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Anthology
The Believer, a ten-time National Magazine Award finalist, is a literature, arts, and culture magazine published by the Beverly Rogers, Carol C. Harter Black Mountain Institute, and based in the College of Liberal Arts at the University of Nevada, Las Vegas. Since 2003, The Believer has published writers that take the long view, and work that's too unusual or experimental for mainstream outlets. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, timely and untimely reviews, and on occasion, delightful and unexpected bonus items. The Believer is edited by: Hayden Bennett, Vera Blossom, Camille Bromley, Jericho Brown, Daniel Gumbiner, Niela Orr, Tamar Peterson, Kristen Radtke, Ross Simonini, Summer Thomad, and James Yeh. The Believer is edited by a group of novelists, poets, artists, columnists, critics, regular readers of the Chicago Manual of Style, and aficionados of print and digital literature. The editors are far-flung, curious, and interested in the kinds of things that contributors are passionate about. Our regular columnists are Nick Hornby and Peter Orner. Each issue of the magazine is perfect-bound and printed by friendly Canadians on recycled, acid-free, heavy-stock paper and suitable for archiving, framing, or reading in the tub. Questions? Please give us a call: (866) 930-0264 or reach us by email: CustomerService@BelieverMag.info.
The Believer's mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought--whether that means literature, painting, wrestling, philosophy, or cooking--in an attractive vehicle that's free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns "Stuff I've Been Reading," by Nick Hornby; "What the Swedes Read" (a look at Nobel Prize-winners), by Daniel Handler; and "Real Life Rock Top 10," by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item. The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist. --The Editors
The Believer's mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought--whether that means literature, painting, wrestling, philosophy, or cooking--in an attractive vehicle that's free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns "Stuff I've Been Reading," by Nick Hornby; "What the Swedes Read" (a look at Nobel Prize-winners), by Daniel Handler; and "Real Life Rock Top 10," by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item. The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist. --The Editors
The Believer's mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought--whether that means literature, painting, wrestling, philosophy, or cooking--in an attractive vehicle that's free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns "Stuff I've Been Reading," by Nick Hornby; "What the Swedes Read" (a look at Nobel Prize-winners), by Daniel Handler; and "Real Life Rock Top 10," by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item. The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist. --The Editors
The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist). On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group's gorgeous "Roland Enviro 100 Natural" recycled acid-free heavy stock paper warms your heart.
The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist). On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group's gorgeous "Roland Enviro 100 Natural" recycled acid-free heavy stock paper warms your heart.
The Believer monthly books and culture magazine is three-time finalist for National Magazine Awards in General Excellence and Design. An amiable yet rigorous forum for books and book criticism, The Believer provides an alternative to the plot summary that has increasingly become synonymous with book review, extending the ever-shortening shelf life of new books, reviving interest in books long overlooked, and stressing the interconnectivity of books to pop culture, politics, art, and music.
A gorgeously jacketed hardcover anthology of classic stories set in Berlin, by an international array of brilliant writers. Spanning more than a century, this collection of stories reflects Berlin's rich and turbulent history, chronicling the creative ferment of the Weimar Republic, the devastation of wartime, the cruel divisions of the Berlin Wall, and the aftermath of reunification. Classics by Theodor Fontane and Robert Walser provide a window on privileged society at the turn of the century. Alfred Döblin, Erich Kastner, Vladimir Nabokov, and Christopher Isherwood illuminate the frenetic Golden Twenties and the ruinous crash that followed, while marginal youths roam the city's seamy underside in Irmgard Keun's The Artificial Silk Girl and Ernst Haffner's Blood Brothers. The hero of Thomas Wolfe's You Can't Go Home Again visits a city shadowed by Hitler's rise, while in Hans Fallada's Alone in Berlin a working-class couple quietly resists the Nazis. Cold War espionage enlivens works by Len Deighton and Ian McEwan; Christa Wolf's They Divided the Sky and Peter Schneider's The Wall Jumper depict the Berlin Wall's impact on a personal scale; and Thomas Brussig's Stasi officers engage in meaningless surveillance in Heroes Like Us. Günter Grass shows us German reunification through the eyes of an elderly Luftwaffe veteran while Uwe Timm does so through a writer's madcap wanderings in a bewildering post-Wall landscape. Finally, more recent arrivals--from Chloe Aridjis's Mexican-Jewish university student in Book of Clouds to the desperate African refugees in Jenny Erpenbeck's Go, Went, Gone--bear witness to Berlin's continuing evolution as an arena of the possible.
Edited by The New Yorker's Bill Buford, the pieces collected here "prove that a restless, intrepid spirit isn't unwelcome to American readers" (New York Times Book Review).
This inaugural volume includes stories culled from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Internet. Contributors include Robert Crumb, Chris Ware, and many others. "A worthy launch for what appears destined to become a valuable annual anthology."--"Kirkus Reviews," starred review
This cutting-edge collection is just right for fans as well as those who are new to the hobby of comics. Contributors include Lynda Barry, R. and Aline Crumb, Kim Deitch, Gilbert Hernandez, Seth, and Art Spiegelman. Older teens.
