Did you know Chicago is home to absolute scads of wonderful authors? We here at The Book Cellar love supporting local, and here you can find books written by your fellow Chicagoans in addition to titles that'll teach you The Windy City has a richer history than you'd even guess!
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Chicago Books!
Chicago's love affair with opera began early, in 1850, when the frontier town welcomed its first traveling opera singers. A full house applauded the opening performance, but during a repeat performance the next day, the theater burned to the ground. Nonetheless, Chicago had been bitten by the opera bug, and it has never lost its enthusiasm for the art.
More than sixty years--and many visiting opera companies--would pass before the city established an opera company of its own. Robert Marsh recounts the trials and triumphs of the entrepreneurs and the colorful international artists who brought opera to Chicago and staged it in a number of different theaters. In the first half of the twentieth century, seven opera companies were started in Chicago--and failed. Finally, in 1954, three friends launched the company that became Lyric Opera of Chicago, and the city gained a company that not only thrived but earned recognition as one of the nation's great cultural institutions. This book also details the history and fortunes of the Chicago Opera Theater from its inception in 1974 to the present.
Singers, musicians, enterprising impresarios, richly decorated opera houses, and performances that held audiences spellbound all figure into Marsh's lively account of opera in Chicago. The story also provides an overview of changes in the operatic repertoire, audience development, and approaches to production as opera grew from a "stand-and-sing" event to its full flowering as enriching musical drama.
Enlivened with nearly a hundred illustrations, 150 Years of Opera in Chicago embraces its subject enthusiastically. This broad and engaging overview is supplemented with a list of professional opera performances in Chicago, from 1850 to 2005.
Look at me. Do you see me? Do you see me in my olive-green uniform, beret, and shiny black boots? Do you see the assault rifle slung across my chest? Finally! I am the badass Israeli soldier at the side of the road, in sunglasses, forearms like bricks. And honestly -- have you ever seen anything quite like me?
Joel Chasnoff is twenty-four years old, an American, and the graduate of an Ivy League university. But when his career as a stand-up comic fails to get off the ground, Chasnoff decides it's time for a serious change of pace. Leaving behind his amenity-laden Brooklyn apartment for a plane ticket to Israel, Joel trades in the comforts of being a stereotypical American Jewish male for an Uzi, dog tags (with his name misspelled), and serious mental and physical abuse at the hands of the Israeli Army. The 188th Crybaby Brigade is a hilarious and poignant account of Chasnoff's year in the Israel Defense Forces -- a year that he volunteered for, and that he'll never get back. As a member of the 188th Armored Brigade, a unit trained on the Merkava tanks that make up the backbone of Israeli ground forces, Chasnoff finds himself caught in a twilight zone-like world of mandatory snack breaks, battalion sing-alongs, and eighteen-year-old Israeli mama's boys who feign injuries to get out of guard duty and claim diarrhea to avoid kitchen work. More time is spent arguing over how to roll a sleeve cuff than studying the mechanics of the Merkava tanks. The platoon sergeants are barely older than the soldiers and are younger than Chasnoff himself. By the time he's sent to Lebanon for a tour of duty against Hezbollah, Chasnoff knows everything about why snot dries out in the desert, yet has never been trained in firing the MAG. And all this while his relationship with his tough-as-nails Israeli girlfriend (herself a former drill sergeant) crumbles before his very eyes. The lone American in a platoon of eighteen-year-old Israelis, Chasnoff takes readers into the barracks; over, under, and through political fences; and face-to-face with the absurd reality of life in the Israeli Army. It is a brash and gritty depiction of combat, rife with ego clashes, breakdowns in morale, training mishaps that almost cost lives, and the barely containable sexual urges of a group of teenagers. What's more, it's an on-the-ground account of life in one of the most em-battled armies on earth -- an occupying force in a hostile land, surrounded by enemy governments and terrorists, reviled by much of the world. With equal parts irreverence and vulnerability, irony and intimacy, Chasnoff narrates a new kind of coming-of-age story -- one that teaches us, moves us, and makes us laugh.
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life.
But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life.
But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it
Three midwestern railroads introduced luxury passenger service in 1935, competing for Chicago-Twin Cities business and leisure travelers. Chicago and North Western's modern, sleek, and fast rail line began with a conventional steam-powered train dubbed the "400" and named after its ambitious schedule: "400 miles in 400 minutes." In 1939, it evolved into an even faster diesel-powered streamlined train, eventually expanding into a fleet of streamliners that served Wisconsin, Minnesota, and upper Michigan.
The 400 Story captures the excitement of this era, tracing the rise and fall of the premier passenger system that made "Twin Cities 400" a household term in the upper Midwest.
Jim Scribbins had a lifetime career at Milwaukee Road and is the author of The Hiawatha Story (Minnesota, 2006) and four other books about upper midwestern railroads. He lives in West Bend, Wisconsin.
Paperback Fiction
Hardcover Non-Fiction
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