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Anthology
This National Book Critics Circle Award is "an entrancing attempt to catch what falls between: the irreducibly personal, messy, even embarrassing ways reading and living bleed into each other, which neither literary criticism nor autobiography ever quite acknowledges" (The New York Times). "Stories, both my own and those I've taken to heart, make up whoever it is that I've become," Peter Orner writes in this collection of essays about reading, writing, and living. Orner reads and writes everywhere he finds himself: a hospital cafeteria, a coffee shop in Albania, or a crowded bus in Haiti. The result is a book of unlearned meditations that stumbles into memoir. Among the many writers Orner addresses are Isaac Babel and Zora Neale Hurston, both of whom told their truths and were silenced; Franz Kafka, who professed loneliness but craved connection; Robert Walser, who spent the last twenty-three years of his life in a Swiss insane asylum, working at being crazy; and Juan Rulfo, who practiced the difficult art of silence. Virginia Woolf, Eudora Welty, Yasunari Kawabata, Saul Bellow, Mavis Gallant, John Edgar Wideman, William Trevor, and Václav Havel make appearances, as well as the poet Herbert Morris--about whom almost nothing is known. An elegy for an eccentric late father, and the end of a marriage, Am I Alone Here? is also a celebration of the possibility of renewal. At once personal and panoramic, this book will inspire readers to return to the essential stories of their own lives.
Featuring some of America's greatest writers and poets, this landmark anthology is a one-of-a-kind field guide to the American literary imagination. Americans have always been fascinated by birds and from the beginning American writers have captured this keen interest in a variety of genres: poems, journals, memoirs, short stories, essays, and travel accounts. Here literature professor and avid birder Andrew Rubenfeld, in collaboration with acclaimed writer Terry Tempest Williams, who provides a foreword, gathers evocative and surprising writings on birds and our fascination with them from an astonishing array of American poets and writers. The result is a literature of singular depth and beauty, with occasional flights of fancy in the mix. Experience the exquisite beauty of Native American songs about birds. Accompany Lewis and Clark as they encounter new species, Audubon as he sketches near New Orleans, and Emerson and Thoreau birding together around Walden Pond. Delight in Sarah Orne Jewett's poignant tale of a snowy egret in the Maine woods and Florence Merriam's portrait of a winter wren in Central Park. Join Rachel Carson as she watches skimmers along the Atlantic coast and Roger Tory Peterson observing snail kites in the Everglades. And thrill to an impressive roster of modern and contemporary poets, including Robert Frost, Elizabeth Bishop, Sterling A. Brown, Cornelius Eady, Mary Oliver, Linda Hogan, Louise Erdrich, and David Tomas Martinez, as they evoke the magic and haunting beauty of America's birds.
Those who do not learn from history are doomed to (rep)eat it.
A mother and daughter negotiate the Oregon Trail with grisly results; an elementary teacher watches the carnage of The Challenger explosion spill over into her own classroom. A possible prospector traveling west is drawn to an isolated inn where no one walks away hungry; a 1950s housewife shares the gruesome repertoire of behavior expected of a proper lady. Prohibition and women's suffrage, the Civil War and the Vietnam War, the JFK assassination conspiracy and the Y2K hysteria: the annals of American history are reimagined with a side order of cannibalism by twenty of the biggest names writing horror fiction today.
Forget what you read in the textbooks.
Everything you were taught about the Land of Liberty is about to be history.
With brand new fiction from Brian Asman, Daniel Braum, V. Castro, Douglas Ford, Jeffrey Ford, Holly Rae Garcia, Owl Goingback, C.V. Hunt, Gwendolyn Kiste, E.V. Knight, Clay McLeod Chapman, Ronald Malfi, Elizabeth Massie, Jeremy Megargee, Bridgett Nelson, Candace Nola, Clint Smith, Jon Steffens, L. Stephenson, and Jeff Strand; Foreword by Wrath James White
** A New York Times New and Noteworthy Book ** Library of America and Connie Willis present 150 years of diverse, ingenious, and uniquely American Christmas stories Christmas took on its modern cast in America, and over the last 150 years the most magical time of the year has inspired scores of astonishingly diverse and ingenious stories. Library of America joins with acclaimed author Connie Willis to present a unparalleled collection of American stories about Christmas, literary gems that showcase how the holiday became one of the signature aspects of our culture. Spanning from the origins of the American tradition of holiday storytelling in the wake of the Civil War to today, this is the biggest and best anthology of American Christmas stories ever assembled. From ghost stories to the genres of crime, science fiction, fantasy, westerns, humor, and horror, stories of Christmas morning, gifts, wise men, nativities, family, commercialism, and dinners from New York to Texas to outer space, this anthology reveals the evolution of Christmas in America--as well as the surprising ways in which it has remained the same.
