In his introduction to the The Best American Noir of the Century, James Ellroy writes, "noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.
James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing--1910-2010--to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's "Pastorale," and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.
Dave Eggers, who edits The Best American Nonrequired Reading annually, has once again chosen the best and least-expected contemporary fiction, nonfiction, satire, investigative reporting, alternative comics, and more from publications large, small, and on-line -- Zoetrope, Tin House, the Atlantic Monthly, Bomb, SPX, the New York Times, Texas Monthly, GQ, Iowa Review, Esquire, and others. Read on for "some of the best literature you haven't been reading . . . and it's fantastic. All of it" (St. Petersburg Times).
From Dave Eggers: For this year's edition of The Best American Nonrequired Reading, we wanted to expand the scope of the book to include shorter pieces, and fragments of stories, and transcripts, screenplays, television scripts -- lots of things that we hadn't included before. Our publisher readily agreed, and so you'll see that this year's edition is far more eclectic in form than previous editions. Along the way to making the book, we also came across a variety of things that didn't fit neatly anywhere, but which we felt should be included, so we conceived the front section, which is a loose Best American roundup of notable words and sentences from 2005. It is, like this book in general, obviously and completely incomplete, but might be interesting nevertheless.
They are high school students from all over the San Francisco Bay Area. Are they touched by some kind of divine light?
The question is a good one. There is rampant speculation on the subject. Are they all great-looking and charming and well dressed?
Yes. All of them, and especially Felicia Wong, who can even make her own clothes. I have a question about the process by which the entries in this collection are chosen. Is it scientific?
The process by which The Best American Nonrequired Reading is put together is not scientific. It is whatever one would consider the opposite of scientific. Creationist?
Well, no, it's not creationist either. The point is that we are probably a bit less top-to-bottom thorough than, say, the Army Corps of Engineers. Well, actually, scratch that. We are probably about exactly as thorough as the Army Corps of Engineers, in that we are intermittently thorough. What is your opinion and the committee's opinion of the state of short stories and small magazines and other periodicals?
This is a good time. It really is. More specifically?
Not all of us Americans appreciate the fact that we have about 150 very good quarterlies in this country. Every state seems to have a very good quarterly, and about a hundred colleges have very good quarterlies -- from the Kenyon Review to the University of Illinois's Ninth Letter. So by our estimate there are about 150 very good quarterlies in this country. Maybe more. Now, the thing we don't always appreciate here in America is that elsewhere in the world there are few to no quarterlies. How does it feel to select something for the collection that you found in an unlikely place?
It feels so good. This year, for example, at the last moment we found "Humpies" by Mattox Roesch. It was published by Agni Online, and we all loved it, and here it is, ideally able to reach a new audience. We all took pleasure in finding that one; the mandate of the committee is to find the offbeat and the lesser-known and bring these pieces to our readers, most of whom have great skin and bad eyes.
This "great volume" highlights the "very best of this year's fiction, nonfiction, alternative comics, screenplys, blogs and more" (OK!). Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).
First, Best, and Best-Selling The Best American series is the premier annual showcase for the country's finest short fiction and nonfiction. Each volume's series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind. The Best American Nonrequired Reading 2012 includes Kevin Brockmeier, Judy Budnitz, Junot Díaz, Louise Erdrich,
Nora Krug, Julie Otsuka, Eric Puchner, George Saunders,
Adrian Tomine, Jess Walter, and others
"Lively, eclectic and surprising." -- Minneapolis Star Tribune
Daniel Handler, aka Lemony Snicket, author of the enormously popular young adult series A Series of Unfortunate Events, takes over as editor for this volume. He will work with the students of 826 Valencia and 826 Michigan writing labs to compile new fiction, nonfiction, poetry, comics, and other category-defying gems, ensuring that "if you need to fall in love with reading again -- or just want a reminder that high school students deserve a lot more than their reading lists give them -- then this is the book for you" (Bust).
The Best American Nonrequired Reading 2015 includes
LESLEY NNEKA ARIMAH, DANIEL ALARCÓN, BOX BROWN, REBECCA CURTIS, VICTOR LODATO, CLAUDIA RANKINE, PAUL SALOPEK, PAUL TOUGH, WELLS TOWER
and others
Adam Johnson, guest editor, teaches creative writing at Stanford University. He is the author of Fortune Smiles, Emporium, Parasites Likes Us, and The Orphan Master's Son, which was awarded the Pulitzer Prize in fiction. He has received a Whiting Writers' Award and fellowships from the National Endowment for the Arts and the Guggenheim Foundation. His work has appeared in Esquire, Harper's Magazine, Playboy, GQ, the Paris Review, Granta, Tin House, the New York Times, and The Best American Short Stories.