Did you know Chicago is home to absolute scads of wonderful authors? We here at The Book Cellar love supporting local, and here you can find books written by your fellow Chicagoans in addition to titles that'll teach you The Windy City has a richer history than you'd even guess!
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Chicago Books!
Go Birding with Illinois's Best-Selling Bird Guide!
Learn to identify birds in Illinois, and make bird-watching even more enjoyable. With Stan Tekiela's famous field guide, bird identification is simple and informative. There's no need to look through dozens of photos of birds that don't live in your area. This book features 111 species of Illinois birds organized by color for ease of use. Do you see a yellow bird and don't know what it is? Go to the yellow section to find out.
Book Features:
This field guide includes the most common and important species to know, professional photographs and range maps, relevant information, and plenty of Stan's expert insights. So grab Birds of Illinois Field Guide for your next birding adventure--to help ensure that you positively identify the birds that you see.
Merit has been a vampire for only a short while, but she's already seen a lifetime's worth of trouble. She and her Master, centuries-old Ethan Sullivan, have risked their lives time and again to save the city they love. But not all of Chicago is loving them back. Anti-vampire riots are erupting all over town, striking vampires where it hurts the most. A splinter group armed with Molotov cocktails and deep-seated hate is intent on clearing the fanged from the Windy City come hell or high water. Merit and her allies rush to figure out who's behind the attacks, who will be targeted next, and whether there's any way to stop the wanton destruction. The battle for Chicago is just beginning, and Merit is running out of time.
When the Negro National League was formed in Kansas City in 1920, a new chapter in sports history began. The city of Chicago played no small part in the creation and content of this historic chapter. Black Baseball in Chicago chronicles the history of the teams and players that spent time in the Windy City. In 1911, the Chicago American Giants were born. This team drew some of the best players from the league, including such legendary stars as Bruce Petway, Pete Hill, Grant Home Run Johnson, and future hall-of-famer John Henry Pop Lloyd. On any given Sunday afternoon, the Chicago American Giants games often outdrew those of the cross-town rivals, the White Sox and the Cubs.
Hundreds of succinct listings for a city's hippest restaurants, bars, clubs, and hotels fill this sleek guide for nightlife connoisseurs. Written by and for discerning city savants, this offshoot of BlackBook magazine's Little BlackBook offers smart, fresh, and pithy listings for the most intriguing and fashion-forward hot spots. Each easily totable guide contains the latest information, signature cocktail recipes and photographs from featured venues, interviews with nightlife icons, and numerous two-tone city maps ensure that glamour never has to pause for bad directions.
Hundreds of succinct listings for Chicago's hippest restaurants, bars, clubs, and hotels fill this sleek guide for nightlife connoisseurs. Written by and for discerning city savants, this offshoot of BlackBook magazine's Little BlackBook Lists offers smart, fresh, and pithy listings to the second city's most intriguing and fashion-forward hot spots. Chicago's avant-garde culture is highlighted with listings for festivals and special events throughout the year, and 24 pages of full-color city maps ensure that glamour never has to pause for bad directions.
Beginning in the 1930s, Black Chicago experienced a cultural renaissance that lasted into the 1950s and rivaled the cultural outpouring in the Harlem Renaissance of the 1920s. The contributors to this volume analyze this prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Unlike Harlem, Chicago was an urban industrial center that gave a unique working class and internationalist perspective to the cultural work being done in Chicago. This collection's various essays discuss the forces that distinguished the Black Chicago Renaissance from the Harlem Renaissance and placed the development of black culture in a national and international context. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, and the American Negro Exposition of 1940. Contributors are Hilary Mac Austin, David T. Bailey, Murry N. DePillars, Samuel A. Floyd Jr., Erik S. Gellman, Jeffrey Helgeson, Darlene Clark Hine, John McCluskey Jr., Christopher Robert Reed, Elizabeth Schlabach, and Clovis E. Semmes.
