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Anthology
'Amplified' presents 15 short stories by some of the most compelling songwriters. With original contributions from Mary Cauthier, Chris Smither, Maria McKee, Patty Larkin, Jim White and Rennie Sparks of The Handsome Family, this anthology showcases artists working in the short story form, many for the first time.
In this rich, eye-opening, and uplifting anthology, dozens of esteemed writers, poets, artists, and translators from more than thirty countries send literary dispatches from life during the pandemic. A portion of proceeds benefit booksellers in need.
As our world is transformed by the coronavirus pandemic, writers offer a powerful antidote to the fearful confines of isolation: a window onto lives and corners of the world beyond our own. In Mauritius, a journalist contends with denialism and mourns the last days of summer, lost to the lockdown. In Paris, a writer struggles to protect his young son from fear. In Chile, protesters who prevailed against tear gas and rubber bullets are now halted by a virus. In Queens, after thirteen-hour shifts in the ER, a doctor dons running shoes and makes the long jog home.
And We Came Outside and Saw the Stars Again takes its title from the last line of Dante's Inferno, when the poet and his guide emerge from hell to once again behold the beauty of the heavens. In that spirit, the stories, essays, poems, and artwork in this collection--from beloved authors including Jhumpa Lahiri, Mario Vargas Llosa, Eavan Boland, Daniel Alarcón, Jon Lee Anderson, Claire Messud, Ariel Dorfman, and many more--detail the harrowing experiences of life in the pandemic, while pointing toward a less isolated future. Together they comprise a profound global portrait of the defining moment of our time, and send a clarion call for solidarity across borders.
Our literary culture depends on bookstores--and those irreplaceable sources of conversation and community, of inspiration and solace, have been decimated by the lockdown. Net proceeds from And We Came Outside and Saw the Stars Again will go to the Book Industry Charitable Foundation, which helps the passionate booksellers we readers depend upon.
This is not just another poetry anthology. It is a gathering of poems that demonstrate what happens when writers in a marginalized community collectively turn from dedicating their writing to political, social, and economic struggles, and instead devote themselves to the art of their poems and to the ideas they embody. These poets bear witness to the interior landscapes of their own individual selves or examine the private or personal worlds of invented personae and, therefore, of human beings living in our modern and postmodern worlds.
The anthology focuses on post-1960s poetry and includes such poets as Rita Dove, Ai, Nathaniel Mackey, Natasha Trethewey, Kevin Young, Terrence Hayes, Elizabeth Alexander, Major Jackson, Carl Phillips, Harryette Mullen, and Yusef Komunyakaa--artists who, using a wide range of styles and forms, are cultivating a poetry of personal voice and interiority that speaks against the backdrop of community and anscestry.
The anthology focuses on post-1960s poetry and includes such poets as Rita Dove, Ai, Nathaniel Mackey, Natasha Trethewey, Kevin Young, Terrence Hayes, Elizabeth Alexander, Major Jackson, Carl Phillips, Harryette Mullen, and Yusef Komunyakaa--artists who, using a wide range of styles and forms, are cultivating a poetry of personal voice and interiority that speaks against the backdrop of community and anscestry.
Crossley-Holland--the widely acclaimed translator of Old English texts--introduces the Anglo-Saxons through their chronicles, laws, letters, charters, and poetry, with many of the greatest surviving poems printed in their entirety. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
The love story between Christopher Isherwood and Don Bachardy--in their own words
The English novelist and screenwriter Christopher Isherwood was already famous as the author of Goodbye to Berlin when he met Don Bachardy, a California teenager, on the beach in Santa Monica in 1952. Within a year, they began to live together as an openly gay couple, defying convention in the closeted world of Hollywood. Isherwood was forty-eight; Bachardy was eighteen. The Animals is the testimony in letters to their extraordinary partnership, which lasted until Isherwood's death in 1986--despite the thirty year age gap, affairs and jealousy (on both sides), the pressures of increasing celebrity, and the disdain of twentieth-century America for love between two men.
