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French Corner
Octave Mirbeau, author of The Torture Garden and Diary of a Chambermaid, wrote this scathing novel on the cusp of the twentieth century. Driven mad by modern life, Georges Vasseur leaves for a rest cure, where he encounters corrupt politicians, amnesiac coquettes, cheerfully sadistic killers, imperialist generals, and quack psychiatrists. Hypocrites are eternal, and not much has changed since Mirbeau wrote this acid portrait of his era.
First published in 1958, this collection introduced an indispensible corpus of western poetry to countless American college students, francophiles, and would-be poets -- among them Patti Smith, whose vocation was formed she says, by reading this book. The poetic and cultural tradition forged by the Symbolist poets -- Baudelaire, Rimbaud, Verlaine, Appollinaire, and others -- reverberated throughout the avant garde and counter-cultures of the twentieth century. Modernism, surrealism, abstract impressionism, and the Beat movement are unthinkable without the example of these poets and their theories of art, making this reissue possibly the hippest "dead white European male" anthology ever published.
Including translations by Richmond Lattimore, W. S. Merwin, Dudley Fitts, and Richard Wilbur, this anthology has stood the test of time in terms of its selection and scholarly apparatus. Now back in print after twenty years in a fresh new edition, the book features an introduction by Patti Smith that testifies to its epochal impact on her own career, as well as those of other influential latter-day poets, including Lou Reed and Jim Carroll. This rediscovered gem is sure to inspire a new generation.
Since the publication of his first book in 1953, Yves Bonnefoy has become one of the most important French poets of the postwar years. At last, we have the long-awaited English translation of Yves Bonnefoy's celebrated work, L'Arrière-pays, which takes us to the heart of his creative process and to the very core of his poetic spirit. In his poem, "The Convex Mirror," Bonnefoy writes: "Look at them down there, at that crossroads, / They seem to hesitate, then go on." The idea of the crossroads haunts Bonnefoy's work, as he is troubled by the idea that the path not taken may lead to the arrière-pays, a place of greater plenitude, and of more authentic being--an "elsewhere in the absolute." Seized by this fear that what he terms "presence" exists always somewhere else, a little further on, Bonnefoy here sets out on a labyrinthine quest to find traces of this "original place," which he locates not only in objects of knowledge and experience as diverse as the deserts of Asia, a hill fort in India, a church in Armenia, the painting of Piero della Francesca but also, crucially, in the undivided intensity of his experiences as a child. Written with a visionary grace, The Arrière-pays is a spiritual testament to art, philosophy, and poetry. Enriched by a new preface by the poet, this volume also includes three recent essays in which he returns to his original account of an ethical and aesthetic haunting, one that recounts the struggle between our instinct to idealize--what he deems our eternal Platonism--and the equally strong need to combat this and to be reconciled with our nature as finite beings, made of flesh and blood, in the world of the here and now.
Finalist for the 2015 Giller Prize
Finalist for the 2016 Best Translated Book Award
One of Quill & Quire's Books of the Year, 2015
A twenty-five-thousand-copy bestseller in Quebec, Arvida, with its stories of innocent young girls and wild beasts, attempted murder and ritual mutilation, haunted houses and road trips heading nowhere, is unforgettable. Like a Proust-obsessed Cormac McCarthy, Samuel Archibald's portrait of his hometown, a model town design by American industrialist Arthur Vining Davis, does for Quebec's North what William Faulkner did for the South, and heralds an important new voice in world literature.
Samuel Archibald teaches contemporary popular culture at the University of Quebec in Montreal, where he lectures on genre fiction, horror movies, and video games, among other subjects.
The Attraction of Things concerns the entirety of beauty and the possibility of grace, relayed via obsessions with rare early gramophone records, the theater, translation, dying parents: all these elements are relayed in a dizzying strange traffic of cultural artifacts, friendships, losses, discoveries, and love. Roger Lewinter believes that in the realm of art, "the distinction between life and death loses its relevance, the one taking place in the other."
Whereas Story of Love in Solitude is a group of small stories, The Attraction of Things is a continuous narrative (more or less) of a man seeking (or stumbling upon) enlightenment.
"The Attraction of Things," states Lewinter, "is the story of a being who lets himself go toward what attracts him, toward what he attracts--beings, works, things--and who, through successive encounters, finds the way out of the labyrinth, to the heart, where the bolt of illumination strikes. This is the story of a letting go toward the illumination."
A business magnate calls on wine expert Benjamin Cooker to kickstart his new wine business in Beaujolais, sparking bitter rivalries. Can the Winemaker Detective and his assistant keep calculating real estate agents, taciturn winegrowers, dubious wine merchants and suspicious deaths from delaying delivery of the world-famous Beaujolais Nouveau?
The leading figure of absurdist theater and one of the great innovators of the modern stage, Eugène Ionesco (1909-94) did not write his first play, The Bald Soprano, until 1950. He went on to become an internationally renowned master of modern drama, famous for the comic proportions and bizarre effects that allow his work to be simultaneously hilarious, tragic, and profound. As Ionesco has said, "Theater is not literature. . . . It is simply what cannot be expressed by any other means."
First published in France in 1985, The Bathroom was Jean-Philippe Toussaint's debut novel, and it heralded a new generation of innovative French literature. In this playful and perplexing book, we meet a young Parisian researcher who lives inside his bathroom. As he sits in his tub meditating on existence (and refusing to tell us his name), the people around him--his girlfriend, Edmondsson, the Polish painters in his kitchen--each in their own way further enables his peculiar lifestyle, supporting his eccentric quest for immobility. But an invitation to the Austrian embassy shakes up his stable world, prompting him to take a risk and leave his bathroom . . .
