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From the bestselling author of The Passenger and the Pulitzer Prize-winning novel The Road--in this screenplay of the major motion picture, the Counselor makes a risky entrée into the drug trade, on the eve of becoming a married man, and gambles that the consequences won't catch up to him. Along the gritty terrain of the Texas-Mexico border, a respected and recently engaged lawyer throws his stakes into a cocaine trade worth millions. His hope is that it will be a one-time deal and that, afterward, he can settle into life with his beloved fiancée. But instead, the Counselor finds himself mired in a brutal and dangerous game--one that threatens to destroy everything and everyone he loves. Deft, shocking, and unforgettable, McCarthy is at his finest in this gripping tale about risk, consequence, and the treacherous balance between the two. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
...a classy movie-geek-must-have... - Kevin Smith This book is 176 pages of stunning, creative, witty, and sometimes just down-right funny art pieces. - We Are Movie Geeks I personally recommend the hell out it, and I hope it does well -- because I'll get every single damn collection Gallery 1988 and Titan Books puts out. - Topless Robot It's just a damned gorgeous book filled with stunning, movie-related artwork. - Hollywood.com Quite simply this book is a must have. If ever there was a book for movie inspired Art collectors then this is it. - Poster Shizzle The artwork is beautiful, and anyone who loves film owes it to themselves to check it out. - Ain't It Cool Crazy 4 Cult: Cult Movie Art is absolutely amazing and should be picked up by anyone and everyone who considers themselves a moving pictures enthusiast. - Posterocalypse A book that belongs on every movie geek's coffee table. - Movies.com There's nothing like Crazy 4 Cult and this book shows you why. - Very Aware Love Movies? Love Cult Art? Then 'Crazy 4 Cult' Is the Book for You. - Moviefone THIS BOOK ROCKS! - Cool and Collected -- The annual Crazy 4 Cult art show in LA has quickly become a phenomenon, with thousands of visitors, a million hits on its website on opening day, and high profile buyers including Kevin Smith and Edgar Wright. Why? Because the cream of the pop culture-influenced art scene - including Shepard Fairey, creator of the Obama 'Hope' poster - come together to celebrate cult movies with art that is surprising, beautiful and very, very cool. This lavishly produced book presents the best of the first 4 years of the show, with art inspired by such movies as The Big Lebowski, Edward Scissorhands, Blade Runner, Donnie Darko, A Clockwork Orange, Pulp Fiction and many more.
Crowdfunding for Filmmakers offers practical information, tips, and tactics for launching a successful film campaign by detailing traditional models of fundraising, utilizing today's technological and social innovations, and augmenting each step with an added personal touch. The book examines various ways to meet and exceed one's crowdfunding goal through chapters ?on team building, audience outreach, and crowdfunder etiquette, along with a section containing case studies from successful film campaigns.
Can't get enough of The Crown? In this must-have exploration of the history behind seasons 2 and 3 of Peter Morgan's Emmy-winning Netflix drama, the show's historical consultant answers all your questions alongside beautifully reproduced archival photographs.
In this eye-opening companion to seasons 2 and 3 of Netflix's acclaimed series The Crown, renowned biographer and historical consultant Robert Lacey takes us through the real history that inspired the drama. Covering two tumultuous decades in the reign of Queen Elizabeth II, Lacey looks at the key social, political, and personal moments and their effects--not only on the royal family but also on the world around them. From the Suez Crisis and the U.S.-Soviet space race to the legacy of the Duke of Windsor's collaboration with Hitler, along with the rumored issues with the royal marriage, the book provides a thought-provoking insight into the historic decades that the show explores, revealing the truth behind the on-screen drama. Fascinating and fast-paced, this is a unique look behind the history that inspired the show and the years that would prove to be the making of the Queen. The Crown is now available to watch on Netflix. The Crown is produced by Left Bank Pictures in association with Sony Pictures Television for Netflix.