The letters reveal the private world of the Animals: Isherwood was "Dobbin," a stubborn old workhorse; Bachardy was the rash, playful "Kitty." Isherwood had a gift for creating a safe and separate domestic milieu, necessary for a gay man in midtwentieth-century America. He drew Bachardy into his semi-secret realm, nourished Bachardy's talent as a painter, and launched him into the artistic career that was first to threaten and eventually to secure their life together.
The letters also tell of public achievements--the critical acclaim for A Single Man, the commercial success of Cabaret--and the bohemian whirl of friendships in Los Angeles, London, and New York with such stars as Truman Capote, Julie Harris, David Hockney, Vanessa Redgrave, Gore Vidal, and Tennessee Williams. Bold, transgressive, and playful, The Animals articulates the devotion, in tenderness and in storms, between two uniquely original spirits.
Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset's "Negro Folk Tales from the South" (1927), Zora Neale Hurston's Mules and Men (1935), and Virginia Hamilton's The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly.
Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like "The Talking Skull" and "Witches Who Ride," as well as out-of-print tales from the 1890s' Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation--a spider who plots and weaves in scandalous ways--The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of "Negro folklore" that Booker T. Washington proclaimed had emanated from a "grapevine" that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar's volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris's volumes by creating cartoon characters drawn from this African American lore.
Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive.
The Annotated African American Folktales includes:
Of all of the rich fairy-tale collections that exist in countries throughout the world, few are better known than those gathered almost two centuries ago by a pair of German brothers--Jacob and Wilhelm Grimm--in their Children's Stories and Household Tales, first published in 1812. Endlessly recast and reimagined in poetry and prose, on the screen and onstage, these stories are forever etched in our imagination. Here, in this bicentennial edition of The Annotated Brothers Grimm, Maria Tatar presents these timeless stories in a sumptuous and visually powerful format that helps reshape our understanding of the Brothers Grimm.
Drawing from the final authoritative version in the mid-nineteenth century, Tatar, an internationally recognized scholar in the field of folklore and children's literature, has translated and provided commentary for more than fifty Grimm stories, judiciously selecting tales that resonate with modern audiences and reveal the broad thematic range of the Grimm canon. Readers young and old will encounter popular classics, including "Little Red Riding Hood," "Cinderella," "Snow White," and "Rapunzel," while discovering some of the lesser known yet equally captivating stories such as "Four Artful Brothers," "The Water of Life," and "The White Snake," all new to this edition. Perhaps most noteworthy is Tatar's decision to include tales excised from later editions, including a number of "adult" stories that were removed once the Grimms realized that parents were reading the stories to children.
Tatar's own translations are accompanied by insightful annotations that search for origins, uncover cultural complexities, and explore psychological effects. Nearly two hundred images of exquisite beauty, many of them new to this edition--by artists such as George Cruikshank, Gustave Doré, Kay Nielsen, and Arthur Rackham--are reproduced alongside the stories. With a brilliant introductory essay by A. S. Byatt, along with the Grimms' original prefaces to their editions, a collection of reminiscences about "The Magic of Fairy Tales," and essays on the lives of the Brothers Grimm and the cultural impact of their tales, The Annotated Brothers Grimm captures the magical appeal of the tales while also unlocking their potent mysteries.
In the tradition of Bruno Bettelheim's The Uses of Enchantment, this volume shows how the Grimms' fairy tales animate our imaginations and remain with us long after we have put them aside. The Bicentennial Edition of The Annotated Brothers Grimm offers a treasury of cultural lore and wisdom that has been passed on from one generation to the next.