This book examines the history of Black Hand crime in Chicago primarily from 1905 to 1920 and challenges the belief that the Black Hand was an extension of the Sicilian Mafia. A crude method of extorting money from primarily wealthy Italians, the Black Hand involved sending victims a letter stating that they would come to harm if the blackmailers' demands were not met; the threatening letter often included a drawing of a black hand or other frightening symbols.
While many criminologists and scholars believe that Black Hand crime originated in Italy, that only Southern Italians and Sicilians committed Black Hand crime, and that only Southern Italians and Sicilians were Black Hand victims, Robert M. Lombardo argues that Black Hand crime actually evolved as the result of social conditions within American society such as the isolation of the Italian community, political corruption, and an ineffective criminal justice system. He shows that this association of the Black Hand and the Sicilian Mafia is a media construction, resulting from a narrative created by the news media despite the fact that many non-Italians also committed Black Hand crimes. Looking at the Black Hand from a sociological perspective, the book discusses the "news-making criminology" that tied Black Hand crime to the Sicilian Mafia and Neapolitan Camorra and the evolution of traditional organized crime in Chicago and elsewhere.
Black Theater Is Black Life fills a critical gap in the history of African American culture in Chicago. Through interviews with prominent producers, directors, choreographers, designers, dancers, and actors, Young and Zabriskie create a portrait of a diverse, dynamic artistic community between 1970 and 2010. They frame this history with helpful guides, including a chronology of key events, a glossary of names, and an appendix of leading performing arts institutions in Chicago.
Black Writing from Chicago: In the World, Not of It? takes readers on a cultural trip through Chicago's literary history. Editor Richard R. Guzman compiles the first comprehensive collection of the works of Chicago's black writers from 1861 to the present day. The anthology, which includes works from newspaper writing, poetry, fiction, drama, essays, and historical and social commentary, seeks not only to represent a broad range of writings but also to focus tightly on such themes as hope and despair, racism and equality, spirituality and religion. More than sixty writers, from the anonymous "J. W. M. (Colored)" to Ken Green, unfold a story that reflects the literary periods in black American history. Each author's selection is preceded by a biographical and a bibliographical introduction. Readers interested in Chicago, race relations, and literature, as well as scholars of history, sociology, urban studies, and cultural studies, will find the collection invaluable.
Hundreds of succinct listings for a city's hippest restaurants, bars, clubs, and hotels fill this sleek guide for nightlife connoisseurs. Written by and for discerning city savants, this offshoot of BlackBook magazine's Little BlackBook offers smart, fresh, and pithy listings for the most intriguing and fashion-forward hot spots. Each easily totable guide contains the latest information and numerous two-tone city maps ensure that glamour never has to pause for bad directions.
Hundreds of listings for Chicago's hippest restaurants, bars, clubs, and hotels fill this guide for nightlife connoisseurs. Written by and for discerning city savants, this offshoot of BlackBook magazine's Little BlackBook Lists offers smart and pithy listings to the Second City's most intriguing hot spots.
In this widely praised and explosive debut thriller, a young Chicago professional learns that the more he has, the more he has to lose. Taut, involving, and memorable, Marcus Sakey is an authentic, original new voice in crime fiction.--George Pelecanos. Martins Press.
In the decades following World War II, cities across the United States saw an influx of African American families into otherwise homogeneously white areas. This racial transformation of urban neighborhoods led many whites to migrate to the suburbs, producing the phenomenon commonly known as white flight. In Block by Block, Amanda I. Seligman draws on the surprisingly understudied West Side communities of Chicago to shed new light on this story of postwar urban America. Seligman's study reveals that the responses of white West Siders to racial changes occurring in their neighborhoods were both multifaceted and extensive. She shows that, despite rehabilitation efforts, deterioration in these areas began long before the color of their inhabitants changed from white to black. And ultimately, the riots that erupted on Chicago's West Side and across the country in the mid-1960s stemmed not only from the tribulations specific to blacks in urban centers but also from the legacy of accumulated neglect after decades of white occupancy. Seligman's careful and evenhanded account will be essential to understanding that the "flight" of whites to the suburbs was the eventual result of a series of responses to transformations in Chicago's physical and social landscape, occurring one block at a time.
