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Biography / Autobiography
"A haunting story about the long reach of the past."--Maureen Corrigan, NPR'S Fresh Air
"In this intriguing book, [Nordhaus] shares her journey to discover who her immigrant ancestor really was--and what strange alchemy made the idea of her linger long after she was gone." --People
La Posada--"place of rest"--was once a grand Santa Fe mansion. It belonged to Abraham and Julia Staab, who emigrated from Germany in the mid-nineteenth century. After they died, the house became a hotel. And in the 1970s, the hotel acquired a resident ghost--a sad, dark-eyed woman in a long gown. Strange things began to happen there: vases moved, glasses flew, blankets were ripped from beds. Julia Staab died in 1896--but her ghost, they say, lives on.
In American Ghost, Julia's great-great-granddaughter, Hannah Nordhaus, traces her ancestor's transfiguration from nineteenth-century Jewish bride to modern phantom. Family diaries, photographs, and newspaper clippings take her on a riveting journey through three hundred years of German history and the American immigrant experience. With the help of historians, genealogists, family members, and ghost hunters, she weaves a masterful, moving story of fin-de-siècle Europe and pioneer life, villains and visionaries, medicine and spiritualism, imagination and truth, exploring how lives become legends, and what those legends tell us about who we are.
A vivid and funny memoir about growing up Gypsy and becoming American
Fifteen-year-old Oksana Marafioti is a Gypsy. This means touring with the family band from the Mongolian deserts to the Siberian tundra. It means getting your hair cut in the Lioness. It also means enduring sneering racism from every segment of Soviet society. Her father is determined that his girls lead a better, freer life. In America! Also, he wants to play guitar with B. B. King. And cure cancer with his personal magnetism. All of this he confides to the woman at the American embassy, who inexplicably allows the family entry. Soon they are living on the sketchier side of Hollywood.
An epic story of the American wheat harvest, the politics of food, and the culture of the Great Plains
For over one hundred years, the Mockett family has owned a seven-thousand-acre wheat farm in the panhandle of Nebraska, where Marie Mutsuki Mockett's father was raised. Mockett, who grew up in bohemian Carmel, California, with her father and her Japanese mother, knew little about farming when she inherited this land. Her father had all but forsworn it. In American Harvest, Mockett accompanies a group of evangelical Christian wheat harvesters through the heartland at the invitation of Eric Wolgemuth, the conservative farmer who has cut her family's fields for decades. As Mockett follows Wolgemuth's crew on the trail of ripening wheat from Texas to Idaho, they contemplate what Wolgemuth refers to as "the divide," inadvertently peeling back layers of the American story to expose its contradictions and unhealed wounds. She joins the crew in the fields, attends church, and struggles to adapt to the rhythms of rural life, all the while continually reminded of her own status as a person who signals "not white," but who people she encounters can't quite categorize. American Harvest is an extraordinary evocation of the land and a thoughtful exploration of ingrained beliefs, from evangelical skepticism of evolution to cosmopolitan assumptions about food production and farming. With exquisite lyricism and humanity, this astonishing book attempts to reconcile competing versions of our national story.
The life and work of Sylvia Plath has taken on the proportions of legend. Educated at Smith College, she had a conflicted relationship with her mother, Aurelia. She then married the poet Ted Hughes and plunged into the Sturm und Drang of literary celebrity. Her poems were fought over, rejected, accepted--and ultimately embraced by readers everywhere. At age thirty she committed suicide by putting her head in an oven while her children slept on the floor above in rooms she had sealed off from the poisonous gas. Ariel, a collection of poems she wrote at white-hot speed during her final months, became a modern classic. Her novel, The Bell Jar, has become a part of the literary canon, appearing on student reading lists worldwide. On the fiftieth anniversary of her death, Carl Rollyson gives us a new biography of Plath that shows her as a powerful figure who embraced both high and low culture to become the Marilyn Monroe of modern literature, a writer who wanted nothing less than to become central to the mythology of modern consciousness. American Isis is the first biography of Sylvia Plath to use materials newly deposited in the Ted Hughes archive at the British Library--including forty-one letters between Plath and Hughes--to create a fresh and startling look at this American icon.
On the fiftieth anniversary of her death, a startling new vision of Plath--the first to draw from the recently-opened Ted Hughes archive
The life and work of Sylvia Plath has taken on the proportions of myth. Educated at Smith, she had an epically conflict-filled relationship with her mother, Aurelia. She then married the poet Ted Hughes and plunged into the sturm and drang of married life in the full glare of the world of English and American letters. Her poems were fought over, rejected, accepted and, ultimately, embraced by readers everywhere. Dead at thirty, she committed suicide by putting her head in an oven while her children slept.
Her poetry collection titled Ariel became a modern classic. Her novel The Bell Jar has a fixed place on student reading lists. American Isis will be the first Plath bio benefitting from the new Ted Hughes archive at the British Library which includes forty one letters between Plath and Hughes as well as a host of unpublished papers. The Sylvia Plath Carl Rollyson brings to us in American Isis is no shrinking Violet overshadowed by Ted Hughes, she is a modern day Isis, a powerful force that embraced high and low culture to establish herself in the literary firmament.
