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French Corner
Including translations by Richmond Lattimore, W. S. Merwin, Dudley Fitts, and Richard Wilbur, this anthology has stood the test of time in terms of its selection and scholarly apparatus. Now back in print after twenty years in a fresh new edition, the book features an introduction by Patti Smith that testifies to its epochal impact on her own career, as well as those of other influential latter-day poets, including Lou Reed and Jim Carroll. This rediscovered gem is sure to inspire a new generation.
Finalist for the 2015 Giller Prize
Finalist for the 2016 Best Translated Book Award
One of Quill & Quire's Books of the Year, 2015
A twenty-five-thousand-copy bestseller in Quebec, Arvida, with its stories of innocent young girls and wild beasts, attempted murder and ritual mutilation, haunted houses and road trips heading nowhere, is unforgettable. Like a Proust-obsessed Cormac McCarthy, Samuel Archibald's portrait of his hometown, a model town design by American industrialist Arthur Vining Davis, does for Quebec's North what William Faulkner did for the South, and heralds an important new voice in world literature.
Samuel Archibald teaches contemporary popular culture at the University of Quebec in Montreal, where he lectures on genre fiction, horror movies, and video games, among other subjects.
The Attraction of Things concerns the entirety of beauty and the possibility of grace, relayed via obsessions with rare early gramophone records, the theater, translation, dying parents: all these elements are relayed in a dizzying strange traffic of cultural artifacts, friendships, losses, discoveries, and love. Roger Lewinter believes that in the realm of art, "the distinction between life and death loses its relevance, the one taking place in the other."
Whereas Story of Love in Solitude is a group of small stories, The Attraction of Things is a continuous narrative (more or less) of a man seeking (or stumbling upon) enlightenment.
"The Attraction of Things," states Lewinter, "is the story of a being who lets himself go toward what attracts him, toward what he attracts--beings, works, things--and who, through successive encounters, finds the way out of the labyrinth, to the heart, where the bolt of illumination strikes. This is the story of a letting go toward the illumination."
The leading figure of absurdist theater and one of the great innovators of the modern stage, Eugène Ionesco (1909-94) did not write his first play, The Bald Soprano, until 1950. He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means."
A delicious (Dorie Greenspan), genial (Kirkus Reviews), very cool book about the intersections of food and history (Michael Pollan)--as featured in the New York Times
The complex political, historical, religious and social factors that shaped some of [France's] . . . most iconic dishes and culinary products are explored in a way that will make you rethink every sprinkling of fleur de sel.
--The New York Times Book Review
Acclaimed upon its hardcover publication as a culinary treat for Francophiles (Publishers Weekly), A Bite-Sized History of France is a thoroughly original book that explores the facts and legends of the most popular French foods and wines. Traversing the cuisines of France's most famous cities as well as its underexplored regions, the book is enriched by the authors' friendly accessibility that makes these stories so memorable (The New York Times Book Review). This innovative social history also explores the impact of war and imperialism, the age-old tension between tradition and innovation, and the enduring use of food to prop up social and political identities.
The origins of the most legendary French foods and wines--from Roquefort and cognac to croissants and Calvados, from absinthe and oysters to Camembert and champagne--also reveal the social and political trends that propelled France's rise upon the world stage. As told by a Franco-American couple (Stéphane is a cheesemonger, Jeni is an academic) this is an impressive book that intertwines stories of gastronomy, culture, war, and revolution. . . . It's a roller coaster ride, and when you're done you'll wish you could come back for more (The Christian Science Monitor).
A sensational 1954 French novel that has become a contemporary classic
Set against the translucent beauty of France in summer, Bonjour Tristesse is a bittersweet tale narrated by Cecile, a seventeen-year-old girl on the brink of womanhood, whose meddling in her father's love life leads to tragic consequences.
Endearing, self-absorbed, seventeen-year-old Cécile is the very essence of untroubled amorality. Freed from the stifling constraints of boarding school, she joins her father--a handsome, still-young widower with a wandering eye--for a carefree, two-month summer vacation in a beautiful villa outside of Paris with his latest mistress. Cécile cherishes the free-spirited moments she and her father share, while plotting her own sexual adventures with a tall and almost beautiful law student. But the arrival of her late mother's best friend intrudes upon a young girl's pleasures. And when a relationship begins to develop between the adults, Cécile and her lover set in motion a plan to keep them apart...with tragic, unexpected consequences.
The internationally beloved story of a precocious teenager's attempts to understand and control the world around her, Françoise Sagan's Bonjour Tristesse is a beautifully composed, wonderfully ambiguous celebration of sexual liberation, at once sympathetic and powerfully unsparing.
This special Harper Perennial Modern Classics edition includes an introduction by Diane Johnson and a P.S. section with additional insights about the book and author.
Paperback Fiction
Hardcover Non-Fiction
Hardcover Fiction