The Best American Comics showcases the work of both established and up-and-coming contributors. Editor Neil Gaiman--one of the top writers in modern comics and the award-winning author of novels and children's books--has culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Internet to create this cutting-edge collection. With entries from luminaries such as Tim Hensley, Michael Kupperman, and Dash Shaw, "it's hard to flip through this book without finding a lot worth reading (and rereading)" (The Onion, A.V. Club).
Star-studded and with something for every sexual taste and curiosity Famous for taking her readers to undiscovered places, Susie Bright has changed the rules for writing about sex. Erotica is no longer under-the-covers reading; it's thrilling literature that showcases the best writing around. In Best American Erotica 2006, Bright chooses stories that toy with desire in excerpts from some of the most sexually charged and fearless writing of the year. John Updike's story recalls his narrator's first love and how they began to have sex. David Sedaris takes us into his strip poker card room. Tom Perrotta portrays a bored married man whose wife busts him as he navigates his Internet swinger life. Helen Walsh's diary shows a college student in England who drifts from a promis-ing academic career into the arms of prostitutes. In Best American Erotica 2006, today's most popular writers add their voices to a collection for any reader -- straight, gay, curious -- seeking memorable sex and riveting storytelling. Contributors John Updike, David Sedaris, Tom Perrotta, Steve Almond, Lynn Freed, Maxine Chernoff, Carol Queen, Helen Walsh, Stephen Elliott, Rachel Kramer Bussel, Bob Vickery, James Williams, Will Heinrich, Peggy Munson, Sera Gamble, Salome Wilde, Bianca James, Donna George Storey, Mr. Sleep, Gwen Masters, Gaea Yudron, Kweli Walker, L. Elise Bland, and Sidney Durham
Here you will find the finest essays "judiciously selected from countless publications" (Chicago Tribune), ranging from The New Yorker and Harper's to Swink and Pinch. In his introduction to this year's edition, Adam Gopnik finds that great essays have "text and inner text, personal story and larger point, the thing you're supposed to be paying attention to and some other thing you're really interested in." David Sedaris's quirky, hilarious account of a childhood spent yearning for a home where history was properly respected is also a poignant rumination on surviving the passage of time. In "The Ecstasy of Influence," Jonathan Lethem ponders the intriguing phenomenon of cryptomnesia: a person believes herself to be creating something new but is really recalling similar, previously encountered work. Ariel Levy writes in "The Lesbian Bride's Handbook" of her efforts to plan a party that accurately reflects her lifestyle (which she notes is "not black-tie!") as she confronts head-on what it means to be married. And Lauren Slater is off to "Tripp Lake," recounting the one summer she spent at camp--a summer of color wars, horseback riding, and the "wild sadness" that settled in her when she was away from home.
In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik's words, "the breath of things as they are."
In the end, Gopnik believes that the only real ambition of an essayist is to be a master of our common life. This latest installment of The Best American Essays is full of writing that reveals, in Gopnik's words, "the breath of things as they are."
The provocative and best-selling author Christopher Hitchens takes the helm of the twenty-fifth anniversary edition of this perennial favorite that is "reliable and yet still surprising--the best of the best" (Kirkus Reviews).
The Best American Series(R)
First, Best, and Best-Selling The Best American series is the premier annual showcase for the country's finest short fiction and nonfiction. Each volume's series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind. The Best American Essays 2012 includes Marcia Angell, Miah Arnold, Mark Doty, Joseph Epstein, Jonathan Franzen,
Malcolm Gladwell, Francine Prose, Lauren Slater,
Sandra Tsing Loh, Jose Antonio Vargas, and others
First, Best, and Best-Selling The Best American series is the premier annual showcase for the country's finest short fiction and nonfiction. Each volume's series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind. The Best American Essays 2012 includes Marcia Angell, Miah Arnold, Mark Doty, Joseph Epstein, Jonathan Franzen,
Malcolm Gladwell, Francine Prose, Lauren Slater,
Sandra Tsing Loh, Jose Antonio Vargas, and others
Selected and introduced by Cheryl Strayed, the New York Times best-selling author of Wild and the writer of the celebrated column "Dear Sugar," this collection is a treasure trove of fine writing and thought-provoking essays.
"A creature from an alternative universe . . . wanting to understand what is on the American mind should rush to the nearest bookstore and buy a copy of this distinguished anthology . . . Exhilarating." -- Publishers Weekly
The Best American Essays 2014 is selected and introduced by John Jeremiah Sullivan, author of the critically acclaimed essay collection Pulphead. The New York Times placed Sullivan "among the best young nonfiction writers in English" and the New York Times Book Review heralded Pulphead as "the best, and most important, collection of magazine writing since Wallace's A Supposedly Fun Thing I'll Never Do Again."