Henry Kissinger once remarked that more agreements were concluded in the living room of Susan Mary Alsop than in the White House. A descendent of Founding Father John Jay, Susan Mary was an American aristocrat whose first marriage gave her full access to post-war diplomatic social life in Paris. There, her circle of friends included Winston Churchill, Isaiah Berlin, Evelyn Waugh, and Christian Dior, among other luminaries, and she had a passionate love affair with British ambassador Duff Cooper. During the golden years of John F. Kennedy s presidency after she had married the powerful journalist Joe Alsop her Washington home was a gathering place for everyone of importance, including Katharine Graham, Robert McNamara, and Henry Kissinger. Dubbed the second lady of Camelot, she hosted dinner parties that were the epitome of political power and social arrival, bringing together the movers and shakers not just of the United States, but of the world. Featuring an introduction by Susan Mary Alsop s goddaughter Frances FitzGerald, "American Lady" is a fascinating chronicle of a woman who witnessed, as Nancy Mitford once said, history on the boil. "
Little known in America but venerated as a martyr in Iran, Howard Baskerville was a twenty-two-year-old Christian missionary from South Dakota who traveled to Persia (modern-day Iran) in 1907 for a two-year stint teaching English and preaching the gospel. He arrived in the midst of a democratic revolution--the first of its kind in the Middle East--led by a group of brilliant young firebrands committed to transforming their country into a fully self-determining, constitutional monarchy, one with free elections and an independent parliament.
The Persian students Baskerville educated in English in turn educated him about their struggle for democracy, ultimately inspiring him to leave his teaching post and join them in their fight against a tyrannical shah and his British and Russian backers. "The only difference between me and these people is the place of my birth," Baskerville declared, "and that is not a big difference."
In 1909, Baskerville was killed in battle alongside his students, but his martyrdom spurred on the revolutionaries who succeeded in removing the shah from power, signing a new constitution, and rebuilding parliament in Tehran. To this day, Baskerville's tomb in the city of Tabriz remains a place of pilgrimage. Every year, thousands of Iranians visit his grave to honor the American who gave his life for Iran.
In this rip-roaring tale of his life and death, Aslan gives us a powerful parable about the universal ideals of democracy--and to what degree Americans are willing to support those ideals in a foreign land. Woven throughout is an essential history of the nation we now know as Iran--frequently demonized and misunderstood in the West. Indeed, Baskerville's life and death represent a "road not taken" in Iran. Baskerville's story, like his life, is at the center of a whirlwind in which Americans must ask themselves: How seriously do we take our ideals of constitutional democracy and whose freedom do we support?
"Welcome to Rockwell Land," writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided twentieth-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. Freckled Boy Scouts and their mutts, sprightly grandmothers, a young man standing up to speak at a town hall meeting, a little black girl named Ruby Bridges walking into an all-white school--here was an America whose citizens seemed to believe in equality and gladness for all.
Who was this man who served as our unofficial "artist in chief" and bolstered our country's national identity? Behind the folksy, pipe-smoking facade lay a surprisingly complex figure--a lonely painter who suffered from depression and was consumed by a sense of inadequacy. He wound up in treatment with the celebrated psychoanalyst Erik Erikson. In fact, Rockwell moved to Stockbridge, Massachusetts so that he and his wife could be near Austen Riggs, a leading psychiatric hospital. "What's interesting is how Rockwell's personal desire for inclusion and normalcy spoke to the national desire for inclusion and normalcy," writes Solomon. "His work mirrors his own temperament--his sense of humor, his fear of depths--and struck Americans as a truer version of themselves than the sallow, solemn, hard-bitten Puritans they knew from eighteenth-century portraits."
Deborah Solomon, a biographer and art critic, draws on a wealth of unpublished letters and documents to explore the relationship between Rockwell's despairing personality and his genius for reflecting America's brightest hopes. "The thrill of his work," she writes, "is that he was able to use a commercial form [that of magazine illustration] to thrash out his private obsessions." In American Mirror, Solomon trains her perceptive eye not only on Rockwell and his art but on the development of visual journalism as it evolved from illustration in the 1920s to photography in the 1930s to television in the 1950s. She offers vivid cameos of the many famous Americans whom Rockwell counted as friends, including President Dwight Eisenhower, the folk artist Grandma Moses, the rock musician Al Kooper, and the generation of now-forgotten painters who ushered in the Golden Age of illustration, especially J. C. Leyendecker, the reclusive legend who created the Arrow Collar Man.
Although derided by critics in his lifetime as a mere illustrator whose work could not compete with that of the Abstract Expressionists and other modern art movements, Rockwell has since attracted a passionate following in the art world. His faith in the power of storytelling puts his work in sync with the current art scene. American Mirror brilliantly explains why he deserves to be remembered as an American master of the first rank.
The oddly named president whose shortsightedness and stubbornness fractured the nation and sowed the seeds of civil war
In the summer of 1850, America was at a terrible crossroads. Congress was in an uproar over slavery, and it was not clear if a compromise could be found. In the midst of the debate, President Zachary Taylor suddenly took ill and died. The presidency, and the crisis, now fell to the little-known vice president from upstate New York. In this eye-opening biography, the legal scholar and historian Paul Finkelman reveals how Millard Fillmore's response to the crisis he inherited set the country on a dangerous path that led to the Civil War. He shows how Fillmore stubbornly catered to the South, alienating his fellow Northerners and creating a fatal rift in the Whig Party, which would soon disappear from American politics--as would Fillmore himself, after failing to regain the White House under the banner of the anti-immigrant and anti-Catholic Know Nothing Party. Though Fillmore did have an eye toward the future, dispatching Commodore Matthew Perry on the famous voyage that opened Japan to the West and on the central issues of the age--immigration, religious toleration, and most of all slavery--his myopic vision led to the destruction of his presidency, his party, and ultimately, the Union itself.