On Memorial Day 1937, thousands of steelworkers, middle-class supporters, and working-class activists gathered at Sam's Place on the Southeast Side of Chicago to protest Republic Steel's virulent opposition to union recognition and collective bargaining. By the end of the day, ten marchers had been mortally wounded and more than one hundred badly injured, victims of a terrifying police riot. Sam's Place, the headquarters for the steelworkers, was transformed into a bloody and frantic triage unit for treating heads split open by police batons, flesh torn by bullets, and limbs mangled badly enough to require amputation.
While no one doubts the importance of the Memorial Day Massacre, Michael Dennis identifies it as a focal point in the larger effort to revitalize American equality during the New Deal. In Blood on Steel, Dennis shows how the incident--captured on film by Paramount newsreels--validated the claims of labor activists and catalyzed public opinion in their favor.
In the aftermath of the massacre, Senate hearings laid bare patterns of anti-union aggression among management, ranging from blacklists to harassment and vigilante violence. Companies were determined to subvert the right to form a union, which Congress had finally recognized in 1935. Only in the following year would Congress pass the Fair Labor Standards Act, which established a minimum wage and a maximum work week, outlawed child labor, and regulated hazardous work. Like the Wagner Act that protected collective bargaining, this law aimed to protect workers who had suffered the worst of what the Great Depression had inflicted.
Dennis's wide-angle perspective reveals the Memorial Day Massacre as not simply another bloody incident in the long story of labor-management tension in American history but as an illustration of the broad-based movement for social democracy which developed in the New Deal era.
The dramatic story of a Gilded Age murder that shocked people from Chicago to Ireland It was the biggest funeral Chicago had seen since Lincoln's. On May 26, 1889, four thousand mourners proceeded down Michigan Avenue, followed by a crowd forty thousand strong, in a howl of protest at what commentators called one of the ghastliest and most curious crimes in civilized history. The dead man, Dr. P. H. Cronin, was a respected Irish physician, but his brutal murder uncovered a web of intrigue, secrecy, and corruption that stretched across the United States and far beyond. Blood Runs Green tells the story of Cronin's murder from the police investigation to the trial. It is a story of hotheaded journalists in pursuit of sensational crimes, of a bungling police force riddled with informers and spies, and of a secret revolutionary society determined to free Ireland but succeeding only in tearing itself apart. It is also the story of a booming immigrant population clamoring for power at a time of unprecedented change. From backrooms to courtrooms, historian Gillian O'Brien deftly navigates the complexities of Irish Chicago, bringing to life a rich cast of characters and tracing the spectacular rise and fall of the secret Irish American society Clan na Gael. She draws on real-life accounts and sources from the United States, Ireland, and Britain to cast new light on Clan na Gael and reveal how Irish republicanism swept across the United States. Destined to be a true crime classic, Blood Runs Green is an enthralling tale of a murder that captivated the world and reverberated through society long after the coffin closed.
The club is run-down and dimly lit. Onstage, a black singer croons and weeps of heartbreak, fighting back the tears. Wisps of smoke curl through the beam of a single spotlight illuminating the performer. For any music lover, that image captures the essence of an authentic experience of the blues. In Blue Chicago, David Grazian takes us inside the world of contemporary urban blues clubs to uncover how such images are manufactured and sold to music fans and audiences. Drawing on countless nights in dozens of blues clubs throughout Chicago, Grazian shows how this quest for authenticity has transformed the very shape of the blues experience. He explores the ways in which professional and amateur musicians, club owners, and city boosters define authenticity and dish it out to tourists and bar regulars. He also tracks the changing relations between race and the blues over the past several decades, including the increased frustrations of black musicians forced to slog through the same set of overplayed blues standards for mainly white audiences night after night. In the end, Grazian finds that authenticity lies in the eye of the beholder: a nocturnal fantasy to some, an essential way of life to others, and a frustrating burden to the rest. From B.L.U.E.S. and the Checkerboard Lounge to the Chicago Blues Festival itself, Grazian's gritty and often sobering tour in Blue Chicago shows us not what the blues is all about, but why we care so much about that question.