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Film

Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century

Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century

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Named a Best Book of 2022 by The New Yorker and Publishers Weekly

In this genre-defying work of cultural history, the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keaton's unique creative genius in the context of his time.

Born the same year as the film industry in 1895, Buster Keaton began his career as the child star of a family slapstick act reputed to be the most violent in vaudeville. Beginning in his early twenties, he enjoyed a decade-long stretch as the director, star, stuntman, editor, and all-around mastermind of some of the greatest silent comedies ever made, including Sherlock Jr., The General, and The Cameraman.

Even through his dark middle years as a severely depressed alcoholic finding work on the margins of show business, Keaton's life had a way of reflecting the changes going on in the world around him. He found success in three different mediums at their creative peak: first vaudeville, then silent film, and finally the experimental early years of television. Over the course of his action-packed seventy years on earth, his life trajectory intersected with those of such influential figures as the escape artist Harry Houdini, the pioneering Black stage comedian Bert Williams, the television legend Lucille Ball, and literary innovators like F. Scott Fitzgerald and Samuel Beckett.

In Camera Man, film critic Dana Stevens pulls the lens out from Keaton's life and work to look at concurrent developments in entertainment, journalism, law, technology, the political and social status of women, and the popular understanding of addiction. With erudition and sparkling humor, Stevens hopscotches among disciplines to bring us up to the present day, when Keaton's breathtaking (and sometimes life-threatening) stunts remain more popular than ever as they circulate on the internet in the form of viral gifs. Far more than a biography or a work of film history, Camera Man is a wide-ranging meditation on modernity that paints a complex portrait of a one-of-a-kind artist.

Casablanca: Behind the Scenes

Casablanca: Behind the Scenes

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From Simon & Schuster, Casablanca: Behind the Scenes is Harlan Lebo's behind-the-scenes look at the making of the classic movie that continues to enchant viewers 50 years after its release.

Published to coincide with MGM's rerelease of the video, this stunning photographic retrospective captures all the glamour and excitement of a true film classic.

Cassavetes on Cassavetes

Cassavetes on Cassavetes

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Since his death in 1989, John Cassavettes has become increasingly renowned as a cinematic hero--a renegade loner who fought the Hollywood system, steering his own creative course in a career spanning thirty years. Having already established himself as an actor, he struck out as a filmmaker in 1959 with Shadows, and proceeded to build a formidable body of work, including such classics as Faces, Woman Under the Influence, The Killing of a Chinese Bookie, and Gloria. In Cassavettes on Cassavettes, Ray Carney presents the great director in his own words--frank, uncompromising, humane, and passionate about life and art.

Catching Fire The Official Illustrated Movie Companion

Catching Fire The Official Illustrated Movie Companion

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Catching Fire, the New York Times bestseller by Suzanne Collins, is now a major motion picture -- and this is your guide to all of the movie's excitement, both in front of the camera and behind it.

Go behind the scenes of the making of Catching Fire with exclusive materials, including back-stage photos and interviews. From the screenwriting process to the casting decisions, from the fantastic new sets and gorgeous costumes to the actors' performances and the director's vision, this is the definitive companion to the second Hunger Games film.
Chain Saw Confidential : How We Made the World's Most Notorious Horror Movie

Chain Saw Confidential : How We Made the World's Most Notorious Horror Movie

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The original 1974 film The Texas Chain Saw Massacre seized the imaginations of audiences and critics alike. A controversial cult sensation recognized by Total Film as the greatest horror movie ever made, it's been shown at Cannes, briefly banned in England, and included in the permanent collection of New York's MoMA. This fascinating literary memoir of the making of the film comes from the utterly unique perspective of Gunnar Hansen, the actor who played the chain saw-wielding Leatherface. A critically acclaimed poet and author, Hansen tells the real story of the film, debunking myths, giving behind-the-scenes details, and offering insights on the film's reception and our enduring fascination with the horror genre today.
Chain Saw Confidential: How We Made the World's Most Notorious Horror Movie

Chain Saw Confidential: How We Made the World's Most Notorious Horror Movie

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When The Texas Chain Saw Massacre first hit movie screens in 1974 it was both reviled and championed. To critics, it was either a degrading, senseless misuse of film and time or an intelligent, absorbing and deeply disturbing horror film. However it was an immediate hit with audiences. Banned and celebrated, showcased at the Cannes film festival and included in the New York MoMA's collection, it has now come to be recognized widely as one of the greatest horror movies of all time.