In this eye-opening companion to seasons 2 and 3 of Netflix's acclaimed series The Crown, renowned biographer and historical consultant Robert Lacey takes us through the real history that inspired the drama. Covering two tumultuous decades in the reign of Queen Elizabeth II, Lacey looks at the key social, political, and personal moments and their effects--not only on the royal family but also on the world around them. From the Suez Crisis and the U.S.-Soviet space race to the legacy of the Duke of Windsor's collaboration with Hitler, along with the rumored issues with the royal marriage, the book provides a thought-provoking insight into the historic decades that the show explores, revealing the truth behind the on-screen drama. Fascinating and fast-paced, this is a unique look behind the history that inspired the show and the years that would prove to be the making of the Queen. The Crown is now available to watch on Netflix. The Crown is produced by Left Bank Pictures in association with Sony Pictures Television for Netflix.
With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.
The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed--from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie. A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America's military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.
This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.
In 2005, filmmaker Christopher Nolan redefined Batman for a new generation with Batman Begins, followed in 2008 by The Dark Knight, and now 2012's conclusion to the trilogy, The Dark Knight Rises. Here, for the first time, is an in-world exploration of Christopher Nolan's Batman: The Dark Knight Manual, the definitive guide to his tools, vehicles, and technologies. Following the destruction of Wayne Manor, Bruce Wayne began to assemble key sketches, diagrams, observations, and other top-secret documents germane to becoming Batman; he then entrusted this manual to his faithful butler, Alfred. Every defining moment is detailed here, charting Wayne's collaborations with Lucius Fox at Wayne Enterprises on the latest cutting-edge technology. This package features a distressed vintage cover design and includes removable documents, including the design and capability of the famed utility belt, the hi-tech functions of Batman's cowl, and every detail of his amazing arsenal of weapons and gadgets, The Dark Knight Manual reveals how Bruce Wayne operates as Gotham's greatest protector. BATMAN and all related characters and elements are trademarks of and (c) DC Comics. (s12)
At nearly six hundred pages, The Dark Knight Trilogy, a behemoth of script and storyboards, captures on the page the dark mythic expanse of the cinematic Batman. These definitive, vibrant film blueprints - published on the heels of the final film's closely guarded release - are destined to be enshrined on every fan's bedside table, studied in universities, and emulated by filmmakers.
The legendary Hollywood star blazes a fiery trail in this enthralling portrait of a brilliant actress and the movies her talent elevated to greatness
In Dark Victory, noted film critic and biographer Ed Sikov paints the most detailed picture ever delivered of Bette Davis, the intelligent, opinionated, and unusual woman who was--in the words of a close friend--one of the major events of the twentieth century. Drawing on new interviews with friends, directors, and admirers, as well as archival research and a fresh look at the films, this stylish, intimate biography depicts Davis's personal as well as professional life in a way that is both revealing and sympathetic. With his wise and well-informed take on the production and accomplishments of such movie milestones as Jezebel, All About Eve, and Now, Voyager, as well as the turbulent life and complicated personality of the actress who made them, Sikov's Dark Victory brings to life the two-time Academy Award-winning actress's unmistakable screen style, and shows the reader how Davis's art was her own dark victory.
For more than thirty years, David Cronenberg has made independent films such as Scanners and A History of Violence which aim to disturb, surprise, and challenge audiences. He has also repeatedly drawn on literary fiction for inspiration, adapting themes from authors like William Burroughs, J. G. Ballard, and Patrick McGrath for the big screen; David Cronenberg: Author or Filmmaker? is the first book to explore how underground and mainstream fiction have influenced-and can help illuminate-his labyrinthine films.
Film scholar Mark Browning examines Cronenberg's literary aesthetic not only in relation to his films' obvious source material, but by comparing his movies to the writings of Vladimir Nabokov, Angela Carter, and Bret Easton Ellis. This groundbreaking volume addresses Cronenberg's narrative structures and his unique conception of auteurism, as well as his films' shocking psychological frameworks, all in the broader context of film adaptation studies. David Cronenberg is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking.