From early on, American literature has teemed with tales of horror, of hauntings, of terrifying obsessions and gruesome incursions, of the uncanny ways in which ordinary reality can be breached and subverted by the unknown and the irrational. As this pathbreaking two-volume anthology demonstrates, it is a tradition with many unexpected detours and hidden chambers, and one that continues to evolve, finding new forms and new themes as it explores the bad dreams that lurk around the edges--if not in the unacknowledged heart--of the everyday. Peter Straub, one of today's masters of horror and fantasy, offers an authoritative and diverse gathering of stories calculated to unsettle and delight. This first volume surveys a century and a half of American fantastic storytelling, revealing in its forty-four stories an array of recurring themes: trance states, sleepwalking, mesmerism, obsession, possession, madness, exotic curses, evil atmospheres. In the tales of Irving, Poe, and Hawthorne, the bright prospects of the New World face an uneasy reckoning with the forces of darkness. In the ghost-haunted Victorian and Edwardian eras, writers including Henry James, Edith Wharton, Mary Wilkins Freeman, Charlotte Perkins Gilman, and Ambrose Bierce explore ever more refined varieties of spectral invasion and disintegrating selfhood. In the twentieth century, with the arrival of the era of the pulps, the fantastic took on more monstrous and horrific forms at the hands of H. P. Lovecraft, Robert E. Howard, Robert Bloch, and other classic contributors to Weird Tales. Here are works by acknowledged masters such as Stephen Crane, Willa Cather, Conrad Aiken, and F. Scott Fitzgerald, along with surprising discoveries like Ralph Adams Cram's "The Dead Valley," Emma Francis Dawson's "An Itinerant House," and Julian Hawthorne's "Absolute Evil." American Fantastic Tales offers an unforgettable ride through strange and visionary realms. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
More than 160 tales from eighty tribal groups gives us a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world. In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.
With black-and-white illustrations throughoutSelected and edited by Richard Erdoes and Alfonso Ortiz
Part of the Pantheon Fairy Tale and Folklore Library
A thought-provoking collection of searing prose from a Sioux woman that covers race, identity, assimilation, and perceptions of Native American culture Zitkala-Sa wrestled with the conflicting influences of American Indian and white culture throughout her life. Raised on a Sioux reservation, she was educated at boarding schools that enforced assimilation and was witness to major events in white-Indian relations in the late 1800s and early 1900s. Tapping her troubled personal history, Zitkala-Sa created stories that illuminate the tragedy and complexity of the American Indian experience. In evocative prose laced with political savvy, she forces new thinking about the perceptions, assumptions, and customs of both Sioux and white cultures and raises issues of assimilation, identity, and race relations that remain compelling today.
American Odysseys is an anthology of twenty-two novelists, poets, and short-story writers drawn from the shortlist for the 2011 Vilcek Prize for Creative Promise in Literature. Including Ethiopian-born Dinaw Mengestu, the recipient of the Prize; Yugoslavian-born Téa Obreht, the youngest author to receive the Orange Prize in Fiction; and Chinese-born Yiyun Li, a MacArthur Genius grantee, what these authors all have in common--and share with US Poet Laureate Charles Simic, who has contributed a foreword--is that they are immigrants to the United States, now excelling in their fields and dictating the terms by which future American writing will be judged by the world. Running the gamut from desperate realism to whimsical fantasy--from Miho Nonaka's poetry, inspired by fourteenth-century Noh theater, to Ismet Prcic's wrenching stories set in the aftermath of the Bosnian war--American Odysseys is proof, if any be needed, that the heterogeneity of American society is its greatest asset.
