est drole, au moins ? Souvent, mais ca depend de toi.
Written in a French style that long defied successful translation--Cocteau was always a poet no matter what we was writing--the book came into its own for English-language readers in 1955 when this translation was completed by Rosamund Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: It has the rare merit of reading as though it were an English original. Lehrmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter because for Paul and Elisabeth a drug too magical to resist. The crime which finally destroys them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.
Brilliant and tense, Dany Laferrière's first novel, How to Make Love to a Negro Without Getting Tired, is as fresh and relevant today as when it was first published in Canada in 1985. With ribald humor and a working-class intellectualism on par with Charles Bukowski's or Henry Miller's, Laferrière's narrator wanders the streets and slums of Montreal, has sex with white women, and writes a book to save his life. With this novel, Laferrière began a series of internationally acclaimed social and political novels about the love of the world, and the world of sex, including Heading South and I Am a Japanese Writer. It launched Laferrière as one of the literary world's finest provocateurs and continues to draw strong comparisons to the writings of James Baldwin, Henry Miller, Charles Bukowski, and Jack Kerouac. The book was made into a feature film and translated into several languages -- this is the first U.S. edition.
Now in paperback, René Char's Hypnos is both a remarkable work of literature and a document of unique significance in the history of the French Resistance. Hailed by the poet Paul Eluard as an "absolute masterpiece" upon its first appearance in 1946, René Char's Hypnos is both a remarkable work of literature and a document of unique significance in the history of the French Resistance. Based on a journal Char kept during his time in the Maquis, it ranges in style from abrupt and sometimes enigmatic reflections, in which the poet seeks to establish compass bearings in the darkness of Occupied France, to narrative descriptions that throw into vivid relief the dramatic and often tragic nature of the issues he had to confront as the head of his Resistance network. A tribute to the individual men and women who fought at his side, this volume is also a meditation on the white magic of poetry and a celebration of the power of beauty to combat terror and transform our lives. Translated into German by Paul Celan and into Italian by Vittorio Sereni, the book has never been carried over into English with the attention to style and detail that it deserves. Published in full here for the first time, this long-awaited new translation does justice at last to the incandescence and pathos of the original French.
