Film

"I can hardly believe that it is more than half a century since I first stepped on to the stage of the Old Vic Theatre and into a way of life that has brought me the most rewarding professional relationships and friendships. I cannot imagine now ever doing anything else with my life except acting..." - Judi Dench"

From London's glittering West End to Broadway's bright lights, from her Academy Award-winning role as Elizabeth I in Shakespeare in Love to "M" in the James Bond films, Judi Dench has treated audiences to some of the greatest performances of our time. She made her professional acting debut in 1957 with England's Old Vic theatre company playing Ophelia in Hamlet, Katherine in Henry V (her New York debut), and then, Juliet. In 1961, she joined the Royal Shakespeare Company playing Anya in The Cherry Orchard with John Gielgud and Peggy Ashcroft. In 1968, she went beyond the classical stage to become a sensation as Sally Bowles in Cabaret, adding musical comedy to her repertoire. Over the years, Dench has given indelible performances in the classics as well as some of the greatest plays and musicals of the twentieth century including Noel Coward's Hay Fever, Stephen Sondheim's A Little Night Music, Kaufman and Hart's The Royal Family and David Hare's Amy's View (for which she won the Tony Award). Recently, she made a triumphant return to A Midsummer Night's Dream as Titania, a role she first played in 1962, now played as a theatre-besotted Queen Elizabeth I. Her film career has been filled with unforgettable performances of some unforgettable women: Queen Victoria in Mrs. Brown, the terrifying schoolteacher Barbara Covett in Notes on a Scandal and the writer Iris Murdoch in Iris. And, for the BBC, Dench created another unforgettable woman when she brought her great comic timing and deeply felt emotions to the role of Jean Pargetter in the long-running BBC series As Time Goes By.

And Furthermore is, however, more than the story of a great actress's career. It is also the story of Judi Dench's life: her early days as a child in a family that was in love with the theatre; her marriage to actor Michael Williams; the joy she takes in her daughter, the actress Finty Williams, and her grandson, Sammy. Filled with Dench's impish sense of humor, diamond-sharp intelligence and photos from her personal archives, And Furthermore is the book every fan of the great Judi Dench will cherish.

Andrei Tarkovsky (1932-1986) was one of Russia's most influential and renowned filmmakers, despite an output of only seven feature films in twenty years. Revered by such filmmaking giants as Ingmar Bergman and Akira Kurosawa, Tarkovsky is famous for his use of long takes, languid pacing, dreamlike metaphorical imagery, and meditations on spirituality and the human soul. His Andrei Roublev, Solaris, and The Mirror are considered landmarks of postwar Russian cinema.

Andrei Tarkovsky: Interviews is the first English-language collection of interviews with and profiles of the filmmaker. It includes conversations originally published in French, Italian, Russian, and British periodicals. With pieces from 1962 through 1986, the collection spans the breadth of Tarkovsky's career.

In the volume, Tarkovsky candidly and articulately discusses the difficulties of making films under the censors of the Soviet Union. He explores his aesthetic ideology, filmmakers he admires, and his eventual self-exile from Russia. He talks about recurring images in his movies--water, horses, fire, snow--but adamantly refuses to divulge what they mean, as he feels that would impose his own meaning onto the audience. At times cagey and resistant to interviewers, Tarkovsky nevertheless reveals his vision and his rigorous devotion to his art.

Andy Griffith and Don Knotts met on Broadway in the 1950s. When Andy went to Hollywood to film a TV pilot about a small-town sheriff, Don called to ask if the sheriff could use a deputy. The comedic synergy between Sheriff Andy Taylor and Deputy Barney Fife ignited The Andy Griffith Show, elevating a folksy sitcom into a timeless study of human friendship, as potent off the screen as on. Andy and Don--fellow Southerners born into poverty and raised among scofflaws, bullies, and drunks--captured the hearts of Americans across the country as they rocked lazily on the front porch, meditating about the simple pleasure of a bottle of pop.

But behind this sleepy, small-town charm, de Visé's exclusive reporting reveals explosions of violent temper, bouts of crippling neurosis, and all-too-human struggles with the temptations of fame. Andy and Don chronicles unspoken rivalries, passionate affairs, unrequited loves, and friendships lost and regained. Although Andy and Don ended their Mayberry partnership in 1965, they remained best friends for the next half-century, with Andy visiting Don at his death bed.

Written by Don Knotts's brother-in-law and featuring extensive unpublished interviews with those closest to both men, Andy and Don is the definitive literary work on the legacy of The Andy Griffith Show and a provocative and an entertaining read about two of America's most enduring stars.

Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she's someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless's five decades in Hollywood.

A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon's parents' divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles.

Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers.

Apparently There Were Complaints delves into Gless's remarkable career and explores Gless's complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood's biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived--never with moderation.

Adaptations have long been a mainstay of Hollywood and the television networks. Indeed, most Academy Award- and Emmy Award-winning films have been adaptations of novels, plays, or true-life stories. Linda Seger, author of two acclaimed books on scriptwriting, now offers a comprehensive handbook for screenwriters, producers, and directors who want to successfully transform fictional or factual material into film. Seger tells how to analyze source material to understand why some of it resists adaptation. She then gives practical methods for translating story, characters, themes, and style into film. A final section details essential information on how to adapt material and how to protect oneself legally

The Art of Fantastic Beasts: The Crimes of Grindelwald, curated by concept artist Dermot Power, and filled with unique insights from Stuart Craig and the artists themselves about the filmmaking journey, takes you on a thrilling journey through a design process every bit as wonderful as that encountered by Newt, Tina, Queenie, and Jacob in the Wizarding World.

Beautifully designed, and bursting with hundreds of dazzling production paintings and concept sketches, intricate card models of the sets, storyboards, and matte paintings, and sumptuously printed with "magical effects" and enhanced with unique removables, this finely crafted book--officially licensed by Warner Bros. Consumer Products--presents a visual feast for readers, and a truly immersive experience for fans of Fantastic Beasts.

The latest in the perennially popular line of Studio Ghibli art books, which include interviews, concept sketches, and finished animation cels from classics such as Spirited Away and My Neighbor Totoro.

Princess Mononoke was the first Hayao Miyazaki film to break out into the American mainstream. The journey from initial idea to the big screen is captured here, in the hundreds of images from preliminary sketches to dynamic animation cels.