Anthology

A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.

Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces "under-expressed, unpopular or downright dangerous" points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.

Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper's Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver's piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes.

In her characteristically frank manner, Shriver shrewdly skewers the concept of language "crimes," while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Each essay in Abominations reflects sentiments that have "brought hell and damnation down on my head," as she cheerfully explains, and have threatened her with "cancellation" more than once.

Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. "Enlightened" progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree.

A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

In 2014, UNESCO's World Book Capital is Port Harcourt, Nigeria-the first city in Africa to receive the designation by public bid.

This makes it a special year for the Port Harcourt Book Festival, which will be in its seventh year, and bigger than ever. They are joining forces with the internationally renowned Hay Festival, which will bring to Port Harcourt its 39 Project-a competition to identify the thirty-nine most promising young talents under the age of forty in sub-Saharan Africa and the diaspora. It follows the success of Bogotá 39 in 2007 and Beirut 39 in 2010. Both recognized a number of authors who now have international profiles: in Bogotá, Adriana Lisboa, Alejandro Zambra, Juan Gabriel Vásquez, Daniel Alarcón, and Junot Díaz; in Beirut, Randa Jarrar, Joumana Haddad, Abdellah Taia, Samar Yazbek, and Faiza Guene. In Nigeria this year, the esteemed judges include leading-edge publisher Margaret Busby; novelist and playwright Elechi Amadi, writer and scholar Osonye Tess Onwueme, and Caine Prize winner Binyavanga Wainaina.

For the second time, Bloomsbury is honored to be a part of the festivities, publishing worldwide Africa39-a collection of brand new work from these talented thirty-nine.

With an introduction by Wole Soyinka, Africa39 is a must-read for anyone curious about Africa today and Africa tomorrow, as envisioned through the eyes of its brightest literary stars.

After Hours, a journal of Chicago writing and art, since June 2000. A bi-annual literary journal, this is the issue #43 Winter 2022. Past issues of After Hours have included Mark Turcotte, Stuart Dybek, Diane DiPrima, Norbert Blei, Billy Lombardo, Rane Arroyo, Albert DeGenova, Marty McConnell, David Hernandez, Herb Nolan, Nina Corwin, Jacob Saenz and many more writers and artists who call (or have called) Chicago home. www.afterhourspress.com

A collection of 36 extraordinary stories originally told on stage, featuring work by writers, entertainers, thinkers, and community leaders. Spanning comedy and tragedy, Alien Nation brilliantly illuminates what it's like to be an immigrant in America.

America would not be America without its immigrants. This anthology, adapted from storytelling event "This Alien Nation," captures firsthand the past and present of immigration in all its humor, pain, and weirdness. Contributors--some well-known, others regular (and fascinating) people--share moments from their lives, reminding us that immigration is not just a word dropped in the news (simplified to something you are "for" or "against"), but a world--rich with unique voices, perspectives, and experiences.

Travel from the Central Park playground where "tattle-tales" among nannies inspire Christine Lewis's activism to an Alexandrian garden half a century ago courtesy of writer André Aciman. Visit a refugee camp in Gaza as described by actress and comedian Maysoon Zayid, and follow Intersex activist Tatenda Ngwaru as she flees Zimbabwe with dreams of meeting Oprah. Witness efforts from comedian Aparna Nancherla's mother to make Aparna less shy, and Orange is the New Black's Laura Gómez makes an unlikely connection in a bed-and-breakfast.

Compelling and inspirational, Alien Nation is a celebration of immigration and an exploration of culture shock, isolation and community, loneliness and hope, heartbreak and promise--it's a poignant reminder of our shared humanity at a time we need it greatly, and a thoughtful, entertaining tribute to cultural diversity.

In his brilliant follow-up to In Sunlight or In Shadow, Lawrence Block has gathered together the best talent from popular fiction to produce an anthology as inventive as it is alluring, including Joyce Carol Oates, Lee Child, Michael Connelly, David Morrell, and Jeffery Deaver.

Even before Lawrence Block could rest on his laurels from In Sunlight or In Shadow, a question arose. What would he do for an encore?

Any number of artists have produced evocative work, but none came to mind who could equal Hopper in turning out canvas after canvas. If no single artist could take Hopper's place, how about a full palette of them? Suppose each author was invited to select a painting from the whole panoply of visual artfFrom the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried.

And what a dazzling response! The impressive concept includes works inspired by artists ranging from Balthus, Salvador Dali, Hieronymous Bosch, Mokusai, Rodin, Rockwell, Magritte and more, written by such authors as Joyce Carol Oates, Warren Moore, Michael Connelly, S. J. Rozan, Jeffery Deaver, Kristine Kathryn Rusch, Thomas Pluck, Sarah Weinman, David Morrell, Craig Ferguson, Joe R. Lansdale, Jill D. Block, Justin Scott, Jonathan Santlofer, Gail Levin, Nicholas Christopher, and Lee Child, with each story accompanied in color by the work of art that inspired it.

A compilation of the best short horror fiction published by magazines, anthologies and websites between 2000 and 2010. These stories deal with uniquely 'American' themes, and are guaranteed to raise hairs and chill the blood.

Since its inception in Paris in 1960, the OuLiPo--ouvroir de littérature potentielle, or workshop for potential literature--has continually expanded our sense of what writing can do. It's produced, among many other marvels, a detective novel without the letter e (and a sequel of sorts without a, i, o, u, or y); an epic poem structured by the Parisian métro system; a story in the form of a tarot reading; a poetry book in the form of a game of go; and a suite of sonnets that would take almost 200 million years to read completely.

Lovers of literature are likely familiar with the novels of the best-known Oulipians--Italo Calvino, Georges Perec, Harry Mathews, Raymond Queneau--and perhaps even the small number of texts available in English on the group, including Warren Motte's Oulipo: A Primer of Potential Literature and Daniel Levin Becker's Many Subtle Channels: In Praise of Potential Literature. But the actual work of the group in its full, radiant collectivity has never before been showcased in English. ("The State of Constraint," a dossier in issue 22 of McSweeney's Quarterly Concern, comes closest.)

Enter All That is Evident is Suspect: the first collection in English to offer a life-size picture of the group in its historical and contemporary incarnations, and the first in any language to represent all of its members (numbering 41 as of April 2018 ). Combining fiction, poetry, essays and lectures, and never-published internal correspondence--along with the acrobatically constrained writing and complexly structured narratives that have become synonymous with oulipian practice--this volume shows a unique group of thinkers and artists at work and at play, meditating on and subverting the facts of life, love, and the group itself. It's an unprecedentedly intimate and comprehensive glimpse at the breadth and diversity of one of world literature's most vital, adventurous presences.

DISCUSSED: Sharks as poets and vice versa, the Brisbane pitch drop experiment, novel classifications for real or imaginary libraries, the monumental sadness of difficult loves, the obsolescence of the novel, the symbolic significance of the cup-and-ball game, holiday closures across the Francophone world, what happens at Fahrenheit 452, Warren G. Harding's dark night of the soul, Marcel Duchamp's imperviousness to conventional spacetime laws, bilingual palindromes, cartoon eodermdromes, oscillating poems, métro poems, metric poems, literary madness, straw cultivation.