Banner Message
Please note that online availability does not reflect stock in store!
Please contact us via email or phone for immediate stock information.
Film
Confessions of a Prairie Bitch is Alison Arngrim's comic memoir of growing up as one of television's most memorable characters--the devious Nellie Oleson on the hit television show Little House on the Prairie. With behind-the-scenes stories from the set, as well as tales from her bohemian upbringing in West Hollywood and her headline-making advocacy work on behalf of HIV awareness and abused children, Confessions of a Prairie Bitch is a must for fans of everything Little House: the classic television series and its many stars like Michael Landon and Melissa Gilbert; Gilbert's bestselling memoir Prairie Tale... and, of course, the beloved series of books by Laura Ingalls Wilder that started it all.
"Hypnotic....It is ever tempting to try to fathom his restless spirit and his determination to challenge fate."--Janet Maslin, New York Times Werner Herzog (Grizzly Man) is one of the most revered and enigmatic filmmakers of our time, and Fitzcarraldo is one of his most honored and admired films. More than just Herzog's journal of the making of the monumental, problematical motion picture, which involved, among other things, major cast changes and reshoots, and the hauling (without the use of special effects) of a 360-ton steamship over a mountain, Conquest of the Useless is a work of art unto itself, an Amazonian fever dream that emerged from the delirium of the jungle. With fascinating observations about crew and players--including Herzog's lead, the somewhat demented internationally renowned star Klaus Kinski--and breathtaking insights into the filmmaking process that are uniquely Werner Herzog, Conquest of the Useless is an eye-opening look into the mind of a cinematic master.
A rich companion volume to George Stevens, Jr.'s much admired book of American Film Institute seminars with the pioneering moviemakers of Hollywood's Golden Age, this time with a focus on filmmakers of the 1950s to present day.
The Next Generation brings together conversations with moviemakers at work from the 1950s--during the studios' decline--to today's Hollywood. Directors, producers, writers, actors, cinematographers, composers, film editors, and independent filmmakers appear within these pages, including Steven Spielberg, Nora Ephron, George Lucas, Sidney Poitier, Meryl Streep, David Lynch, Darren Aronofsky, and more. We see how the filmmakers of today and those of Hollywood's Golden Age face the same challenges of both art and craft--to tell compelling stories on the screen. And we see the ways in which actors and directors work together, how each director has his or her own approach, and how they share techniques and theories.
A companion volume to George Stevens, Jr.'s, much admired book of American Film Institute seminars with the great pioneering moviemakers ("Invaluable" --Martin Scorsese).
"The Next Generation "brings together AFI's conversations with moviemakers at work from the 1950s--during the studios' decline--to today's Hollywood. Directors, producers, writers, actors, cinematographers, composers, film editors, and independent filmmakers. Among them: Steven Spielberg, Nora Ephron, George Lucas, Sidney Poitier, and Darren Aronofsky.
"The Next Generation "brings together AFI's conversations with moviemakers at work from the 1950s--during the studios' decline--to today's Hollywood. Directors, producers, writers, actors, cinematographers, composers, film editors, and independent filmmakers. Among them: Steven Spielberg, Nora Ephron, George Lucas, Sidney Poitier, and Darren Aronofsky.
From the legendary film director Martin Scorsese, a book in which he and Father Antonio Spadaro discuss the visionary filmmaker's relationship to faith throughout his life.
From his Italian-American upbringing as a Catholic in New York to the meditations on religion, belief, and the divine found in his filmography, Martin Scorsese's relationship to his faith has touched every aspect of his life and work. When Italian journalist Father Antonio Spadaro and Martin Scorsese first sat down together in Scorsese's home, neither could have predicted the depth of the conversation, intellectual exchange, or friendship that would result. While discussing the acclaimed director's film Silence, about the persecution of Jesuits in Japan, they began a dialogue about faith that continues to this day. In their often-profound conversations, he and Father Spadaro have left no stone unturned, discussing this relationship along with everything from Scorsese's childhood to the concept of the soul. And as a result of their long friendship and communication, Scorsese met with Pope Francis. Readers will gain new insight into one of the most famous directors of the twentieth and twenty-first centuries in these honest, moving, and ultimately inspiring Conversations on Faith.
James Bawden: Seeing the way people behave when they're around you, is it still fun being Cary Grant? Cary Grant: I don't like to disappoint people. Because he's a completely made-up character and I'm playing a part. It's a part I've been playing a long time, but no way am I really Cary Grant. A friend told me once, ""I always wanted to be Cary Grant."" And I said, ""So did I.""-from the book In Conversations with Classic Film Stars, retired journalists James Bawden and Ron Miller present an aston
Now in paperback, and with a new afterword: the history and process of moviemaking in general, and of Martin Scorsese's brilliant and varied films in particular, through the words and wit of the master director. With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films. He explains his personal style and describes many of the rewarding artistic and personal relationships of his career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable illumination and appreciation of one of our most admired film directors.
