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Film
Clint Eastwood (b. 1930) is the only popular American dramatic star to have shaped his own career almost entirely through films of his own producing, frequently under his own direction; no other dramatic star has directed himself so often. He is also one of the most prolific active directors, with thirty-three features to his credit since 1971. As a star, he is often recalled primarily for two early roles--the "Man with No Name" of three European-made Westerns, and the uncompromising cop "Dirty" Harry Callahan. But on his own as a director, Eastwood has steered a remarkable course. A film industry insider who works through the established Hollywood system and respects its traditions, he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. His films as director have examined an eclectic variety of themes, ranging from the artist's life to the nature of heroism, while frequently calling into question the ethos of masculinity and his own star image. Yet they have remained accessible to a popular audience worldwide. With two Best Director and two Best Picture Oscars to his credit, Eastwood now ranks among the most highly honored living filmmakers. These interviews range over the more than four decades of Eastwood's directorial career, with an emphasis on practical filmmaking issues and his philosophy as a filmmaker. Nearly a third are from European sources--several appearing here in English for the first time.
The indispensable, illustrated pocket guide to the films of Wes Anderson, from Bottle Rocket to Isle of Dogs.
See movies through a new lens with Close-Ups, a series of pocket guides from the award-winning film magazine Little White Lies.
Wes Anderson is a distinctive auteur of modern American cinema, known for having created a personal universe out of pastel colour palettes, meticulous set design, nostalgic soundtracks and a troupe of familiar actors - all seen in films such as Rushmore, The Royal Tenenbaums, The Grand Budapest Hotel and Isle of Dogs.
In this illustrated pocket guide Sophie Monks Kaufman delves beneath Anderson's pristine surfaces to examine his emotional preoccupations with family, romance, failure, adventure and death. She carefully unspools the cultural threads that inform his aesthetic to explain why this precocious arthouse film nerd from Texas has become one of the most popular directors of his generation.
"Very smart and entertaining . . . dishy-yet-earnest . . . Gefter shows why Who's Afraid of Virginia Woolf? hit the '60s like a torpedo."-NPR, Fresh Air
"Raucous, unpredictable, wild, and affecting."-Entertainment WeeklyAn award-winning writer reveals the behind-the-scenes story of the provocative play, the groundbreaking film it became, and how two iconic stars changed the image of marriage forever. From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn't be said on the American stage and marked a definitive end to the I Love Lucy 1950s. Then, Hollywood took a colossal gamble on Albee's sophisticated play-and won. Costarring Elizabeth Taylor and Richard Burton, the sensational 1966 film minted first-time director Mike Nichols as industry royalty and won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its director's inexperience, and its stars' own tumultuous marriage-is one of the most riveting stories in all of cinema. Now, acclaimed author Philip Gefter tells that story in full for the first time, tracing Woolf from its hushed origins in Greenwich Village's bohemian enclave, through its tormented production process, to its explosion onto screens across America and a permanent place in the canon of cinematic marriages. This deliciously entertaining book explores how two couples-one fictional, one all too real-forced a nation to confront its most deeply held myths about relationships, sex, family, and, against all odds, love.
Brought completely up to date, this insightful biography remains a must for any self-respecting Coen fan (Screentrade). This fully updated edition of the first biography of the Coen Brothers includes their complete work so far, from Blood Simple to Inside Llewyn Davis (2013), with a reassessment of their remarkable career as a whole. Joel and Ethan Coen have pulled off the ultimate balancing act. Despite having their movies financed and distributed by major studios, they have managed to remain true independents, rejecting commercial clichés and never giving up on their own fiercely idiosyncratic vision. While doing so, they have established themselves among the world's leading filmmakers. From their startling debut, Blood Simple (1984), all of their movies reveal a distinctive stamp: a flamboyant visual style, richly conceived characters, crisp dialogue, and brilliant casting. They have revitalized old Hollywood genres such as noir, screwball, and the western, giving them a contemporary sensibility. In this biography, Ronald Bergan traces the brothers' Jewish roots, their beginnings as film geeks in suburban Minneapolis, their battle to get their first feature made and released, through their early features and the movies of their maturity. He gives blow-by-blow accounts of the making of each movie. New chapters cover all those released since O Brother, Where Art Thou? (2000), with which the first edition of this book ended.
These four early works by the internationally lauded filmmaking team deal with the subject for which they are best known: corruption and crime in situations that combine the real and the surreal with the hilarious. Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.
"The Comedy Film Nerds Guide to Movies" brings what has been missing from movie discussion for too long: A healthy dose of humor. This is the first time ever two filmmakers who are also comedians give their views on film. It will bring movie discussion to a younger audience in a way they can relate to it without all the stodgy film school discussion. This is a movie book for film and comedy fans, by filmmakers and comedians. In the way that Jon Stewart and Bill Mahr have brought comedy to politics, Chris and Graham will do this for film.
