"The summer's must-read psychological thriller." —Lenny Letter
Finalist for The Tonight Show Starring Jimmy Fallon’s “Summer Reads” Book Club
The Talented Mr. Ripley meets The Bad Seed in this breathless, chilling psychological thriller by the #1 bestselling novelist known as “Korea's Stephen King”
Who can you trust if you can't trust yourself?
Early one morning, twenty-six-year-old Yu-jin wakes up to a strange metallic smell, and a phone call from his brother asking if everything's all right at home – he missed a call from their mother in the middle of the night. Yu-jin soon discovers her murdered body, lying in a pool of blood at the bottom of the stairs of their stylish Seoul duplex. He can't remember much about the night before; having suffered from seizures for most of his life, Yu-jin often has trouble with his memory. All he has is a faint impression of his mother calling his name. But was she calling for help? Or begging for her life?
Thus begins Yu-jin's frantic three-day search to uncover what happened that night, and to finally learn the truth about himself and his family. A shocking and addictive psychological thriller, The Good Son explores the mysteries of mind and memory, and the twisted relationship between a mother and son, with incredible urgency. Named a Must-Read Book of the Summer by Elle, Entertainment Weekly, Vulture, CrimeReads, Lit Hub, The Millions, Electric Literature, and Brit + Co
About the Author
South Korea’s leading writer of psychological thrillers and crime fiction, You-Jeong Jeong is the award-winning author of four novels including Seven Years of Darkness, which was named one of the top ten crime novels of 2015 by Die Zeit (Germany). Her work has been translated into seven languages. A #1 bestseller in Korea, The Good Son is the first of her books to appear in English.
Chi-Young Kim is the award-winning translator of the Man Asian Literary Prize-winning and bestselling novel Please Look After Mom by Kyung-Sook Shin, The Things You Can See Only When You Slow Down by Haemin Sunim, and works of fiction by Sun-Mi Hwang, J.M. Lee, and Young-Ha Kim, among others. She lives in Los Angeles.
“At long last, South Korea’s preeminent author of psychological thrillers has arrived Stateside. The Good Son . . . [is] a perfect introduction: an ingeniously twisted mother-son saga that keeps your heart pumping—and then breaks it.” —Entertainment Weekly, “Must List”
“A chilling portrait of a psychopath, and a beautifully evocative tale of wealth and isolation in modern South Korean life. You-Jeong Jeong has been called the Stephen King of South Korea, although I’d prefer to compare her to Lionel Shriver, Dorothy B. Hughes, or Patricia Highsmith.” —Molly Odintz, Lit Hub, “16 Books You Should Read This June”
“Absorbing . . . An unlikely thriller that we continue to read—thanks to Ms. Jeong's controlled prose...with a sickened sort of fascination. It's a testament to the author's skill and seriousness of purpose that she maintains suspense about her inhuman-seeming protagonist's fate until the bitter end.” —The Wall Street Journal
"Will leave even the most seasoned crime fiction readers guessing." —CrimeReads, "5 International Crime Novels to Read This June"
“Want to read an under-the-radar psychological thriller? Feel smug about pocketing The Good Son.” —Elle.com, “30 Best Books to Read This Summer”
“Jeong expertly inches up the tension in this crafty, creepy story.” —The Guardian, “The Best Recent Crime Novels”
“Jeong’s thrillers are wildly popular in South Korea, and we’ll soon learn why . . . The gore is intense, but the psychological terror might never wash off.” —Vulture, “8 New Books You Should Read This June”
“Award-winning translator Chi-Young Kim ensures that Jeong is introduced to Anglophone readers with chilling precision . . . Lauded as South Korea’s leading psychological crime-fiction writer, Jeong performs intricate plotting here in a tale that . . . enthrall[s].” —Booklist
“A precise, meticulously plotted thriller . . . The tension comes from Jeong’s prose, which spares not a single word . . . [The Good Son] sucks you in with precision and holds your attention, leaving you with a satisfying resolution.” —World Literature Today
“A slow-burn psychological thriller with plenty of twists and things to think about.” —BookRiot
“[This] psychological thriller . . . will completely keep you interested all summer long.” —Brit + Co
“[A] psychological murder mystery [that] subverts the usual clichés of its genre.” —Electric Literature, “Anti-Beach Reads for Summer Goths”
“A cool, crafty did-he-do-it thriller buoyed by a rising tide of madness. Provocative yet profound, humming with mood and menace, The Good Son will rivet readers of Jo Nesbo and Patricia Highsmith.” —A. J. Finn, #1 New York Times bestselling author of The Woman in the Window
“A gripping, atmospheric, edge-of-your-seat thriller, The Good Son is moody and dark in the best way, with an unreliable narrator you won’t soon forget. I loved it.” —Flynn Berry, author of Under the Harrow
“This book will pull you in; as you devour it, you may find yourself chilled to the bone by its unflinching depiction of the evil coiled within us." —Kyung-Sook Shin, author of Please Look After Mom
“Jeong slowly winds readers up with taut, high-tension wire . . . A creepy, insidious, blood-drenched tale in which nothing is quite what it seems.” —Kirkus Reviews
“The arrival of You-jeong Jeong on the Korean literary scene in the 2000s shocked and ruptured the system . . . She refused the delicate sensitivity often expected of women writers and gave us powerful and potent stories.” —The Hankyoreh (Korea)
“You-jeong Jeong's novels are noted for her intricately crafted short sentences that push the urgent plot forward without giving you a chance to breathe. [The Good Son] dissects the inner thoughts of the main character...with the power of those sentences.” —The Kyonghyang Sinmun (Korea)
“A game of survival experienced by a murderer.” —The Chosun Ilbo (Korea)
“A coming-of-age story told by a villain, following [his] emotional arc as he realizes that he had no choice but to become a murderer. The reader ends up feeling oddly sympathetic to him.” —Yonhap News (Korea)
“Charismatic writing and cinematic dynamism.” —Hankook Ilbo (Korea)
“The events unfold in a mere three days. But . . . the tight plot transcends physical time.” —Munhwa Ilbo (Korea)