French Corner

Octave Mirbeau, author of The Torture Garden and Diary of a Chambermaid, wrote this scathing novel on the cusp of the twentieth century. Driven mad by modern life, Georges Vasseur leaves for a rest cure, where he encounters corrupt politicians, amnesiac coquettes, cheerfully sadistic killers, imperialist generals, and quack psychiatrists. Hypocrites are eternal, and not much has changed since Mirbeau wrote this acid portrait of his era.

Since the publication of his first book in 1953, Yves Bonnefoy has become one of the most important French poets of the postwar years. At last, we have the long-awaited English translation of Yves Bonnefoy's celebrated work, L'Arrière-pays, which takes us to the heart of his creative process and to the very core of his poetic spirit. In his poem, "The Convex Mirror," Bonnefoy writes: "Look at them down there, at that crossroads, / They seem to hesitate, then go on." The idea of the crossroads haunts Bonnefoy's work, as he is troubled by the idea that the path not taken may lead to the arrière-pays, a place of greater plenitude, and of more authentic being--an "elsewhere in the absolute." Seized by this fear that what he terms "presence" exists always somewhere else, a little further on, Bonnefoy here sets out on a labyrinthine quest to find traces of this "original place," which he locates not only in objects of knowledge and experience as diverse as the deserts of Asia, a hill fort in India, a church in Armenia, the painting of Piero della Francesca but also, crucially, in the undivided intensity of his experiences as a child. Written with a visionary grace, The Arrière-pays is a spiritual testament to art, philosophy, and poetry. Enriched by a new preface by the poet, this volume also includes three recent essays in which he returns to his original account of an ethical and aesthetic haunting, one that recounts the struggle between our instinct to idealize--what he deems our eternal Platonism--and the equally strong need to combat this and to be reconciled with our nature as finite beings, made of flesh and blood, in the world of the here and now.

Finalist for the 2015 Giller Prize

Finalist for the 2016 Best Translated Book Award

One of Quill & Quire's Books of the Year, 2015

A twenty-five-thousand-copy bestseller in Quebec, Arvida, with its stories of innocent young girls and wild beasts, attempted murder and ritual mutilation, haunted houses and road trips heading nowhere, is unforgettable. Like a Proust-obsessed Cormac McCarthy, Samuel Archibald's portrait of his hometown, a model town design by American industrialist Arthur Vining Davis, does for Quebec's North what William Faulkner did for the South, and heralds an important new voice in world literature.

Samuel Archibald teaches contemporary popular culture at the University of Quebec in Montreal, where he lectures on genre fiction, horror movies, and video games, among other subjects.

The Attraction of Things concerns the entirety of beauty and the possibility of grace, relayed via obsessions with rare early gramophone records, the theater, translation, dying parents: all these elements are relayed in a dizzying strange traffic of cultural artifacts, friendships, losses, discoveries, and love. Roger Lewinter believes that in the realm of art, "the distinction between life and death loses its relevance, the one taking place in the other."

Whereas Story of Love in Solitude is a group of small stories, The Attraction of Things is a continuous narrative (more or less) of a man seeking (or stumbling upon) enlightenment.

"The Attraction of Things," states Lewinter, "is the story of a being who lets himself go toward what attracts him, toward what he attracts--beings, works, things--and who, through successive encounters, finds the way out of the labyrinth, to the heart, where the bolt of illumination strikes. This is the story of a letting go toward the illumination."

The leading figure of absurdist theater and one of the great innovators of the modern stage, Eugène Ionesco (1909-94) did not write his first play, The Bald Soprano, until 1950. He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means."

From one of the most exciting novelists writing in France today comes Birth of a Bridge - the story of a handful of men and women of various backgrounds and classes, who assemble around the construction of a giant suspension bridge in Coca, a fictional city somewhere in a mythical and fantastic California.

Told on a sweeping scale reminiscent of classic American adventure films, this Médicis Prize-winning novel chronicles the lives of these individuals, who represent a microcosm of not just mythic California, but of humanity as a whole. Their collective effort to complete (or oppose) the mega-project recounts one of the oldest of human dramas, to domesticate - and to radically transform - our world through built form, with all the dramatic tension it brings: a threatened strike, an environmental dispute, sabotage, accidents, career moves, and love affairs ... Here generations and social classes cease to exist, and everyone and everything converges toward the bridge as metaphor, a cross-cultural impression of America today.

De Kerangal's writing has been widely praised for its scope, originality, and use of language. Her rich prose plays with different registers (from the most highly literary to the most colloquial slang) as well as speed and tension through grammatical ellipsis and elision. She employs a huge vocabulary and invents new relationships between words in a completely innovative use of language.