The superheroes are back! Since the 1970s, the film world has found inspiration in comic books and graphic novels. These days no summer is complete without a major blockbuster movie based on a comic: Superman, Batman, Spider-Man, X-Men, Men in Black, Daredevil, and The Hulk. Modern special effects have made large-scale superhero epics possible, but the diversity of the comics being published has made for a wide variety of subjects, as evidenced by Ghost World, From Hell, Akira and Road to Perdition. This book looks in detail at twenty key titles, covering every step of the development from comic book panel to feature film frame. Includes interviews with key creative artists about the evolution of the films from the original comics, and speculates about future films.
Confessions of a Prairie Bitch is Alison Arngrim's comic memoir of growing up as one of television's most memorable characters--the devious Nellie Oleson on the hit television show Little House on the Prairie. With behind-the-scenes stories from the set, as well as tales from her bohemian upbringing in West Hollywood and her headline-making advocacy work on behalf of HIV awareness and abused children, Confessions of a Prairie Bitch is a must for fans of everything Little House: the classic television series and its many stars like Michael Landon and Melissa Gilbert; Gilbert's bestselling memoir Prairie Tale... and, of course, the beloved series of books by Laura Ingalls Wilder that started it all.
"Hypnotic....It is ever tempting to try to fathom his restless spirit and his determination to challenge fate."--Janet Maslin, New York Times Werner Herzog (Grizzly Man) is one of the most revered and enigmatic filmmakers of our time, and Fitzcarraldo is one of his most honored and admired films. More than just Herzog's journal of the making of the monumental, problematical motion picture, which involved, among other things, major cast changes and reshoots, and the hauling (without the use of special effects) of a 360-ton steamship over a mountain, Conquest of the Useless is a work of art unto itself, an Amazonian fever dream that emerged from the delirium of the jungle. With fascinating observations about crew and players--including Herzog's lead, the somewhat demented internationally renowned star Klaus Kinski--and breathtaking insights into the filmmaking process that are uniquely Werner Herzog, Conquest of the Useless is an eye-opening look into the mind of a cinematic master.
A rich companion volume to George Stevens, Jr.'s much admired book of American Film Institute seminars with the pioneering moviemakers of Hollywood's Golden Age, this time with a focus on filmmakers of the 1950s to present day.
The Next Generation brings together conversations with moviemakers at work from the 1950s--during the studios' decline--to today's Hollywood. Directors, producers, writers, actors, cinematographers, composers, film editors, and independent filmmakers appear within these pages, including Steven Spielberg, Nora Ephron, George Lucas, Sidney Poitier, Meryl Streep, David Lynch, Darren Aronofsky, and more. We see how the filmmakers of today and those of Hollywood's Golden Age face the same challenges of both art and craft--to tell compelling stories on the screen. And we see the ways in which actors and directors work together, how each director has his or her own approach, and how they share techniques and theories.
A companion volume to George Stevens, Jr.'s, much admired book of American Film Institute seminars with the great pioneering moviemakers ("Invaluable" --Martin Scorsese).
"The Next Generation "brings together AFI's conversations with moviemakers at work from the 1950s--during the studios' decline--to today's Hollywood. Directors, producers, writers, actors, cinematographers, composers, film editors, and independent filmmakers. Among them: Steven Spielberg, Nora Ephron, George Lucas, Sidney Poitier, and Darren Aronofsky.
"The Next Generation "brings together AFI's conversations with moviemakers at work from the 1950s--during the studios' decline--to today's Hollywood. Directors, producers, writers, actors, cinematographers, composers, film editors, and independent filmmakers. Among them: Steven Spielberg, Nora Ephron, George Lucas, Sidney Poitier, and Darren Aronofsky.
James Bawden: Seeing the way people behave when they're around you, is it still fun being Cary Grant? Cary Grant: I don't like to disappoint people. Because he's a completely made-up character and I'm playing a part. It's a part I've been playing a long time, but no way am I really Cary Grant. A friend told me once, ""I always wanted to be Cary Grant."" And I said, ""So did I.""-from the book In Conversations with Classic Film Stars, retired journalists James Bawden and Ron Miller present an aston
Now in paperback, and with a new afterword: the history and process of moviemaking in general, and of Martin Scorsese's brilliant and varied films in particular, through the words and wit of the master director. With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films. He explains his personal style and describes many of the rewarding artistic and personal relationships of his career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable illumination and appreciation of one of our most admired film directors.
"Mean Streets, Taxi Driver, ""Raging Bull," "The Last Temptation of Christ, Kundun, The Departed, The Aviator, Shutter Island: "these are just a""few of the critically acclaimed films, startling experimental works, and spectacular commercial blockbusters with which Martin Scorsese has forever enriched American cinema. Here is a rare and wonderfully insightful chance to experience all of these films, and the history and process of moviemaking in general, through the words and wit of the master director.