27 Authors. 27 Stories. No Names Attached. A bold collection of stories about sex that leaves you guessing who wrote what.Bestselling novelists Hillary Jordan and Cheryl Lu-Lien Tan present an elegant, international anthology of erotica that explores the diverse spectrum of desire, written by winners of the Pulitzer Prize, National Book Award, PEN Awards, the Women's Prize for Fiction, Edgar Award, and more. There are stories of sexual obsession and sexual love, of domination and submission. There's revenge sex, unrequited sex, funny sex, tortured sex, fairy tale sex, and even sex in the afterlife. While the authors are listed in alphabetical order at the beginning of the book, none of the stories are attributed, providing readers with a glimpse into an uninhibited landscape of sexuality as explored by twenty-seven of today's finest authors. Featuring Robert Olen Butler, Catherine Chung, Trent Dalton, Heidi W. Durrow, Tony Eprile, Louise Erdrich, Jamie Ford, Julia Glass, Peter Godwin, Hillary Jordan, Rebecca Makkai, Valerie Martin, Dina Nayeri, Chigozie Obioma, Téa Obreht, Helen Oyeyemi, Mary-Louise Parker, Victoria Redel, Jason Reynolds, S.J. Rozan, Meredith Talusan, Cheryl Lu-Lien Tan, Souvankham Thammavongsa, Jeet Thayil, Paul Theroux, Luis Alberto Urrea, and Edmund White.
This enchanting collection of stories once again gathers together legends and lore from across Ireland in one special volume. Drawn from The History Press' popular Folk Tales series, herein lies a second treasure trove of tales from a wealth of authentic Irish storytellers.
From fairies, mermaids and enchanted caves to devils, witches and ancient gods, this collection honours the distinct character of Ireland's different customs, beliefs and dialects, and belongs on the bookshelves of all who enjoy a well-told story.
Second in a series, this anthology of short stories set in in rural and semi-rural places is written by contemporary rural American writers of color. Edited by Erika T. Wurth, the collection features work by Ron Austin, Venita Blackburn, Erin Brown, Caridad Cole, Deidra Suwanee Deas, Jessica Doe, Mark Ennis, Jane Hammons, Soon Jones, Kasimma, Arah Ko, Joe Milan Jr., Jacob Moniz, Rachel Nussbaum, sheena daree romero, and Sean Sam. Themes include birth, death, immigration, love, and loneliness as experienced by of those living in the underpopulated parts of the United States.
The Arabian Nights is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often also known in English as One Thousand and One Nights which includes classic tales such as Sinbad The Sailor, and Aladdin.
Every night for three years the vengeful King Shahriyar spends the night with a different new wife, executing her the next morning. To end this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king stories of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba outwitting a band of forty thieves and of Genies trapped in lamps, and love stories. The sequence of stories lasts 1,001 nights.
Chiltern Publishing was formed in 2018 with a vision to create the most beautiful classics. Using a perfect mix of tradition and the very latest in printing techniques, 19th Century quality has met 21st Century technology. With wonderfully detailed covers, sparkling gilt edges, creamy pages, and stitched binding they are the most beautiful classics ever published.
The most significant translation in one hundred years of one of the greatest works of world literature
From Ali Baba and the forty thieves to the voyages of Sinbad, the stories of The Arabian Nights are timeless and unforgettable. Published here in three volumes, this magnificent new edition brings these tales to life for modern readers in the first complete English translation since Richard Burton's of the 1880s. Every night for three years the vengeful King Shahriyar sleeps with a different virgin, and the next morning puts her to death. To end this brutal pattern, the vizier's daughter, Shahrazad, begins to tell the king enchanting tales of mystical lands peopled with princes and hunchbacks, of the Angel of Death and magical spirits, and of jinnis trapped in rings and in lamps--a sequence of stories that will last 1,001 nights, and that will save her own life.
From Ali Baba and the forty thieves to the voyages of Sinbad, the stories of The Arabian Nights are timeless and unforgettable. Published here in three volumes, this magnificent new edition brings these tales to life for modern readers in the first complete English translation since Richard Burton's of the 1880s. Every night for three years the vengeful King Shahriyar sleeps with a different virgin, and the next morning puts her to death. To end this brutal pattern, the vizier's daughter, Shahrazad, begins to tell the king enchanting tales of mystical lands peopled with princes and hunchbacks, of the Angel of Death and magical spirits, and of jinnis trapped in rings and in lamps--a sequence of stories that will last 1,001 nights, and that will save her own life.