"David Cronenberg is a work that attempts to illuminate and unravel the connection between the great Canadian auteur and his literary influences."-Film Snob Weekly
"David Cronenberg is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking."-Video Canada
Film scholar Mark Browning examines Cronenberg's literary aesthetic not only in relation to his films' obvious source material, but by comparing his movies to the writings of Vladimir Nabokov, Angela Carter, and Bret Easton Ellis. This groundbreaking volume addresses Cronenberg's narrative structures and his unique conception of auteurism, as well as his films' shocking psychological frameworks, all in the broader context of film adaptation studies. David Cronenberg is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking.
"David Cronenberg is a work that attempts to illuminate and unravel the connection between the great Canadian auteur and his literary influences."-Film Snob Weekly
"David Cronenberg is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking."-Video Canada
Few directors in the past three decades have produced movies more compelling, controversial, or confounding than David Lynch (b. 1946). And fewer still have been so reluctant to talk about what they do. In this collection, editor Richard A. Barney has chosen the rare interviews in which Lynch opens up to questions rather than deflecting them. Whether Lynch is talking about his earliest film shorts such as The Grandmother or the breakout surrealist feature Eraserhead, the hit TV series Twin Peaks or his Oscar-nominated The Elephant Man or Blue Velvet or his experimental tours de force, Mulholland Drive and Inland Empire, he stresses the power of image and sound to communicate his vision. David Lynch: Interviews is the first survey of conversations with the director covering the broad spectrum of his artistic activities throughout his career, including filmmaking, painting, music production, and furniture design. It documents the evolution of Lynch's role in discussing his movies, from his self-described "pre-verbal stage" in the early years to his increasingly elaborate, though persistently elusive, articulations. It also registers the intense international interest in Lynch's work, with interviews from French and Spanish sources translated here for the first time.
A shadowy Detroit real estate billionaire. A ruthless fixer. A successful Mexicantown family business in their crosshairs. Gentrification has never been bloodier. Authentico Foods Inc. has been a part of Detroit's Mexicantown for over thirty years, grown from a home kitchen business to a city-blocklong facility that supplies Mexican tortillas to restaurants throughout the Midwest. Detroit ex-cop and Mexicantown native August Snow has been invited for a business meeting at Authentico Foods. Its owner, Ronaldo Ochoa, is dying, and is being blackmailed into selling the company to an anonymous entity. Worried about his employees, Ochoa wants August to buy it. August has no interest in running a tortilla empire, but he does want to know who's threatening his neighborhood. Quickly, his investigation takes a devastating turn and he and his loved ones find themselves ensnared in a dangerous net of ruthless billionaire developers. August Snow must fight not only for his life, but for the soul of Mexicantown itself.
It's a Wonderful Life (1946), Resurrection (1980), Poltergeist (1982), Beetlejuice (1988), Ghost (1990), Groundhog Day (1993), The Sixth Sense (1999) -- these are only a few of the influential movies in recent decades dealing with the afterlife. But beyond entertainment, do they mean anything? The authors of this wise and well-informed guide believe so. They explore how popular motion pictures, from Outward Bound (1930) to Hereafter, play a perhaps unconscious role in guiding humanity toward its evolutionary comprehension of the meaning and purpose of death. They draw on the Tibetan Book of the Dead, Buddhism, and depth psychology to review some of the most spiritually powerful films ever made. Death is, say the authors, at once the most immediate locked door and the ultimate frontier, a staggering paradox that invites us to search for deeper understanding based upon a level of consciousness beyond thought. After reading this book, you'll never view Casablanca or The Wizard of Oz the same way again.