A six-foot-four poet fresh out of grad school with limited acting experience, Gunnar Hansen played the masked, chain-saw-wielding Leatherface. His terrifying portrayal and the inventive work of the cast and crew would give the film the authentic power of nightmare, even while the gritty, grueling, and often dangerous independent production would test everyone involved, and lay the foundations for myths surrounding the film that endure even today.

Critically-acclaimed author Hansen here tells the real story of the making of the film, its release, and reception, offering unknown behind-the-scenes details, a harrowingly entertaining account of the adventures of low-budget filmmaking, illuminating insights on the film's enduring and influential place in the horror genre and our culture, and a thoughtful meditation on why we love to be scared in the first place.

Charmed by Audrey: Life on the Set of Sabrina

Charmed by Audrey: Life on the Set of Sabrina

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In 1953, Paramount was making a film with a new actress named Audrey Hepburn. Life magazine assigned one of its top young photographers, Mark Shaw, to shoot a feature, and he spent weeks with the star on and around the set. Shaw's extraordinary level of access resulted in an amazing array of photos and over 60 rolls of film that captured the budding ingénue's charm and grace on set and in everyday life. The images chronicled Hepburn waking up at home, having her hair washed at the beauty parlor, reading, relaxing, studying the script, chatting with her costars and director Billy Wilder, and acting in one of her most famous roles. Through the handful of photographs published in Life for the Sabrina article have become iconic images of Hepburn, the majority of the negatives were misplaced and never published. Rediscovered 50 years later, these photographs offer a stunning visual biography of Hepburn's youth and rising star.
Chasing the Light

Chasing the Light

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An intimate memoir by the controversial and outspoken Oscar-winning director and screenwriter about his complicated New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface.

Before the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while driving taxis in New York, finally venturing westward to Los Angeles and a new life. Stone, now 73, recounts those formative years with in-the-moment details of the high and low moments: We see meetings with Al Pacino over Stone's scripts for Scarface, Platoon, and Born on the Fourth of July; the harrowing demon of cocaine addiction following the failure of his first feature, The Hand (starring Michael Caine); his risky on-the-ground research of Miami drug cartels for Scarface; his stormy relationship with The Deer Hunter director Michael Cimino; the breathless hustles to finance the acclaimed and divisive Salvador; and tensions behind the scenes of his first Academy Award-winning film, Midnight Express.

Chasing the Light is a true insider's look at Hollywood's years of upheaval in the 1970s and '80s.

Chicks Dig Time Lords A Celebration of Doctor Who by the Women Who Love It

Chicks Dig Time Lords A Celebration of Doctor Who by the Women Who Love It

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In Chicks Digs Time Lords, a host of award-winning female novelists, academics and actresses come together to celebrate the phenomenon that is Doctor Who, discuss their inventive involvement with the show's fandom and examine why they adore the series. These essays will delight male and female readers alike by delving into the extraordinary aspects of being a female Doctor Who enthusiast. Essays include Carole Barrowman discussing what it was like to grow up with her brother John (including the fact that he's still afraid of shop-window dummies), columnist Jackie Jenkins providing a Bridget Jones' Diary-style memoir of working on Doctor Who Magazine, novelist Lloyd Rose analyzing Rose's changes between the ninth and tenth Doctors and much more. Other contributors include Elizabeth Bear (Jenny Casey), Lisa Bowerman (Bernice Summerfield), Mary Robinette Kowal (Shades of Milk and Honey), Jody Lynn Nye (Mythology series), Kate Orman (Seeing I), and Catherynne M. Valente (The Orphan's Tales). Also featured is a comic from the Torchwood Babiez creators, plus interviews with Doctor Who companions India Fisher (Charley) and Sophie Aldred (Ace).
Christopher Walken A to Z

Christopher Walken A to Z

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The Complete Guide To All Things Walken

He's been a dancer, a baker, a lion tamer, an award-winning actor, and a Hollywood legend. But Christopher Walken has never been the subject of a comprehensive biographical reference--until now.