"Mean Streets, Taxi Driver, ""Raging Bull," "The Last Temptation of Christ, Kundun, The Departed, The Aviator, Shutter Island: "these are just a""few of the critically acclaimed films, startling experimental works, and spectacular commercial blockbusters with which Martin Scorsese has forever enriched American cinema. Here is a rare and wonderfully insightful chance to experience all of these films, and the history and process of moviemaking in general, through the words and wit of the master director.
Richard Schickel's canny and intelligent interviews guide us through Scorsese's life and work, from the child who escaped the realities of Little Italy in the 1950s through movies to the man whose increasingly encyclopedic knowledge of film shaped his ambitions and art. Scorsese reveals which films are most autobiographical and which have been forays into unknown territory in content or aesthetics. He talks about his lesser-known movies, those already considered classics, his documentaries, and his influences. He explains his personal style, the close attention he pays to detail, and his attraction to genre films. And he discusses what being a lifelong student of film has taught him about acting, directing, music, and camerawork, among many other topics.
The result is a vivid, immensely enlightening history of modern Hollywood seen through the eyes of one intrepid filmmaker. We see audiences' expectations tested by what Scorsese was willing to put on the screen in explorations of prostitution, institutionalized violence, and religion. We see the unavoidable frustrations and exhilarating rewards of filming live concerts for The Band and at Woodstock. And we see many of the rewarding artistic and personal relationships of Scorsese's career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio.
An invaluable appreciation of one of our most admired film directors.
Richard Schickel's canny and intelligent interviews guide us through Scorsese's life and work, from the child who escaped the realities of Little Italy in the 1950s through movies to the man whose increasingly encyclopedic knowledge of film shaped his ambitions and art. Scorsese reveals which films are most autobiographical and which have been forays into unknown territory in content or aesthetics. He talks about his lesser-known movies, those already considered classics, his documentaries, and his influences. He explains his personal style, the close attention he pays to detail, and his attraction to genre films. And he discusses what being a lifelong student of film has taught him about acting, directing, music, and camerawork, among many other topics.
The result is a vivid, immensely enlightening history of modern Hollywood seen through the eyes of one intrepid filmmaker. We see audiences' expectations tested by what Scorsese was willing to put on the screen in explorations of prostitution, institutionalized violence, and religion. We see the unavoidable frustrations and exhilarating rewards of filming live concerts for The Band and at Woodstock. And we see many of the rewarding artistic and personal relationships of Scorsese's career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio.
An invaluable appreciation of one of our most admired film directors.
In discussions that begin in 1971 and end in 2009, Allen talks about every facet of moviemaking through the prism of his own work as well as the larger world of film, and in so doing reveals an artist's development over the course of his career. He speaks about his influences and about the genesis of his ideas; about writing, casting, acting, shooting, directing, editing, and scoring--and throughout shows himself to be thoughtful, honest, self-deprecating, always witty, and often hilarious.
From the bestselling author of The Passenger and the Pulitzer Prize-winning novel The Road--in this screenplay of the major motion picture, the Counselor makes a risky entrée into the drug trade, on the eve of becoming a married man, and gambles that the consequences won't catch up to him. Along the gritty terrain of the Texas-Mexico border, a respected and recently engaged lawyer throws his stakes into a cocaine trade worth millions. His hope is that it will be a one-time deal and that, afterward, he can settle into life with his beloved fiancée. But instead, the Counselor finds himself mired in a brutal and dangerous game--one that threatens to destroy everything and everyone he loves. Deft, shocking, and unforgettable, McCarthy is at his finest in this gripping tale about risk, consequence, and the treacherous balance between the two. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
"...a classy movie-geek-must-have..." - Kevin Smith "This book is 176 pages of stunning, creative, witty, and sometimes just down-right funny art pieces." - We Are Movie Geeks "I personally recommend the hell out it, and I hope it does well -- because I'll get every single damn collection Gallery 1988 and Titan Books puts out." - Topless Robot "It's just a damned gorgeous book filled with stunning, movie-related artwork." - Hollywood.com "Quite simply this book is a must have. If ever there was a book for movie inspired Art collectors then this is it." - Poster Shizzle "The artwork is beautiful, and anyone who loves film owes it to themselves to check it out." - Ain't It Cool "Crazy 4 Cult: Cult Movie Art is absolutely amazing and should be picked up by anyone and everyone who considers themselves a moving pictures enthusiast." - Posterocalypse "A book that belongs on every movie geek's coffee table." - Movies.com "There's nothing like Crazy 4 Cult and this book shows you why." - Very Aware "Love Movies? Love Cult Art? Then 'Crazy 4 Cult' Is the Book for You." - Moviefone "THIS BOOK ROCKS!" - Cool and Collected -- The annual Crazy 4 Cult art show in LA has quickly become a phenomenon, with thousands of visitors, a million hits on its website on opening day, and high profile buyers including Kevin Smith and Edgar Wright. Why? Because the cream of the pop culture-influenced art scene - including Shepard Fairey, creator of the Obama 'Hope' poster - come together to celebrate cult movies with art that is surprising, beautiful and very, very cool. This lavishly produced book presents the best of the first 4 years of the show, with art inspired by such movies as The Big Lebowski, Edward Scissorhands, Blade Runner, Donnie Darko, A Clockwork Orange, Pulp Fiction and many more.
