Film

When Ted Lasso first aired in 2020, nobody--including those who had worked on it--knew how a show inspired by an ad, centered around soccer, filled mostly with unknown actors, and led by a wondrously mustachioed "nice guy" would be received. Eleven Emmys and one Peabody Award later, it's safe to say that the show's status as a pop-culture phenomenon is secure.

In Believe, entertainment journalist and Ted Lasso fan Jeremy Egner traces the show's creation and legacy through the words of the people at its center. Drawing on dozens of interviews from key cast, creators, and more, Believe takes readers from the first, silly NBC Premier League commercial to the pitch to Apple executives, then into the show's writers' room, through the brilliant international casting, and on to the unforgettable set and locations of the show itself.

Brimming with careful reporting and written to match the show's heart and humor, Believe tells a story of teamwork, of hidden talent, of a group of friends looking around at the world's increasingly nasty discourse and deciding that maybe simple decency still has the power to bring us together--a story about what happens when you dare to believe.

This lavishly illustrated coffee table book offers a vital examination of the first 75 women to have won the Best Actress Oscar over the span of 90 years. From inaugural recipient Janet Gaynor to Frances McDormand's 2018 acceptance speech that assertively brought women to the forefront, Best Actress: The History of Oscar(R)-Winning Women serves to promote a new appreciation for the cinematic roles these women won for, as well as the real-life roles many of them played - and still play - in advancing women's rights and equality. Stories range from Bette Davis' groundbreaking battle against the studio system; to the cutting-edge wardrobes of Katharine Hepburn, Diane Keaton and Cher; to the historical significance of Halle Berry's victory; to the awareness raised around sexual violence by the performances of Jodie Foster, Brie Larson, and others.

Showcasing a dazzling collection of 200 photographs, many of which have never before been seen or published, Best Actress honors the legacies of these revered and extraordinary women while scrutinizing the roadblocks that they continue to overcome.

"The Big Screen "tells the enthralling story of the movies: their rise and spread, their remarkable influence over us, and the technology that made the screen smaller now, but ever more ubiquitous as important as the images it carries.

"The Big Screen "is not another history of the movies. Rather, it is a wide-ranging narrative about the movies and their signal role in modern life. At first, film was a waking dream, the gift of appearance delivered for a nickel to huddled masses sitting in the dark. But soon, and abruptly, movies began transforming our societies and our perceptions of the world. The celebrated film authority David Thomson takes us around the globe, through time, and across many media moving from Eadweard Muybridge to Steve Jobs, from "Sunrise "to "I Love Lucy," from John Wayne to George Clooney, from television commercials to streaming video to tell the complex, gripping, paradoxical story of the movies. He tracks the ways we were initially enchanted by movies as imitations of life the stories, the stars, the look and how we allowed them to show us how to live. At the same time, movies, offering a seductive escape from everyday reality and its responsibilities, have made it possible for us to evade life altogether. The entranced audience has become a model for powerless and anxiety-ridden citizens trying to pursue happiness and dodge terror by sitting quietly in a dark room.

Does the big screen take us out into the world, or merely mesmerize us? That is Thomson's question in this grand adventure of a book. Books about the movies are often aimed at film buffs, but this passionate and provocative feat of storytelling is vital to anyone trying to make sense of the age of screens the age that, more than ever, we are living in."

In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade. Melvin Van Peebles's Sweet Sweetback's Baadasssss Song, an independently produced film about a male sex worker who beats up cops and gets away, and Gordon Parks's Shaft, a studio-financed film with a killer soundtrack, were huge hits, making millions of dollars. Sweetback upended cultural expectations by having its Black rebel win in the end, and Shaft saved MGM from bankruptcy. Not for the last time did Hollywood discover that Black people went to movies too. The Blaxploitation era was born.

Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited history of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor). Blaxploitation was a major trend, but it was never simple. The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers. The time is right for a reappraisal, understanding these films in the context of the time, and exploring their lasting influence.

With revealing behind the scenes photos from the movie sets, stunning concept art revealing the beautiful, mysterious nation of Wakanda, interviews with the cast and crew of the film, this stunning collector's book is a must-have for all fans of everything Marvel!

Marvel Studios' Black Panther has become more than just a movie--it has shaped conversations about art, culture, science fiction, representation, justice, fashion, comics, creativity, and so much more. Celebrate the legacy of the film with this collection of all-new personal essays and reflections that shed light on its monumental impact, including firsthand stories from artists involved in the film, cultural analysis from journalists and academics, and thoughtful insights from writers and comics legends. Each contributor brings their unique expertise and experience to explore the film's genesis and significance from every angle. Complete with gorgeous original illustrations, Dreams of Wakanda brings together a wide array of diverse and multifaceted perspectives that exemplify the many ways the film has impacted cinema, culture, and society.

In this collection:
- Costume designer Ruth E. Carter takes us through her Afrofuturistic designs.
- Writer Tre Johnson discusses the metaphoric qualities of vibranium.
- Author Yona Harvey reflects on how the film has resonated with audiences across the African diaspora.
- Journalist Hannah Giorgis uncovers how the soundtrack fits into sonic portraits of Blackness.

The contributors:
Marlene Allen Ahmed - Aaron C. Allen - Maurice Broaddus - Ruth E. Carter - Hannah Giorgis - Yona Harvey - Tre Johnson - Arvell Jones - Frederick Joseph - Suyi Davies Okungbowa - Dwayne Wong Omowale - Gil Robertson IV - Foreword by Nic Stone - Art by Mateus Manhanini

To celebrate the launch of this book and Black Panther's global impact, Disney and Penguin Random House are donating books to First Book and Books for Africa respectively. Disney is donating books valued at approximately $1,000,000 to support First Book, a leading nonprofit that serves children in underserved communities and addresses the needs of the whole child by supporting their education, basic needs, and wellness--all of which are essential to educational equity. Penguin Random House (PRH) is donating PRH titles valued at approximately $100,000 to Books For Africa. Books For Africa was founded upon a singular mission: to end the book famine in Africa. BFA collects, sorts, and ships books, computers, tablets, and library enhancement materials to every country in Africa.

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture

"They're not going to catch us," Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. "We're on a mission from God." So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists--Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles--made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a "Catholic classic" by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century.

The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.