Richard Schickel's canny and intelligent interviews guide us through Scorsese's life and work, from the child who escaped the realities of Little Italy in the 1950s through movies to the man whose increasingly encyclopedic knowledge of film shaped his ambitions and art. Scorsese reveals which films are most autobiographical and which have been forays into unknown territory in content or aesthetics. He talks about his lesser-known movies, those already considered classics, his documentaries, and his influences. He explains his personal style, the close attention he pays to detail, and his attraction to genre films. And he discusses what being a lifelong student of film has taught him about acting, directing, music, and camerawork, among many other topics.
The result is a vivid, immensely enlightening history of modern Hollywood seen through the eyes of one intrepid filmmaker. We see audiences' expectations tested by what Scorsese was willing to put on the screen in explorations of prostitution, institutionalized violence, and religion. We see the unavoidable frustrations and exhilarating rewards of filming live concerts for The Band and at Woodstock. And we see many of the rewarding artistic and personal relationships of Scorsese's career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio.
An invaluable appreciation of one of our most admired film directors.
Richard Schickel's canny and intelligent interviews guide us through Scorsese's life and work, from the child who escaped the realities of Little Italy in the 1950s through movies to the man whose increasingly encyclopedic knowledge of film shaped his ambitions and art. Scorsese reveals which films are most autobiographical and which have been forays into unknown territory in content or aesthetics. He talks about his lesser-known movies, those already considered classics, his documentaries, and his influences. He explains his personal style, the close attention he pays to detail, and his attraction to genre films. And he discusses what being a lifelong student of film has taught him about acting, directing, music, and camerawork, among many other topics.
The result is a vivid, immensely enlightening history of modern Hollywood seen through the eyes of one intrepid filmmaker. We see audiences' expectations tested by what Scorsese was willing to put on the screen in explorations of prostitution, institutionalized violence, and religion. We see the unavoidable frustrations and exhilarating rewards of filming live concerts for The Band and at Woodstock. And we see many of the rewarding artistic and personal relationships of Scorsese's career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio.
An invaluable appreciation of one of our most admired film directors.
In discussions that begin in 1971 and end in 2009, Allen talks about every facet of moviemaking through the prism of his own work as well as the larger world of film, and in so doing reveals an artist's development over the course of his career. He speaks about his influences and about the genesis of his ideas; about writing, casting, acting, shooting, directing, editing, and scoring--and throughout shows himself to be thoughtful, honest, self-deprecating, always witty, and often hilarious.
From the bestselling author of The Passenger and the Pulitzer Prize-winning novel The Road--in this screenplay of the major motion picture, the Counselor makes a risky entrée into the drug trade, on the eve of becoming a married man, and gambles that the consequences won't catch up to him. Along the gritty terrain of the Texas-Mexico border, a respected and recently engaged lawyer throws his stakes into a cocaine trade worth millions. His hope is that it will be a one-time deal and that, afterward, he can settle into life with his beloved fiancée. But instead, the Counselor finds himself mired in a brutal and dangerous game--one that threatens to destroy everything and everyone he loves. Deft, shocking, and unforgettable, McCarthy is at his finest in this gripping tale about risk, consequence, and the treacherous balance between the two. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
"...a classy movie-geek-must-have..." - Kevin Smith "This book is 176 pages of stunning, creative, witty, and sometimes just down-right funny art pieces." - We Are Movie Geeks "I personally recommend the hell out it, and I hope it does well -- because I'll get every single damn collection Gallery 1988 and Titan Books puts out." - Topless Robot "It's just a damned gorgeous book filled with stunning, movie-related artwork." - Hollywood.com "Quite simply this book is a must have. If ever there was a book for movie inspired Art collectors then this is it." - Poster Shizzle "The artwork is beautiful, and anyone who loves film owes it to themselves to check it out." - Ain't It Cool "Crazy 4 Cult: Cult Movie Art is absolutely amazing and should be picked up by anyone and everyone who considers themselves a moving pictures enthusiast." - Posterocalypse "A book that belongs on every movie geek's coffee table." - Movies.com "There's nothing like Crazy 4 Cult and this book shows you why." - Very Aware "Love Movies? Love Cult Art? Then 'Crazy 4 Cult' Is the Book for You." - Moviefone "THIS BOOK ROCKS!" - Cool and Collected -- The annual Crazy 4 Cult art show in LA has quickly become a phenomenon, with thousands of visitors, a million hits on its website on opening day, and high profile buyers including Kevin Smith and Edgar Wright. Why? Because the cream of the pop culture-influenced art scene - including Shepard Fairey, creator of the Obama 'Hope' poster - come together to celebrate cult movies with art that is surprising, beautiful and very, very cool. This lavishly produced book presents the best of the first 4 years of the show, with art inspired by such movies as The Big Lebowski, Edward Scissorhands, Blade Runner, Donnie Darko, A Clockwork Orange, Pulp Fiction and many more.
Crowdfunding for Filmmakers offers practical information, tips, and tactics for launching a successful film campaign by detailing traditional models of fundraising, utilizing today's technological and social innovations, and augmenting each step with an added personal touch. The book examines various ways to meet and exceed one's crowdfunding goal through chapters ?on team building, audience outreach, and crowdfunder etiquette, along with a section containing case studies from successful film campaigns.