"One of the cleverest, most accessibly in-depth film books released this year . . . a smart-ass novelist exploring a cheesy-cheeky '80s sci-fi flick."--Hartford Advocate Deep Focus is a series of film books with a fresh approach. Take the smartest, liveliest writers in contemporary letters and let them loose on the most vital and popular corners of cinema history: midnight movies, the New Hollywood of the sixties and seventies, film noir, screwball comedies, international cult classics, and more . . . Kicking off the series is Jonathan Lethem's take on They Live, John Carpenter's 1988 classic amalgam of deliberate B-movie, sci-fi, horror, anti-Yuppie agitprop. Lethem exfoliates Carpenter's paranoid satire in a series of penetrating, free-associational forays into the context of a story that peels the human masks off the ghoulish overlords of capitalism. Taking into consideration classic Hollywood cinema and science fiction--as well as popular music and contemporary art and theory--They Live provides a wholly original perspective on Carpenter's subversive classic.
Deep Focus is a series of film books with a fresh approach. Take the smartest, liveliest writers in contemporary letters and let them loose on the most vital and popular corners of cinema history: midnight movies, the New Hollywood of the sixties and seventies, film noir, screwball comedies, international cult classics, and more. Passionate and idiosyncratic, each volume of Deep Focus is long-form criticism that's relentlessly provocative and entertaining. Christopher Sorrentino's examination of Death Wish is the second entry in the series. The fourth collaboration between director Michael Winner and actor Charles Bronson, Death Wish was the apotheosis of a succession of films hitting screens during the seventies--including Bullitt, Dirty Harry, and Walking Tall--that tacked against a prevailing liberal wind in Hollywood cinema. Exploiting audience fears of a bestial "other" infesting American cities, and explicitly linking law and order with a pastoral ideal of the Old West (and exurban subdivisions), its glib endorsement of vigilantism infuriated liberal critics even as it filled theaters with cheering audiences. Sorrentino examines Death Wish in its various contexts--as movie, as provocation, as social commentary, as political tautology, and as depiction of urban life--and considers its lasting influence on cinema.
The aftermath of the Vietnam War, the war on drugs, the CIA, mental illness: These are not the ingredients one would expect from a big-budget action-comedy. But Lethal Weapon is not your typical big-budget action-comedy. The story of Martin Riggs (Mel Gibson) and Roger Murtaugh (Danny Glover) uncovering a conspiracy involving ex-special forces soldiers and L.A.'s drug trade is mostly remembered for spawning the "buddy-cop" genre and spotlighting Gibson's mullet. Chris Ryan takes a closer look at Richard Donner's 1987 film and unearths what it has to say about race, friendship, and aging--and about its co-conspirators Donner, Gibson, Glover, screenwriter Shane Black, and producer Joel Silver. Ryan sifts through the blood, guts, and cocaine of eighties Hollywood to find out what makes this violent and profane artifact so disturbingly mesmerizing.
From Melville to Madoff, the Confidence Man is an essential American archetype. George Roy Hill's 1973 film The Sting treats this theme with a characteristic dexterity. The movie was warmly received in its time, winning seven Academy Awards, but there were some who thought the movie was nothing more than a slight throwback. Pauline Kael, among others, felt Hill's film was mechanical and contrived: a callow and manipulative attempt to recapture the box-office success of Robert Redford and Paul Newman's prior pairing, Butch Cassidy & The Sundance Kid. Matthew Specktor's passionate, lyric meditation turns The Sting on its head, on its side, and right-side-up in an effort to unpack the film's giddy complexity and secret, melancholic heart. Working off interviews with screenwriter David S. Ward and producer Tony Bill, and tacking from nuanced interpretation of its arching moods and themes to gimlet-eyed observation of its dizzying sleights-of-hand, Specktor opens The Sting up to disclose the subtle and stunning dimensions--sexual, political, and aesthetic--of Hill's best film. Through Specktor's lens, The Sting reveals itself as both an enduring human drama and a meditation on art-making itself, an ode to the necessary pleasure of being fooled at the movies.