From one of the most exciting novelists writing in France today comes this literary saga of a dozen men and women - engineers, designers, machinery operators, cable riggers - all employees of the international consortium charged with building a bridge somewhere in a mythical and fantastic California. Told on a sweeping scale reminiscent of classic American adventure films, this Médicis Prize-winning novel chronicles the lives of these workers, who represent a microcosm of not just mythic California, but of humanity as a whole. Their collective effort to complete the megaproject recounts one of the oldest of human dramas, to domesticate - and to radically transform - our world through built form, with all the dramatic tension it brings: a threatened strike, an environmental dispute, sabotage, accidents, career moves, and love affairs ... Here generations and social classes cease to exist, and everyone and everything converges toward the bridge as metaphor, a cross-cultural impression of America today. Kerangal's writing has been widely praised for its scope, originality, and use of language. The style of her prose is rich and innovative, playing with different registers (from the most highly literary to the most colloquial slang), taking risks and inventing words, and playing with speed and tension through grammatical ellipsis and elision. She employs a huge vocabulary and, most strikingly, brings together words not often combined to evoke startling comparisons. Not since Vikram Seth's Golden Gate has such a great Californian novel been told.
A delicious (Dorie Greenspan), genial (Kirkus Reviews), very cool book about the intersections of food and history (Michael Pollan)--as featured in the New York Times
The complex political, historical, religious and social factors that shaped some of [France's] . . . most iconic dishes and culinary products are explored in a way that will make you rethink every sprinkling of fleur de sel.
--The New York Times Book Review
Acclaimed upon its hardcover publication as a culinary treat for Francophiles (Publishers Weekly), A Bite-Sized History of France is a thoroughly original book that explores the facts and legends of the most popular French foods and wines. Traversing the cuisines of France's most famous cities as well as its underexplored regions, the book is enriched by the authors' friendly accessibility that makes these stories so memorable (The New York Times Book Review). This innovative social history also explores the impact of war and imperialism, the age-old tension between tradition and innovation, and the enduring use of food to prop up social and political identities.
The origins of the most legendary French foods and wines--from Roquefort and cognac to croissants and Calvados, from absinthe and oysters to Camembert and champagne--also reveal the social and political trends that propelled France's rise upon the world stage. As told by a Franco-American couple (Stéphane is a cheesemonger, Jeni is an academic) this is an impressive book that intertwines stories of gastronomy, culture, war, and revolution. . . . It's a roller coaster ride, and when you're done you'll wish you could come back for more (The Christian Science Monitor).
Buttocks Man is down on his uppers. His girlfriend, Original Colour, has cleared out of their Paris studio and run off to the Congo with a vertically challenged drummer known as The Mongrel. She's taken their daughter with her. Meanwhile, a racist neighbour spies on him something wicked, accusing him of 'digging a hole in the Dole'. And his drinking buddies at Jips, the Afro-Cuban bar in Les Halles, pour scorn on Black Bazaar, the journal he keeps to log his sorrows. There are days when only the Arab in the corner shop has a kind word; while at night his dreams are stalked by the cannibal pygmies of Gabon. Then again, Buttocks Man wears no ordinary uppers. He has style, bags of it (suitcases of crocodile and anaconda Westons, to be precise). He's a dandy from the Bacongo district of Brazzaville - AKA a sapeur or member of the Society of Ambience-makers and People of Elegance. But is flaunting sartorial chic against tough times enough for Buttocks Man to cut it in the City of Light?
"The matchless French crime novelist" -- Adam Gopnik, The New Yorker "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." --The Guardian Master novelist Georges Simenon's critically acclaimed tale of the destructive power of lust and guilt "He felt no resentment towards Andree for biting his lip. In the context of their lovemaking, it had its place." For Tony and Andree, there are no rules when they meet in the blue room at the Hotel des Voyageurs. Their adulterous affair is intoxicating, passionate--and dangerous. It soon turns into a nightmare from which there can be no escape. Heart-pounding and high-stakes, The Blue Room is a stylish and sensual psychological thriller that weaves a story of cruelty, reckless lust, and relentless guilt.
A sensational 1954 French novel that has become a contemporary classic
Set against the translucent beauty of France in summer, Bonjour Tristesse is a bittersweet tale narrated by Cecile, a seventeen-year-old girl on the brink of womanhood, whose meddling in her father's love life leads to tragic consequences.
Endearing, self-absorbed, seventeen-year-old Cécile is the very essence of untroubled amorality. Freed from the stifling constraints of boarding school, she joins her father--a handsome, still-young widower with a wandering eye--for a carefree, two-month summer vacation in a beautiful villa outside of Paris with his latest mistress. Cécile cherishes the free-spirited moments she and her father share, while plotting her own sexual adventures with a tall and almost beautiful law student. But the arrival of her late mother's best friend intrudes upon a young girl's pleasures. And when a relationship begins to develop between the adults, Cécile and her lover set in motion a plan to keep them apart...with tragic, unexpected consequences.
The internationally beloved story of a precocious teenager's attempts to understand and control the world around her, Françoise Sagan's Bonjour Tristesse is a beautifully composed, wonderfully ambiguous celebration of sexual liberation, at once sympathetic and powerfully unsparing.
This special Harper Perennial Modern Classics edition includes an introduction by Diane Johnson and a P.S. section with additional insights about the book and author.
Paperback Fiction
Hardcover Non-Fiction
Hardcover Fiction