WINNER OF THE NOBEL PRIZE IN LITERATURE
A luminous collection of essays from Louise Glück, winner of the Nobel Prize in Literature and one of our most original and influential poets Five decades after her debut poetry collection, Firstborn, Louise Glück is a towering figure in American letters. Written with the same probing, analytic control that has long distinguished her poetry, American Originality is Glück's second book of essays--her first, Proofs and Theories, won the 1993 PEN/Martha Albrand Award for First Nonfiction. Glück's moving and disabusing lyricism is on full display in this decisive new collection. From its opening pages, American Originality forces readers to consider contemporary poetry and its demigods in radical, unconsoling, and ultimately very productive ways. Determined to wrest ample, often contradictory meaning from our current literary discourse, Glück comprehends and destabilizes notions of "narcissism" and "genius" that are unique to the American literary climate. This includes erudite analyses of the poets who have interested her throughout her own career, such as Rilke, Pinsky, Chiasson, and Dobyns, and introductions to the first books of poets like Dana Levin, Peter Streckfus, Spencer Reece, and Richard Siken. Forceful, revealing, challenging, and instructive, American Originality is a seminal critical achievement.
Fifteen essays coedited by a collective of award-winning incarcerated writers, featuring contributions from Lacy M. Johnson, Kiese Laymon, Valeria Luiselli, Kao Kalia Yang, and more, with a foreword by Zeke Caligiuri and an introduction by Eula Biss.
"This is a volume edited by the imprisoned, because the history of class has always been written by the powerful."
This groundbreaking anthology of essays edited by incarcerated writers takes a sharp look at the complexity and fluidity of class and caste systems in the United States. Featuring accounts that include gig work as a delivery driver, homelessness among trans youth, and life with immense student loan debt, in addition to transcripts of insightful discussions between the editors, American Precariat demonstrates how various and often invisible extreme instability can be. With the understanding that widespread recognition of collective precarity is an urgent concern, the anthology situates each individual portrait within societal structures of exclusion, scarcity, and criminality.
These essays write through the silence around class to enumerate the risks that our material conditions leave us no choice but to take. A rendering of the present moment told from below, American Precariat shares stories of the unseen and the unspoken and articulates the lines of our division. In doing so, it offers healing for some of the world's fractures.
"Everything and nothing is sacred in Rebecca Brown's essays. Tongue, word, thought, and intellect all conspire in a free language love of living history, divination, sex, solitude and amusement. She is America's only real rock 'n' roll schoolteacher. Lessons layered with profundity and protracted parallels. Where old world religion, Gertrude Stein and Oreo cookies co-exist in an actual and mystic world of wonder."--Thurston Moore, Sonic Youth
"If Rebecca Brown's talent for prose were any tighter, it would be a lyric--to a pop standard. An homage--a menage--to America, exposing what's laid bare in a comic tragic redux. I laughed till it hurt."--Van Dyke Parks, Composer/Arranger
"Anyone who can get from the Eucharist, to a Necco Wafer, to the goo beween the Oreo wafers, to the Inquisition, to the goo between the legs of excited young women is a distant sibling of mine. She can dash and she can drift and she is not much interested in the really bad parts that might qualify as confession. She likes the float of quotidian living and I like to read the words upon which she floats."--Dave Hickey, author of Air Guitar
The impulse to tell our worst to a bunch of strangers has been fueling American self-hood for 300 years: there's a direct line from the Puritan confession narrative to today's lurid, inescapable exhibitionism. But whose stories are we telling?
This collection of mordant, poignant, and playful essays shows Rebecca Brown at the height of her imaginative and intuitive powers. A wry, incisive social and literary critique is couched in a gonzo mix of pop culture, autobiography, fiction, literary history, misremembered movie plots, and fantasy that plays with the notion of what it is to be "American." Fantastical connections and unlikely meetings span the course of America's cultural history in a manic remix, featuring appearances by Brian Wilson, Gertrude Stein, Nathaniel Hawthorne, the Invisible Man, the Abligensian Crusade, John Wayne, Felix Mendelssohn, JFK, Shane, and God.
Rebecca Brown's books include The Gifts of the Body, The Last Time I Saw You, The Haunted House, Terrible Girls, and The End of Youth.
Atrévete a amar. Si hay alguien capaz de describir con maestría, personalidad y humor la naturaleza caprichosa del amor, es Isabel Allende. Esta recopilación de escenas de amor, seleccionadas de entre sus libros, es una invitación a sumergirse en la lectura, soñar y sonreír. La gran narradora chilena escribe abiertamente, haciendo un guiño a sus lectores, sobre sus experiencias en el sexo y el amor. ENGLISH DESCRIPTION Dare to Love!