Here at last is a complete A-to-Z guide to this one-of-a-kind performer, featuring entries on everything from the Actors Studio (the legendary theatrical workshop where Walken spent eleven years as a janitor) to Zombie Movies (one of Walken's favorite film genres). Along the way, readers will discover:

- Acting secrets and behind-the-scenes trivia from each of Walken's 100+ films--everything
from Annie Hall to Hairspray and beyond.
- Recipes and kitchen tips from "Chef Walken"--including a look at his short-lived TV show,
Cooking with Chris.
- Walken's music videos for Madonna, Duran Duran, and Fatboy Slim.
- The secrets of maintaining his extraordinary hair.
- Observations and reminiscences from Steven Spielberg, Quentin Tarantino, Tim Burton,
Woody Allen, Dennis Hopper, and countless others.

Plus more bizarre B movies and Saturday Night Live appearances than you can shake a cowbell at! Complete with fascinating trivia and dozens of photographs, Christopher Walken A to Z offers the definitive look at a pop culture phenomenon.

Cinema 2: The Time-Image

Cinema 2: The Time-Image

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Cinema of Agnès Varda: Resistance and Eclecticism

Cinema of Agnès Varda: Resistance and Eclecticism

$27.00
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Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980-81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
Cinema of Ozu Yasujiro: Histories of the Everyday

Cinema of Ozu Yasujiro: Histories of the Everyday

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One of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. This book offers a new interpretation of Ozu's career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu's depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozu's work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to postwar Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a groundbreaking new study of a master of cinema.
Cinema of the 70s

Cinema of the 70s

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Today, over half a century later, great films are measured by those of the 70s. Has there been a more impactful 10-year period?

For the first time, cinema reflected life and society, presenting both on the big screen with a compelling and penetrating truth. Directors became household names, often overnight, and films routinely broke box office records.

With censorship relaxed, the subject matter could include alienation, descents into madness, drug addiction, dysfunctional relationships, promiscuity, alcoholism, PTSD, and any big news story of the day. Audiences gladly absorbed this new, shocking reality; in fact, they avoided films that candy-coated the truth. Musicals evolved, westerns all but died for several years, science fiction and fantasy made an incredible resurgence, and horror dominated the box office along with disaster films. But by and large, films about social issues were the best draw.

With 120 color and black and white photographs, this book celebrates the cinema of the 70s. What a decade!

Cinema Paradiso: screenplay

Cinema Paradiso: screenplay

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Young Salvatore Di Vita (Salvatore Cascio) discovers the perfect escape from life in his war-torn Sicilian village: the Cinema Paradiso movie house, where projectionist Alfredo (Philippe Noiret) instills in the boy a deep love of films. When Salvatore grows up, falls in love with a beautiful local girl (Agnese Nano) and takes over as the Paradiso's projectionist, Alfredo must convince Salvatore to leave his small town and pursue his passion for filmmaking.

Cinema Speculation

Cinema Speculation

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Instant New York Times bestseller

The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans--and all movie lovers--could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

Cinema: The Movement Image

Cinema: The Movement Image

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Cinematic Geopolitics

Cinematic Geopolitics

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In recent years, film has been one of the major genres within which the imaginaries involved in mapping the geopolitical world have been represented and reflected upon.

In this book, one of America's foremost theorists of culture and politics treats those aspects of the geopolitical aesthetic that must be addressed in light of both the post cold war and post 9/11 world and contemporary film theory and philosophy. Beginning with an account of his experience as a juror at film festival's, Michael J. Shapiro's Cinematic Geopolitics analyzes the ways in which film festival space and both feature and documentary films function as counter-spaces to the contemporary violent cartography occasioned by governmental policy, especially the current war on terror.

Influenced by the cinema-philosophy relationship developed by Gilles Deleuze and the politics of aesthetics thinking of Jacques Ranciere, the book's chapters examines a range of films from established classics like the Deer Hunter and the Battle of Algiers to contemporary films such as Dirty Pretty Things and the Fog of War. Shapiro's use of philosophical and theoretical works makes this cutting edge examination of film and politics essential reading for all students and scholars with an interest in film and politics.