Go behind the scenes of Hollywood's horror and science fiction classics (and classic schlock) in Tom Weaver's 13th compilation of confrontations with their makers: more than 25 writers, producers, directors, actors and more.
The movies under discussion range from 1940s flicks with spooks and She-Wolves, to the 1970s' Nature Runs Wild thrillers and drive-in dregs. Dracula, Frankenstein and a Werewolf, Cyclops and Slime People, Atomic Brains and Brain Eaters, Giant Ants and Night Monsters (and other abominations) teem in the pages within. There are also side trips into TV to reminisce about the iconic series Adventures of Superman, The Munsters and Thriller.
Crowdfunding for Filmmakers offers practical information, tips, and tactics for launching a successful film campaign by detailing traditional models of fundraising, utilizing today's technological and social innovations, and augmenting each step with an added personal touch. The book examines various ways to meet and exceed one's crowdfunding goal through chapters ?on team building, audience outreach, and crowdfunder etiquette, along with a section containing case studies from successful film campaigns.
Can't get enough of The Crown? In this must-have exploration of the history behind seasons 2 and 3 of Peter Morgan's Emmy-winning Netflix drama, the show's historical consultant answers all your questions alongside beautifully reproduced archival photographs.
In this eye-opening companion to seasons 2 and 3 of Netflix's acclaimed series The Crown, renowned biographer and historical consultant Robert Lacey takes us through the real history that inspired the drama. Covering two tumultuous decades in the reign of Queen Elizabeth II, Lacey looks at the key social, political, and personal moments and their effects--not only on the royal family but also on the world around them. From the Suez Crisis and the U.S.-Soviet space race to the legacy of the Duke of Windsor's collaboration with Hitler, along with the rumored issues with the royal marriage, the book provides a thought-provoking insight into the historic decades that the show explores, revealing the truth behind the on-screen drama. Fascinating and fast-paced, this is a unique look behind the history that inspired the show and the years that would prove to be the making of the Queen. The Crown is now available to watch on Netflix. The Crown is produced by Left Bank Pictures in association with Sony Pictures Television for Netflix.
In this eye-opening companion to seasons 2 and 3 of Netflix's acclaimed series The Crown, renowned biographer and historical consultant Robert Lacey takes us through the real history that inspired the drama. Covering two tumultuous decades in the reign of Queen Elizabeth II, Lacey looks at the key social, political, and personal moments and their effects--not only on the royal family but also on the world around them. From the Suez Crisis and the U.S.-Soviet space race to the legacy of the Duke of Windsor's collaboration with Hitler, along with the rumored issues with the royal marriage, the book provides a thought-provoking insight into the historic decades that the show explores, revealing the truth behind the on-screen drama. Fascinating and fast-paced, this is a unique look behind the history that inspired the show and the years that would prove to be the making of the Queen. The Crown is now available to watch on Netflix. The Crown is produced by Left Bank Pictures in association with Sony Pictures Television for Netflix.
With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.
The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed--from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie. A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America's military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.
In this revised and expanded edition of his essential volume Dark City Dames, Eddie Muller--Turner Classic Movies host and author of Dark Cityand Noir Bar--offers a uniquely intimate look at the women who defined film noir, now featuring updated text, photos, and 10 new star profiles. Film noir was the dark side of the movies' happily-ever-after mythology. Sinister and sexy, it forged a new icon: the tough, independent dame. Determined, desirable, dangerous when cornered, she could handle trouble--or deal out some of her own. If you thought these women were something special onscreen, wait until you meet the genuine articles. In Dark City Dames, acclaimed film historian Eddie Muller takes readers into the world of six women who made a lasting impression in this cinematic terrain--from veteran "bad girls" Audrey Totter, Marie Windsor, and Jane Greer to unexpected genre fixtures Evelyn Keyes, Coleen Gray, and Ann Savage.
The book provides in-depth profiles of these formidable women during the height of their careers, circa 1950, as they balanced love and career, struggled against typecasting, and sought fulfillment in a ruthless business. Their personal stories--teeming with larger-than-life characters like Howard Hughes, Louis B. Mayer, Robert Mitchum, Otto Preminger, and John Huston--offer a fascinating counterpoint to their movies. Then Dark City Dames revisits each woman fifty years later, to witness their hard-won--and triumphant--survival. On every page their own voices ring through, reflecting on their lives with as much passion, pain, intelligence, energy, and humor as any movie script.
Muller conducted far-ranging interviews with the original six women profiled in Dark City Dames, in the process becoming a friend and confidante to each. In this revised and expanded edition, he updates their stories and shares illuminating, never-before-told memories of his time with them. This edition also includes compelling new profiles of ten additional women who left an indelible mark on film noir, including Joan Bennett, Gail Russell, Rhonda Fleming, and Claire Trevor--all packaged in a stunning redesign that offers the ultimate look at performers who helped define a still-resonant and inspiring epoch of Hollywood history.