If there is anyone capable of describing the whimsical nature of love with great skill, personality, and humor, it is Isabel Allende. This compilation of love scenes selected from her books, is an invitation to immerse yourself in reading, dreaming, and smiling. The great Chilean narrator openly winks to her readers about her experiences in love and sex.
If there is anyone capable of describing the whimsical nature of love with great skill, personality, and humor, it is Isabel Allende. This compilation of love scenes selected from her books, is an invitation to immerse yourself in reading, dreaming, and smiling. The great Chilean narrator openly winks to her readers about her experiences in love and sex.
Atrevete a amar.
Si hay alguien capaz de describir con maestria, personalidad y humor la naturaleza caprichosa del amor, es Isabel Allende. Esta recopilacion de escenas de amor, seleccionadas de entre sus libros, es una invitacion a sumergirse en la lectura, sonar y sonreir. La gran narradora chilena escribe abiertamente, haciendo un guino a sus lectores, sobre sus experiencias en el sexo y el amor."
Si hay alguien capaz de describir con maestria, personalidad y humor la naturaleza caprichosa del amor, es Isabel Allende. Esta recopilacion de escenas de amor, seleccionadas de entre sus libros, es una invitacion a sumergirse en la lectura, sonar y sonreir. La gran narradora chilena escribe abiertamente, haciendo un guino a sus lectores, sobre sus experiencias en el sexo y el amor."
'Amplified' presents 15 short stories by some of the most compelling songwriters. With original contributions from Mary Cauthier, Chris Smither, Maria McKee, Patty Larkin, Jim White and Rennie Sparks of The Handsome Family, this anthology showcases artists working in the short story form, many for the first time.
In this rich, eye-opening, and uplifting anthology, dozens of esteemed writers, poets, artists, and translators from more than thirty countries send literary dispatches from life during the pandemic. A portion of proceeds benefit booksellers in need.
As our world is transformed by the coronavirus pandemic, writers offer a powerful antidote to the fearful confines of isolation: a window onto lives and corners of the world beyond our own. In Mauritius, a journalist contends with denialism and mourns the last days of summer, lost to the lockdown. In Paris, a writer struggles to protect his young son from fear. In Chile, protesters who prevailed against tear gas and rubber bullets are now halted by a virus. In Queens, after thirteen-hour shifts in the ER, a doctor dons running shoes and makes the long jog home.
And We Came Outside and Saw the Stars Again takes its title from the last line of Dante's Inferno, when the poet and his guide emerge from hell to once again behold the beauty of the heavens. In that spirit, the stories, essays, poems, and artwork in this collection--from beloved authors including Jhumpa Lahiri, Mario Vargas Llosa, Eavan Boland, Daniel Alarcón, Jon Lee Anderson, Claire Messud, Ariel Dorfman, and many more--detail the harrowing experiences of life in the pandemic, while pointing toward a less isolated future. Together they comprise a profound global portrait of the defining moment of our time, and send a clarion call for solidarity across borders.
Our literary culture depends on bookstores--and those irreplaceable sources of conversation and community, of inspiration and solace, have been decimated by the lockdown. Net proceeds from And We Came Outside and Saw the Stars Again will go to the Book Industry Charitable Foundation, which helps the passionate booksellers we readers depend upon.
This is not just another poetry anthology. It is a gathering of poems that demonstrate what happens when writers in a marginalized community collectively turn from dedicating their writing to political, social, and economic struggles, and instead devote themselves to the art of their poems and to the ideas they embody. These poets bear witness to the interior landscapes of their own individual selves or examine the private or personal worlds of invented personae and, therefore, of human beings living in our modern and postmodern worlds.
The anthology focuses on post-1960s poetry and includes such poets as Rita Dove, Ai, Nathaniel Mackey, Natasha Trethewey, Kevin Young, Terrence Hayes, Elizabeth Alexander, Major Jackson, Carl Phillips, Harryette Mullen, and Yusef Komunyakaa--artists who, using a wide range of styles and forms, are cultivating a poetry of personal voice and interiority that speaks against the backdrop of community and anscestry.
The anthology focuses on post-1960s poetry and includes such poets as Rita Dove, Ai, Nathaniel Mackey, Natasha Trethewey, Kevin Young, Terrence Hayes, Elizabeth Alexander, Major Jackson, Carl Phillips, Harryette Mullen, and Yusef Komunyakaa--artists who, using a wide range of styles and forms, are cultivating a poetry of personal voice and interiority that speaks against the backdrop of community and anscestry.